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Marvel gets meta with Wonder Man teaser

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Marvel Studios has dropped the first teaser for Wonder Man, an eight-episode miniseries slated for a January release, ahead of its panel at New York Comic Con this weekend.

Part of the MCU’s Phase Six, the miniseries was created by Destin Daniel Cretton (Shang-Chi and the Legend of Five Rings) and Andrew Guest (Hawkeye), with Guest serving as showrunner. It has been in development since 2022.

The comic book version of the character is the son of a rich industrialist who inherits the family munitions factory but is being crushed by the competition: Stark Industries. Baron Zemo (Falcon and the Winter Soldier) then recruits him to infiltrate and betray the Avengers, giving him super powers (“ionic energy”) via a special serum. He eventually becomes a superhero and Avengers ally, helping them take on Doctor Doom, among other exploits. Since we know Doctor Doom is the Big Bad of the upcoming two new Avengers movies, a Wonder Man miniseries makes sense.

In the new miniseries, Yahya Abdul-Mateen II stars as Simon Williams, aka Wonder Man, an actor and stunt person with actual superpowers who decides to audition for the lead role in a superhero TV series—a reboot of an earlier Wonder Man incarnation. Demetrius Grosse plays Simon’s brother, Eric, aka Grim Reaper; Ed Harris plays Simon’s agent, Neal Saroyan; and Arian Moayed plays P. Clearly, an agent with the Department of Damage Control. Lauren Glazier, Josh Gad, Byron Bowers, Bechir Sylvain, and Manny McCord will also appear in as-yet-undisclosed roles

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A Knight of the Seven Kingdoms teaser debuts at NYCC

culture, Entertainment, Game of Thrones franchise, George R.R. Martin, HBO, Knight of the Seven Kingdoms, streaming television, Trailers / /

A squire and his hedge knight: Dexter Sol Ansell plays

A squire and his hedge knight: Dexter Sol Ansell plays “Egg” (l) and Peter Claffey plays Dunk (r). Credit: YouTube/HBO

This being a Game of Thrones series, there’s also an extensive supporting cast. Ross Anderson plays Ser Humfrey Hardyng; Edward Ashley plays Ser Steffon Fossoway; Henry Ashton as Egg’s older brother, Prince Daeron “The Drunken” Targaryen; Youssef Kerkour as a blacksmith named Steely Pate; Daniel Monks as Ser Manfred Dondarrion; Shaun Thomas as Raymun Fossoway; Tom Vaughan-Lawlor as Plummer, a steward; Steve Wall as Lord Leo “Longthorn” Tyrell, Lord of Highgarden; and Danny Webb as Dunk’s mentor, Ser Arlan of Pennytree.

It’s a good rule of thumb in the Game of Thrones universe not to get too attached to any of the characters, and that probably holds true here, too. But Knight of the Seven Kingdoms also seems to be aiming for a different, lighter tone than its predecessors, judging by the teaser, which has its share of humor. Martin has said as much on his blog, although he added, “It’s still Westeros, so no one is truly safe.”

Since Dunk is a humble hedge knight, there are lots of scenes with him trudging through mud and rain, and jousting will apparently feature much more prominently. “I always love Medieval tournaments in other pictures,” Martin said during a NYCC panel. “We had several tournaments in Game of Thrones, they were in the background, but not the center. I wanted to do something set during a tournament. I sent (the TV writers) a challenge: Let’s do the best jousting sequences that were ever done on film. My favorite was 1952’s Ivanhoe.”

A Knight of the Seven Kingdoms debuts on HBO on January 18, 2026.

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Pennywise gets an origin story in Welcome to Derry trailer

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Director Andy Muschietti’s two-film adaptation of Stephen King’s bestselling horror novel IT racked up over $1 billion at the box office worldwide. Now Muschietti is back with a nine-episode prequel series for HBO, IT: Welcome to Derry, exploring the origins of Pennywise the Clown (Bill Skarsgård), the ancient evil that terrorized the fictional town every 27 years. And now we have an official trailer a month before the prequel’s October debut.

(Some spoilers below for IT and IT: Chapter Two.)

As previously reported, set in 1989, IT essentially adapted half of King’s original novel, telling the story of a group of misfit kids calling themselves “The Losers Club.” The kids discover their small town of Derry is home to an ancient, trans-dimensional evil that awakens every 27 years to prey mostly on children by taking the form of an evil clown named Pennywise. Bill (Jaeden Lieberher) loses his little brother, Georgie, to Pennywise, and the group decides to take on Pennywise and drive him into early hibernation, where he will hopefully starve. But Beverly (Sophia Lillis) has a vision warning that Pennywise will return on schedule in 27 years, and they must be ready to fight him anew.

IT: Chapter Two revisited our protagonists 27 years later, as they all returned to Derry as adults for a reunion of sorts, taking on the killer clown in a final battle—eventually emerging victorious but not without a few casualties. The two films covered much of the novel’s material but omitted several key flashback passages drawn from Mike’s interviews with older residents of Derry as he investigated the town’s sinister history.

One event that did make it into IT: Chapter Two was the burning down of the Black Spot—a nightclub Mike’s (Chosen Jacobs and Isaiah Mustafa) father, Will, opened—by local white supremacists. That tragedy will also appear in Welcome to Derry. The series is set in 1962, although Muschietti said earlier this year that there are plans for three seasons, with subsequent settings in 1935 and 1908, respectively. That’s consistent with Pennywise’s 27-year cycle, and as Muschietti said, “There’s a reason why the story is told backwards.”

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Fallout S2 teaser brings us to New Vegas

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Prime Video has dropped an extended teaser for the much-anticipated second season of Fallout, widely considered to be among the best TV adaptations of a gaming franchise. In our 2024 year-end roundup, Ars senior editor Samuel Axon wrote that the first season gave us “a specific cocktail of tongue-in-cheek humor, sci-fi campiness, strong themes, great characters, and visceral violence [that] came together into a fantastic show.” The second season looks like it will bring us more of the same, along with a major new character drawn from the Fallout: New Vegas game. We even got a glimpse of a Deathclaw.

(Minor spoilers for S1 below.)

For the uninitiated, Fallout is set two centuries after nuclear warfare between the US and China destroyed civilization in 2077—an alternate history version of 2077, in which post-World War II nuclear technology ushered in a retrofuturistic society. Some lucky survivors took refuge in various underground vaults; others were left to scavenge a meager existence on the highly radioactive surface.

In S1, we met Lucy MacLean (Ella Purnell), a young woman whose vault is raided by surface dwellers. The raiders kill many vault residents and kidnap her father, Hank (Kyle MacLachlan), so the sheltered Lucy sets out on a quest to find him. Life on the surface is pretty brutal, but Lucy learns fast. Along the way, she finds an ally (and love interest) in Maximus (Aaron Moten), a squire masquerading as a knight of the Brotherhood of Steel. And she runs afoul of a gunslinger and bounty hunter known as the Ghoul (Walton Goggins), a former Hollywood actor named Cooper Howard who survived the original nuclear blast, but radiation exposure turned him into, well, a ghoul.

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They’re golden: Fictional band from K-Pop Demon Hunters tops the charts

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The fictional band Huntr/x, from K-Pop Demon Hunters, has a real-world hit with “Golden.”

Netflix has a summer megahit on its hands with its animated musical feature film, K-Pop Demon Hunters. Since its June release, the critically acclaimed film has won fans of all ages, fueled by a killer Korean pop soundtrack featuring one earworm after another. The biggest hit is “Golden,” which just hit No. 1 on Billboard’s Top 100 chart. (The last time a fictional ensemble topped the charts was in 2022 with Encanto‘s “We Don’t Talk About Bruno.”)

K-Pop Demon Hunters is now Netflix’s most-watched animated film of all time, and that’s not just because of the infectious music. The Sony Animation team delivers bold visuals that evoke the look and feel of anime, the plot is briskly paced, and the script strikes a fine balance between humor and heart.

(Spoilers below.)

The film deftly lays out the central premise in the first few minutes. In ancient times, demons roamed the Earth freely and preyed upon human souls, until a trio of women—gifted singers and demon hunters—created a magical protective barrier with their voices known as the Honmoon, trapping the demons behind it. The Honmoon has been maintained ever since by subsequent musical trios/demon hunters from each generation. The dream is that one day, the Honmoon will become so strong it will turn “golden” and seal away the demons forever.

Naturally the demons, led by their king Gwi-Ma (Lee Byung-hun), don’t want that to happen, but the latest incarnation of demon hunters—a K-Pop band called Huntr/x—is close to accomplishing the Golden Honmoon. Rumi (Arden Cho) is the lead singer, Mira (May Hong) is the group’s dancer/choreographer, and American-born Zoey (Ji-young Yoo) is the rapper and lyricist. But Rumi harbors a secret: her father was a demon, and she is marked by the telltale purple “patterns,” which she keeps hidden from her bandmates.

Hoping to destroy the Honmoon once and for all, Gwi-Ma sends five of his demons to form a K-pop boy band, the Saja Boys, led by Jinu (Ahn Hyo-seop). Their popularity soon rivals that of Huntr/x and threatens the Honmoon—just as Rumi’s patterns spread to her throat and weaken her singing voice.

How it’s done, done, done

Mira, Rumi, and Zoey take a timeout from fighting demons to carb-load with ramen. Netflix

That’s a big problem because their new hit single, “Golden” (performed by South Korean singer/songwriter Ejae), spans an impressive three-octave range, eventually hitting an A-5  on the chorus—a high note usually reserved for classically trained operatic sopranos. (Ejae’s performance on this song has impressed a lot of YouTube vocal coaches.) And the first live global performance of “Golden” is supposed to be the event that ushers in the Golden Honmoon. It’s a soaring, impeccably constructed “I Want” tune typical of Disney princesses.

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Netflix drops One Piece S2 teaser, renews for S3

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We have the first teaser for the second season of Netflix’s live-action series adaptation of One Piece, subtitled Into the Grand Line. The streaming platform also released some first-look images and announced that the series has been renewed for a third season.

(Some spoilers for S1 below.)

As previously reported, the original One Piece manga debuted in 1997, following the adventures of one Monkey D. Luffy, who heads a motley crew called the Straw Hat Pirates. There’s swordsman Roronoa Zoro, thief and navigator Nami, sniper and compulsive liar Usopp, and a cook named Sanji. They’re searching for the legendary One Piece, a mythical treasure that would make anyone who possesses it King of the Pirates. Monkey wants to be the Pirate King, but so do a host of other pirates with their own ships and crews.

An anime TV series based on the original manga premiered in 1999 and became a global hit; it was the most-watched TV show of 2022, even beating out Stranger Things. So Netflix decided to make a live-action version, which received critical and popular acclaim, particularly for its fidelity to the source material. Iñaki  Godoy stars as Monkey, who has rubber-like abilities thanks to accidentally ingesting a Devil Fruit. Mackenyu plays Zoro, Emily Rudd plays Nami, Taz Skylar plays Sanji, and Jacob Romero Gibson plays Usopp, son of an infamous pirate father named Yasopp. The S2 teaser features several new faces that will be familiar to fans of the manga and anime series.

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Review: The Sandman S2 is a classic tragedy, beautifully told

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I unequivocally loved the first season of The Sandman, the Netflix adaptation of Neil Gaiman’s influential graphic novel series (of which I am longtime fan). I thought it captured the surreal, dream-like feel and tone of its source material, striking a perfect balance between the anthology approach of the graphic novels and grounding the narrative by focusing on the arc of its central figure: Morpheus, lord of the Dreaming.  It’s been a long wait for the second and final season, but S2 retains all those elements to bring Dream’s story to its inevitably tragic, yet satisfying, end.

(Spoilers below; some major S2 reveals after the second gallery. We’ll give you a heads-up when we get there.)

When Netflix announced in January that The Sandman would end with S2, speculation abounded that this was due to sexual misconduct allegations against Gaiman (who has denied them). However, showrunner Allan Heinberg wrote on X that the plan had long been for there to be only two seasons because the show’s creators felt they had only enough material to fill two seasons, and frankly, they were right. The first season covered the storylines of Preludes and Nocturnes and A Doll’s House, with bonus episodes adapting “Dream of a Thousand Cats” and “Calliope” from Dream Country.

The S2 source material is drawn primarily from Seasons of Mists, Brief Lives, The Kindly Ones, and The Wake, weaving in relevant material from Fables and Reflections—most notably “The Song of Orpheus” and elements of “Thermidor”—and the award-winning “A Midsummer Night’s Dream” from Dream Country. This season’s bonus episode adapts the 1993 standalone spinoff Death: The High Cost of Living. All that’s really missing is A Game of You—which focuses on Barbie (a minor character introduced in A Doll’s House) trying to save her magical dream realm from the evil forces of the Cuckoo—and a handful of standalone short stories. None of that material has any bearing on the Dream King’s larger character arc, so we lose little by the omissions.

Making amends

After escaping his captors, regaining his talismans, tracking down the rogue Corinthian (Boyd Holbrook), and dealing with a Vortex, S2 finds Morpheus (Tom Sturridge) rebuilding the Dreaming, which had fallen into disrepair during his long absence. He is interrupted by his sibling Destiny’s (Adrian Lester) unexpected summons to a family meeting, including Death (Kirby Howell-Baptiste), Desire (Mason Alexander Park), Despair (Donna Preston), and Delirium (Esmé Creed-Miles).

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Invasion S3 trailer hints the series is finally finding its stride

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Chances are you haven’t been watching Invasion, an Apple TV+ sci-fi drama overshadowed to some extent by two of the streamer’s other sci-fi shows, Silo and Foundation. Yes, Invasion has received mixed reviews for its ponderous pacing (especially in the first season). Even its fans may admit to having something of a love/hate relationship with the show. But the cinematography is gorgeous, and the writers are clearly trying to explore some ambitious themes, with variable success. Apple TV+ just released a trailer for the upcoming third season that suggests this series with so much promise might finally be hitting its stride.

(Some spoilers for first two seasons below.)

Invasion was created by David Weil (Hunters) and Simon Kinberg (best known for writing and/or producing several X-Men films, as well as The Martian, which was nominated for several Oscars). The first season focused on the initial stages of the titular alien invasion, portraying the events through the eyes of ordinary people around the world—the series is in English, Japanese, and Pashto—as they come to terms with the existential threat Earth is facing. In fact, the aliens take a back seat to the human interactions, which irritated some viewers eager to see actual aliens in a show about an extraterrestrial invasion.

The full-on invasion closed out the first season. A much stronger, action-oriented S2 essentially re-invented itself to explore how our surviving main characters adjusted to their brave new world, as well as the occasionally terrible decisions that had to be made in order to survive. The aliens rapidly took over, with humans relegated to small safe zones. It was still a bit of a slow burn, but it set up several intriguing elements for S3, which takes place two years later. And the aliens are evolving. Per the official premise:

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Peacemaker S2 trailer finds our anti-hero in a parallel world

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HBO Max dropped the hotly anticipated full trailer for S2 of Peacemaker—James Gunn’s Emmy-nominated series spun off from his 2021 film, The Suicide Squad—at San Diego Comic-Con this weekend.

(Spoilers for S1 below.)

As previously reported, the eight-episode first season was set five months after the events of The Suicide Squad. Having survived a near-fatal shooting, Peacemaker—aka Christopher Smith—is recruited by the US government for a new mission: the mysterious Project Butterfly, led by a mercenary named Clemson Murn (Chukwudi Iwuji). The team also includes A.R.G.U.S. agent John Economos (Steve Agee) of the Belle Reve Penitentiary, National Security Agency agent and former Waller aide Emilia Harcourt (Jennifer Holland), and new team member Leota Adebayo (Danielle Brooks).

Project Butterfly turned out to be a mission to save Earth from an alien species of parasitic butterfly-like creatures who took over human bodies. The misfit members of the project eventually succeeded in defeating the butterflies in a showdown at a ranch, and even survived the carnage despite some severe injuries.

Cena, Brooks, Holland, Agee, and Stroma are all back for S2, along with Nhut Lee as Judomaster and Eagly, of course. Robert Patrick is also listed in the S2 cast, reprising his role as Chris’ father, Auggie. New cast members include Frank Grillo as Rick Flagg Sr. (Grillo voiced the role in the animated Creature Commandos), now head of A.R.G.U.S. and out to avenge his son’s death; Tim Meadows as A.R.G.U.S. agent Langston Fleury; Sol Rodriguez as Sasha Bordeaux; and Michael Rooker as Red St. Wild, described as Eagly’s “nemesis.”

The events of S1 played out within the old DCEU, while S2 takes place in the new DCU, but Gunn has said that those earlier events are nonetheless considered “canon,” apart from the cameos by DCEU Justice League members. S2 is part of Gunn’s “Gods and Monsters” slate; Cena’s Peacemaker even made a brief cameo in Superman. This time around, Chris will be struggling “to reconcile his past with his newfound sense of purpose while continuing to kick righteous evil-doer butt in his misguided quest for peace at any cost,” per the official synopsis.

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Linda Hamilton rocks Stranger Things’ S5 extended teaser

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Netflix has finally released an extended teaser for the fifth and final season of Stranger Things, airing late this year. It’s got everything we could hope for in terms of the conclusive showdown—spooky shots of the Upside Down bleeding into Hawkins, attacking demo-dogs, flamethrowers—plus an armed and dangerous Linda Hamilton taking on the monsters beside our plucky Hawkins crew.

(Spoilers for prior seasons below.)

S4 ended with Vecna—the Big Bad behind it all—opening the gate that allowed the Upside Down to leak into Hawkins. We’re getting a time jump for S5, but in a way, we’re coming full circle, since the events coincide with the third anniversary of Will’s original disappearance in S1. The fifth season will have eight episodes, and each one will be looong—akin to eight feature-length films. Per the official premise:

The fall of 1987. Hawkins is scarred by the opening of the Rifts, and our heroes are united by a single goal: find and kill Vecna. But he has vanished — his whereabouts and plans unknown. Complicating their mission, the government has placed the town under military quarantine and intensified its hunt for Eleven, forcing her back into hiding. As the anniversary of Will’s disappearance approaches, so does a heavy, familiar dread. The final battle is looming — and with it, a darkness more powerful and more deadly than anything they’ve faced before. To end this nightmare, they’ll need everyone — the full party — standing together, one last time.

In addition to the returning main cast, Amybeth McNulty and Gabriella Pizzolo are back as Vicki and Dustin’s girlfriend, Suzie, respectively, with Jamie Campbell Bower reprising his role as Vecna. Linda Hamilton joins the cast as Dr. Kay, along with Nell Fisher as Holly Wheeler, Jake Connelly as Derek Turnbow, and Alex Breaux as Lt. Akers.

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Prepare to bid farewell to The Sandman with S2 trailer

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There are some design changes from S1. “Design-wise, Dream has a new palace which symbolizes his intense desire to move on from the events of S1,” said Heinberg. “Which means his throne room has had a remodel. As has the outer lobby. We also explore a number of entirely new time periods, worlds, and realms. And all the designs—the sets, the costumes, the props, the VFX—have their roots in the comics.”

Naturally, Sturridge is returning as Morpheus/Dream, as are Kirby as Death; Mason Alexander Park as Desire; Donna Preston as Despair; and Christie as Lucifer. Judging by the trailer, we’ll also see Stephen Fry returning as Fiddler’s Green, Holbrook’s The Corinthian, Mervyn Pumpkinhead (voiced by Mark Hamill), and The Fates (Dinita Gohil, Nina Wadia, and Souad Faress played Maiden, Mother, and Crone, respectively, in S1).

New cast members include Adrian Lester as Destiny, Esmé Creed-Miles as Delirium, and Barry Sloane as Destruction, aka The Prodigal, as well as Ruairi O’Connor as Orpheus, Freddie Fox as Loki, Clive Russell as Odin, Laurence O’Fuarain as Thor, Ann Skelly as Nuala, Douglas Booth as Cluracan, Jack Gleeson as Puck, Indya Moore as Wanda, and Steve Coogan as the voice of Barnabas, canine companion to Destruction.

The second season of The Sandman will premiere on Netflix in two parts. Volume 1 drops on July 13, 2025; Volume II starts streaming on July 25, 2025. The bonus episode, “Death: The High Cost of Living,” will air on July 31, 2025.

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Delightfully irreverent Underdogs isn’t your parents’ nature docuseries

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Narrator Ryan Reynolds celebrates nature’s outcasts in the new NatGeo docuseries Underdogs.

Most of us have seen a nature documentary or two (or three) at some point in our lives, so it’s a familiar format: sweeping, majestic footage of impressively regal animals accompanied by reverently high-toned narration (preferably with a tony British accent). Underdogs, a new docuseries from National Geographic, takes a decidedly different approach. Narrated with hilarious irreverence by Ryan Reynolds, the five-part series highlights nature’s less cool and majestic creatures: the outcasts and benchwarmers, more noteworthy for their “unconventional hygiene choices” and “unsavory courtship rituals.” It’s like The Suicide Squad or Thunderbolts*, except these creatures actually exist.

Per the official premise, “Underdogs features a range of never-before-filmed scenes, including the first time a film crew has ever entered a special cave in New Zealand—a huge cavern that glows brighter than a bachelor pad under a black light thanks to the glowing butts of millions of mucus-coated grubs. All over the world, overlooked superstars like this are out there 24/7, giving it maximum effort and keeping the natural world in working order for all those showboating polar bears, sharks and gorillas.” It’s rated PG-13 thanks to the odd bit of scatalogical humor and shots of Nature Sexy Time.

Each of the five episodes is built around a specific genre. “Superheroes” highlights the surprising superpowers of the honey badger, pistol shrimp, and the invisible glass frog, among others, augmented with comic book graphics; “Sexy Beasts” focuses on bizarre mating habits and follows the format of a romantic advice column; “Terrible Parents” highlights nature’s worst practices, following the outline of a parenting guide; “Total Grossout” is exactly what it sounds like; and “The Unusual Suspects” is a heist tale, documenting the supposed efforts of a macaque to put together the ultimate team of masters of deception and disguise (an inside man, a decoy, a fall guy, etc.). Green Day even wrote and recorded a special theme song for the opening credits.

Co-creators Mark Linfield and Vanessa Berlowitz of Wildstar Films are longtime producers of award-winning wildlife films, most notably Frozen Planet, Planet Earth, and David Attenborough’s Life of Mammals—you know, the kind of prestige nature documentaries that have become a mainstay for National Geographic and the BBC, among others. They’re justly proud of that work, but this time around the duo wanted to try something different.

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