Robert Pattinson’s character didn’t read his contract’s fine print in Mickey 17, director Bong Joon-ho’s latest film.
It has been five long years since director Bong Joon-ho’s film Parasitetopped Ars’ list for best films of the year, whose prior work on Snowpiercer and Okja are also staff favorites. We’re finally getting a new film from this gifted director: the sci-fi comedy Mickey 17, based on the 2022 novel Mickey7 by Edward Ashton. Judging by the trailer that recently dropped, it feels a bit like a darkly comic version of Duncan Jones’ 2009 film Moon, with a bit of the surreal absurdity of Terry Gilliam’s Brazil (1985) thrown in for good measure. And the visuals are terrific.
Ashton’s inspiration for the novel was the teletransportation paradox—a thought experiment pondering the philosophy of identity that challenges certain notions of the self and consciousness. It started as a short story about what Ashton called “a crappy immortality” and expanded from there into a full-length novel.
Ashton told Nerdist last year that Bong’s adaptation would “change a lot of the book,” but he considered the director a “genius” and wasn’t concerned about those changes. The basic premise remains the same. Robert Pattinson plays the space colonist named Mickey Barnes, who is so eager to escape Earth that he signs up to be an “expendable” without reading the fine print.
Expendables are basically disposable employees (aka “second-hand baloney boys”). If they happen to die on the job, their consciousness is uploaded to a new body, and the cycle starts all over again. When a multiple unexpectedly survives while on an expedition to colonize the ice world Niflheim, Mickeys 17 and 18 discover that the policy in such cases is to exterminate all the multiples, and they must fight for their right to keep existing.
In addition to Pattinson, the cast includes Steven Yeun as Berto, Toni Collette as Gwen Johansen, Mark Ruffalo as Hieronymous Marshall, Naomi Ackie as Nasha Adjaya, Holliday Grainger as Red Hair, Angus Imrie as Shrimp Eyes, and Steve Park as Agent Zeke. Anamaria Vartolomei, Thomas Turgoose, Patsy Ferran, and Daniel Henshall have also been cast in as-yet-undisclosed roles. Perhaps one of them plays the person in the giant pigeon costume who briefly appears in the trailer.
Mickey 17 hits theaters in the US on January 31, 2025. It will premiere in other countries on January 28, 2025. Ashton penned a sequel, Antimatter Blues, which was published last year, so maybe Bong Joon-ho will adapt that one, too.
Tom Hardy returns for one more round as host of an alien symbiote, in Venom: The Last Dance.
Tom Hardy is back for one last hurrah as investigative journalist Eddie Brock, host of an alien symbiote that imparts superhuman powers to its host, in the final trailer for Venom: The Last Dance. The trailer has all the wise-cracking “buddy cop” vibes and fast-paced action we’ve come to expect from the franchise, including a trip to Vegas where Venom discovers the addictive allure of slot machines. But there are also hints of an inevitable bittersweet farewell—because this time they’ll face off against Knull, god-creator of the symbiotes.
(Spoilers for Venom and Venom: There Will Be Carnage below.)
As previously reported, the first film in the franchise served as an origin story for our antihero. A bioengineering firm called the Life Foundation discovered a comet covered with symbiotic lifeforms and brought four samples back to Earth. Brock’s then-fiancée, Anne Weying (Michelle Williams), showed him classified documents revealing that the foundation was conducting human/symbiote experiments. The symbiotes needed oxygen-breathing hosts to survive, but they invariably ended up killing those hosts.
Brock ended up infected with one of the symbiotes, named Venom. Venom revealed that the symbiotes are intent on taking over Earth by possessing/devouring all humans, but Brock ultimately struck up a bargain with Venom, and they decided to protect Earth instead. Together, they took on Life Foundation CEO Carlton Drake (Riz Ahmed), infected with a symbiote called Riot. Naturally, they won.
Venom was released in October 2018 and was roundly panned by critics, several of whom specifically bemoaned the lack of a Spider-Man connection. Audiences, however, begged to differ. Venom racked up $856 million globally. Hardy had already committed to two sequels, and a mid-credits sequence featured Harrelson’s Cletus Kasady taunting Brock (who was interviewing Kasady for a story) from his cell. Kasady vowed to escape and bring “carnage,” leaving little doubt as to the villain’s identity in a sequel.
Venom: Let There Be Carnage, directed by Andy Serkis, was released in 2021, also to mixed reviews and a strong box office, grossing $506.9 million worldwide. That film ended with Brock and Venom victorious over Kasady and heading off for a well-deserved vacation while the duo pondered their next steps. In a post-credits scene, Venom told Brock that he and his fellow symbiotes knew about other universes, at which point there was blinding light, and they were transported into the Marvel Cinematic Universe—a direct result of the spell cast by Doctor Strange in Spider-Man: No Way Home.(At the time, there were plans for a future crossover film with Tom Holland’s Spider-Man.)
“With you to the end”
Serkis was unable to return as director for The Last Dance, but Kelly Marcel, who wrote the screenplay for Carnage, stepped in to make her directorial debut. Per the official premise:
In Venom: The Last Dance, Tom Hardy returns as Venom, one of Marvel’s greatest and most complex characters, for the final film in the trilogy. Eddie and Venom are on the run. Hunted by both of their worlds and with the net closing in, the duo are forced into a devastating decision that will bring the curtains down on Venom and Eddie’s last dance.
In addition to Hardy, Peggy Lu is back as convenience store owner Mrs. Chen, who befriended Eddie and Venom early on. Also returning is Stephen Graham as Detective Patrick Mulligan, who figured prominently in There Will Be Carnage and is now infected with his own symbiote named Toxin.
Cristo Fernández will reprise his role as the bartender in 2012’s The Amazing Spider-Man. Rhys Ifans played Curt Connors/Lizard in that film but will play a man named Martin in The Last Dance. Is there a secret connection? We’ll have to wait and see. (It seems after two outings, Williams won’t be reprising her role as Anne in the third and final film.) The cast also includes Chiwetel Ejiofor as a soldier intent on capturing Venom; and Alanna Ubach and Clark Backo in as-yet-undisclosed roles.
Venom: The Last Dance hits theaters on October 25, 2024.
Jason Momoa and Jack Black star in A Minecraft Movie.
Minecraft is among the most successful and influential games of the early 21st century, winning many awards and selling over 300 million copies (so far) since its 2011 release. So it was only a matter of time before Hollywood gave us a feature film based on the 3D sandbox game, simply titled A Minecraft Movie. Sure, one might have reservations about yet another video game-based movie, but on the plus side, we’ve got Jason Momoa and Jack Black co-starring. And the first teaser is full of eye-popping candy-colored cubic visuals and sly references to the game that should please fans.
Within a year of Minecraft‘s initial release, Mojang Studios was fielding offers from Hollywood producers about making a TV series based on the game, but the company wanted to wait for “the right idea.” There was a 2014 attempt to crowd-source a fan film, but game creator Markus “Notch” Persson didn’t agree to license that effort since he was already negotiating with Warner Bros. about developing a film based on the game. Thus began a long, convoluted process of directors and writers being hired and leaving the project for various reasons.
When the dust finally settled, Jared Hess (who worked with Black on Nacho Libre) ended up directing. The COVID pandemic and 2023 SAG-AFTRA strike delayed things further, but filming finally wrapped earlier this year in Auckland, New Zealand—just in time for a spring 2025 theatrical release. Per the official synopsis:
Welcome to the world of Minecraft, where creativity doesn’t just help you craft, it’s essential to one’s survival! Four misfits—Garrett “The Garbage Man” Garrison (Jason Momoa), Henry (Sebastian Eugene Hansen), Natalie (Emma Myers) and Dawn (Danielle Brooks)—find themselves struggling with ordinary problems when they are suddenly pulled through a mysterious portal into the Overworld: a bizarre, cubic wonderland that thrives on imagination. To get back home, they’ll have to master this world (and protect it from evil things like Piglins and Zombies, too) while embarking on a magical quest with an unexpected, expert crafter, Steve (Jack Black). Together, their adventure will challenge all five to be bold and to reconnect with the qualities that make each of them uniquely creative… the very skills they need to thrive back in the real world.
Game players will recognize Steve as one of the default characters in Minecraft. The teaser is set to The Beatles’ “Magical Mystery Tour” and opens with our misfits encountering a fantastical Tolkien-esque landscape—only with a lot more cube-like shapes, like a pink sheep with a cubed head. We get the aforementioned Piglins and other creatures before Black appears and dramatically announces with great fanfare, “I…. am Steve.” Honestly, we’ll probably watch it just for Black’s performance alone.
Enlarge/ We have doubts that any amount of Force powers will bring the show back.
YouTube/Disney+
In news that will delight some and disappoint others, Disney has canceled Star Wars series The Acolyte after just one season, Deadline Hollywood reports. The eight-episode series got off to a fairly strong start, with mostly positive reviews and solid ratings, albeit lower than prior Star Wars series. But it couldn’t maintain and build upon that early momentum, and given the production costs, it’s not especially surprising that Disney pulled the plug.
The Acolyte arguably wrapped up its major narrative arc pretty neatly in the season finale, but it also took pains to set the stage for a possible sophomore season. In this streaming age, no series is ever guaranteed renewal. Still, it would have been nice to see what showrunner Leslye Headland had planned; when given the chance, many shows hit their stride on those second-season outings.
(Spoilers for the series below. We’ll give you another heads-up when we get to major spoilers.)
As I’ve written previously, The Acolyte is set at the end of the High Republic Era, about a century before the events of The Phantom Menace. In this period, the Jedi aren’t the underdog rebels battling the evil Galactic Empire. They are at the height of their power and represent the dominant mainstream institution—not necessarily a benevolent one, depending on one’s perspective. That’s a significant departure from most Star Wars media and perhaps one reason why the show was so divisive among fans. (The show had its issues, but I dismiss the profoundly unserious lamentations of those who objected to the female-centric storyline and presence of people of color by dubbing it “The Wokelyte” and launching a review-bombing campaign.)
The Acolyte opened on the planet Ueda, where a mysterious masked woman wielding daggers attacked the Jedi Master Indara (Carrie-Anne Moss) and killed her. The assassin was quickly identified as Osha Aniseya (Amandla Stenberg), a former padawan now working as a meknek, making repairs on spaceships. Osha was arrested by her former classmate, Yord Fandar (Charlie Barnett), but claimed she was innocent. Her twin sister, Mae, died in a fire on their home planet of Brendok when they were both young. Osha concluded that Mae was still alive and had killed Indara. Osha’s former Jedi master, Sol (Lee Jung-jae), believed her, and subsequent events proved Osha right.
Mae’s targets were not random. She was out to kill the four Jedi she blamed for the fire on Brendok: Indara, Sol, Torbin (Dean-Charles Chapman), and a Jedi Wookiee named Kelnacca (Joonas Suotamo). The quartet had arrived on Brendok to demand they be allowed to test the twins as potential Jedi.
The twins had been raised by a coven of “Force witches” there, led by Mother Aniseya (Jodie Turner-Smith), who believed the Jedi were misusing the Force. While Mae was keen to follow in their mother’s footsteps, Osha wanted to train with the Jedi. When the fire broke out, both Mae and Osha believed the other twin had been killed along with the rest of the coven. How the fire really started, and the identity of Mae’s mysterious Master who trained her in the dark side of the Force, were the primary mysteries that played out over the course of the season.
(WARNING: Major spoilers below. Stop reading now if you haven’t finished watching the series.)
Enlarge/ The camera moved on a single axis for the wuxia-inspired fight scenes.
Lucasfilm/Disney+
From the start, The Acolyte was a bit of a departure from a typical Star Wars series, weaving in elements from wuxia films and detective stories while remaining true to the established Star Wars aesthetic and design. That alone made it an intriguing effort, with fresh characters and new takes on classic Star Wars lore. And the martial arts-inspired fight choreography was clever and fun to watch—especially in the shocking, action-packed fifth episode (“Night”).
But there were some obvious shortcomings as well, most notably the clunky dialogue—although that’s kind of a long-standing attribute of the Star Wars franchise. (Alec Guinness notoriously hated his dialogue as Obi-Wan Kenobi in A New Hope.) The pacing lagged at times, and there was a surprisingly high body count among the central characters.
Enlarge/ A high body count: All of these Jedi are dead.
Lucasfilm/Disney+
That alone might have made a second season challenging. I mean, they killed off Moss’ Jedi master in the first 10 minutes (although she reappeared in flashbacks), with Torbin and Kelnacca meeting the same fate over the next few episodes. By the time the final credits rolled, almost all the Jedi lead characters were dead. And senior leader Vernestra (Rebecca Henderson) opted to blame the murders on Sol (RIP) rather than Mae’s master, who turned out to be Vernestra’s former apprentice, Qimir (a scene-stealing Manny Jacinto)—now apprentice to Sith lord Darth Plagueis. (This was strongly implied in the finale and subsequently confirmed by Headland.)
Ultimately, however, it all came down to the ratings. Per Deadline, The Acolyte garnered 11.1 million views over its first five days (and 488 million minutes viewed)—not bad, but below Ahsoka‘s 14 million views over the same period. But those numbers declined sharply over the ensuing weeks, with the finale earning the dubious distinction of posting the lowest minutes viewed (335 million) for any Star Wars series finale. That simply didn’t meet Disney’s threshold for renewal, so we won’t get to learn more about the Qimir/Darth Plagueis connection.
Aaron Taylor-Johnson (Bullet Train) plays the title character in the forthcoming film Kraven the Hunter.
Sony’s Spider-Man Universe (SSU) got off to a strong start with Venom (2018) and Venom: Let There Be Carnage (2021), both of which racked up high box office earnings despite mixed-to-negative reviews from critics. But then the studio foundered badly with a couple of box office flops: 2022’s Morbius and 2024’s Madame Web.
Sony hopes to right the ship with a third Venom film in October (The Last Dance) and the much-delayed Kraven the Hunter this December. We’ve got a new trailer for the latter, leaning heavily into R-rated gore and set to Johnny Cash’s moodily atmospheric “The Man Comes Around.” It’s an entirely different, darker vibe from prior offerings: a revenge narrative rife with violence and daddy issues. Color us intrigued.
Comic book fans are well acquainted with Kraven as one of Spider-Man’s most formidable foes, a founding member of the Sinister Six. He’s a Russian immigrant with an aristocratic background who fled his home country when Tsar Nicholas II’s reign collapsed in 1917. He’s a big game hunter with enhanced abilities thanks to ingesting a mysterious potion made from jungle herbs. He’s very hard to injure, has super-human strength, and enhanced sight, hearing, and smell, as well as being a good tactician with excellent hand-to-hand combat skills.
Screenwriter Richard Wenk has said that Sony intended to adapt the critically acclaimed 1987 storyline in Kraven’s Last Hunt by J.M. DeMatteis, Mike Zeck, and Bob McLeod, which leaned heavily into the character’s Russian origins to create a very Dostoyevsky-like arc of a tortured soul. That storyline features an older Kraven whose health is failing who decides to hunt Spider-Man one last time, whereas the film is clearly an origin story. And Kraven actually dies by suicide in that comic arc, but we’re guessing Sony has plans to use him in other SSU films, with or without his arch-nemesis Spider-Man.
Per the official premise:
Kraven the Hunter is the visceral, action-packed origin story of how and why one of Marvel’s most iconic villains came to be. Aaron Taylor-Johnson plays Kraven, a man whose complex relationship with his ruthless father, Nikolai Kravinoff (Russell Crowe), starts him down a path of vengeance with brutal consequences, motivating him to become not only the greatest hunter in the world, but also one of its most feared.
In addition to Taylor-Johnson and Crowe, the cast includes Ariana DeBose as the voodoo priestess Calypso, Kraven’s love interest; Fred Hechinger as Dmitri Smerdyakov, aka Chameleon, Kraven’s half-brother; Alessandro Nivola as Aleksei Sytsevich, aka Rhino, a Russian mercenary who can transform into a human/rhino hybrid; Christopher Abbott as a mercenary and assassin called the Foreigner; and Levi Miller as young Sergei.
Kraven the Hunter hits theaters on December 13, 2024.
Kathryn Hahn seeks a new witchy coven in Agatha All Along.
Disney introduced the poster and first full trailer for Agatha All Along during its annual D23 Expo this weekend. The nine-episode series, starring Kathryn Hahn, is one of the TV series in the MCU’s Phase Five, coming on the heels of Secret Invasion, Loki S2, What If…? S2, and Echo.
As reported previously, Agatha All Along has been in the works since 2021, officially announced in November of that year, inspired by Hahn’s breakout performance in WandaVision as nosy neighbor Agnes—but secretly a powerful witch named Agatha Harkness who was conspiring to steal Wanda’s power. The plot twist even inspired a meta-jingle that went viral. That series ended with Wanda victorious and Agatha robbed of all her powers, trapped in her nosy neighbor persona.
Head writer Jac Schaeffer (who also created WandaVision) has said that the series would follow Agatha as she forms her own coven with “a disparate mixed bag of witches… defined by deception, treachery, villainy, and selfishness” who must learn to work together. And apparently we can expect a few more catchy tunes—one of which is front and center in the new trailer. This new series picks up where WandaVision left Agatha. Per the official premise:
The infamous Agatha Harkness finds herself down and out of power after a suspicious goth teen helps break her free from a distorted spell. Her interest is piqued when he begs her to take him on the legendary Witches’ Road, a magical gauntlet of trials that, if survived, rewards a witch with what they’re missing. Together, Agatha and this mysterious teen pull together a desperate coven, and set off down, down, down The Road…
In addition to Hahn, the cast includes Aubrey Plaza as warrior witch Rio Vidal; Joe Locke as Billy, a gay teenage familiar; Patti LuPone as a 450-year-old Sicilian witch named Lilia Calderu; Sasheer Zamata as sorceress Jennifer Kale; Ali Ahn as a witch named Alice; and Miles Gutierrez-Riley as Billy’s boyfriend.
Debra Jo Rupp reprises her WandaVision role as Sharon Davis (“Mrs. Hart” in the meta-sitcom), here becoming a member of Agatha’s coven. Also reprising their WandaVision roles: Emma Caulfield Ford as Sarah Proctor (aka “Dottie Jones”); David Payton as John Collins (“Herb”); David Lengel as Harold Proctor (“Phil Jones”); Asif Ali as Abilash Tandon (“Norm”); Amos Glick (pizza delivery man “Dennis”); Kate Forbes as Agatha’s mother, Evanora; and Brian Brightman as the Eastview, New Jersey, sheriff.
The first two episodes of Agatha All Along drop on September 18, 2024, on Disney+, with episodes airing weekly after that through November 6.
The Star Wars universe continues to expand on streaming television with the release of the first trailer for Star Wars: Skeleton Crew this weekend at Disney’s annual D23 Expo. The eight-episode standalone series is set in the same time frame as The Mandalorian and Ahsoka.
Executive producer Kathleen Kennedy was intrigued when series co-creator Jon Watts pitched a Star Wars series inspired by the 1985 film The Goonies. (Kennedy had co-produced that film and co-founded Amblin Entertainment.) She told co-creator Christopher Ford that The Goonies hadn’t been created specifically for kids, instead telling a story that just happened to be about kids going on an adventure. So Ford and Watts wrote Skeleton Crew with the same mindset: a show for everyone that just happened to feature kids as the central characters. Per the official premise:
Skeleton Crew follows the journey of four kids who make a mysterious discovery on their seemingly safe home planet, then get lost in a strange and dangerous galaxy, crossing paths with the likes of Jod Na Nawood, the mysterious character played by [Jude] Law. Finding their way home—and meeting unlikely allies and enemies—will be a greater adventure than they ever imagined.
Jude Law leads the cast as the quick-witted and charming (per Law) “Force-user” Jod Na Nawood. Ravi Cabot-Conyers plays Wim, Ryan Kiera Armstrong plays Fern, Kyriana Kratter plays KB, and Robert Timothy Smith plays Neil. Nick Frost will voice a droid named SM 33. The cast also includes Tunde Adebimpe, Kerry Condon, and Jaleel White in as yet undisclosed roles.
The trailer opens with our young protagonists at school, preparing to take a test that will set the course of their respective futures. At least one of them is bored with the daily routine and longs to do something more exciting. “What if we could go anywhere we want in the whole galaxy?” he asks. “A real adventure. No more pretend.” Naturally they find a mysterious “lost Jedi temple” buried in the woods and soon find themselves rocketing away on a spaceship—and getting lost. Can they survive all the dangers of space and find their way back to their home planet? With the help of Law’s Jedi, we like their chances.
Star Wars: Skeleton Crew premieres on December 3, 2024, on Disney+.
“Lower decks! Lower decks!” The fifth season of Star Trek: Lower Decks will be the animated series’ last (boo!).
Star Trek: Lower Decks is a particular favorite among Ars staffers; it’s arguably the best of the recent crop of Star Trek shows, along with Star Trek: Strange New Worlds. So we were disappointed when we learned that the animated series would be ending with its fifth season. Paramount+ debuted the first teaser for S5 during the Star Trek panel at San Diego Comic-Con over the weekend, along with a teaser for Star Trek: Section 31—a spinoff film from Star Trek: Discovery featuring Michelle Yeoh’s Philippa Georgiou—a clip from Strange New Worlds S3, and the latest news about Star Trek: Starfleet Academy.
The Lower Decks teaser opens with a suitably nostalgic recap of some of the highlights of the adventures of the plucky crew of the USS Cerritos, inviting viewers to join them for one last adventure. Cue Boimler (Jack Quaid) and Mariner (Tawny Newsome) in voiceover objecting to that description (“Yeah, right, we’re not done voyaging—we’ve hardly even cracked one quadrant yet”). Their S5 mission involves a “quantum fissure” that is causing “space potholes” to pop up all over the Alpha Quadrant (“boo interdimensional portals!”), and the Cerritos crew must close them—while navigating angry Klingons, an Orion war, and who knows what other crazy developments?
The final season of Lower Decks premieres on Paramount+ on October 24, 2024, and will run through December 19.
Newsome is already committed to her first post-Lower Decks project: co-writing the first live-action Star Trek comedy with franchise head honcho Alex Kurtzman. There’s no title yet, but Deadline Hollywood reports that the premise will involve “Federation outsiders serving a gleaming resort planet [who] find out their day-to-day exploits are being broadcast to the entire quadrant.” So, a Star Trek Truman Show? Color us intrigued.
Star Trek: Strange New Worlds S3
A first look at what’s coming in the third season of Star Trek: Strange New Worlds.
Strange New Worlds marked a welcome return to Star Trek’s original episodic structure. The franchise’s Comic-Con panel featured a special sneak peek at the upcoming first season. The clip is a callback to the S2 episode “Charades,” in which a higher-dimensional race, the Kerkohvians, accidentally reconfigured Spock’s half-human, half-Vulcan physiology to that of a full-blooded human—just before Spock was supposed to meet his Vulcan fiancee’s parents.
The S3 clip has the situation reversed: The human crew must make themselves Vulcan to succeed on a new mission. They succeed in record time but aren’t able to change back. The Vulcan versions of the Enterprise crew are hilariously on point, and a long-suffering Spock must endure repeated references to his inferior half-Vulcan status.
We also learned that Cillian O’Sullivan will join the recurring cast as Dr. Roger Korby. ToS fans will recognize that name; it’s a legacy character (originally played by Michael Strong). Korby was a renowned archaeologist in the field of medical archaeology, introduced in the episode “What Are Little Girls Made Of?‘ as Nurse Chapel’s long-missing fiancé. That’s bound to cause problems for SNW‘s Nurse Christine Chapel (Jess Bush), who is currently romantically involved with Spock. SNW S5 will premiere sometime in 2025, and the series has already been renewed for a fourth season
Speaking of Strange New Worlds, remember that fantastic S2 episode (“Substance Rhapsody”) in which a quantum probability field caused the entire crew to break into song? Executive producer Akira Goldman revealed during the panel that he is toying with the idea of a Star Trek stage musical, although he cautioned that “We’re in the very early stages of figuring out whether we can bring a version of [“Substance Rhapsody”] to the stage.”
Joaquin Phoenix and Lady Gaga star in Joker: Folie à Deux.
This weekend will be all about San Diego Comic-Con and the hotly anticipated theatrical release of the summer blockbuster Deadpool and Wolverine, but Warner Bros. is already looking ahead to the fall. The studio dropped the official trailer for Joker: Folie à Deux, the sequel to 2019’s smash hit Joker, starring Joaquin Phoenix. This time, he’s joined by fellow asylum inmate Harley Quinn (Lady Gaga) to bring a comic book criminal partnership for the ages to gritty life.
(Spoilers for 2019’s Joker below.)
Joker was intended to be a standalone film—part of DC Films’ decision to move away from the shared-universe approach of its prior franchise DCEU films. (DC Studios CEO James Gunn is now calling it the “DC Elseworld” project.) It had no relation to the Justice League films that came before, so that freed Phillips to create his own darker, grittier version of this iconic character. He cited Martin Scorsese films like Taxi Driver, Raging Bull, and The King of Comedy among his influences. There’s no real origin story for the Joker in the comics—not a definitive one, anyway—so Phillips and screenwriter Scott Silver were able to cherry-pick the canonical elements they needed and make up the rest. (In Batman: The Killing Joke, for instance, the Joker is a failed comedian.)
The sequel was officially announced in 2022. In addition to Phoenix and Gaga, Zazie Beetz returns as Sophie, Arthur’s former neighbor and a single mom, on whom he had a crush, and Leigh Gill and Sharon Washington reprise their roles as Arthur’s therapist and social worker, respectively. The cast also includes Brendan Gleeson, Catherine Keener, Jacob Lofland, Steve Coogan, Ken Leung, and Harry Lawley.
Per the official premise, “Joker: Folie à Deux finds Arthur Fleck institutionalized at Arkham awaiting trial for his crimes as Joker. While struggling with his dual identity, Arthur not only stumbles upon true love but also finds the music that’s always been inside him.” The first teaser was released in April and showed Fleck meeting Gaga’s Dr. Harleen Quinzel, a fellow inmate who becomes increasingly obsessed with Arthur… and vice versa. It was clear the pair fed one another’s particular delusions, right down to show-stopping fantasy musical numbers.
This latest trailer, set to the dulcet tones of Frank Sinatra, mostly offers more of the same, although we do get some new footage of Joker representing himself at his trial: “Look around at all these people!” he exclaims, perhaps referring to the throngs of frenzied admirers cheering him on outside. “I will no longer allow any of you to keep me down.” With Harley by his side, he’s ready to give the people what they want. We’re guessing they’re going to choose violence.
Joker: Folie à Deux hits theaters overseas on October 2, 2024, followed by a US theatrical release on October 4, 2024. The film will make its world premiere at the Venice Film Festival in September.
The HBO Original Series Dune: Prophecy will premiere this November.
Fans of director Denis Villeneuve’s epic two-part film adaptation of Frank Herbert’s Dune have no doubt been curious about the upcoming HBO Max series, Dune: Prophecy. It’s a prequel series inspired by the novel Sisterhood of Dune, written by Brian Herbert and Kevin J. Anderson, exploring the origins of the Bene Gesserit. The studio just dropped a tantalizing teaser rife with political intrigue, ominous warnings, and a bit of hand-to-hand combat.
The series was first announced in 2019, with Villeneuve serving as an executive producer and Alison Schapker (Alias, Fringe, Altered Carbon) serving as showrunner. The first season will consist of six episodes, and it’s unclear how closely the series will adhere to the source material. Per the official premise:
Set 10,000 years before the ascension of Paul Atreides, Dune: Prophecy follows two Harkonnen sisters as they combat forces that threaten the future of humankind, and establish the fabled sect that will become known as the Bene Gesserit.
Emily Watson co-stars as Valya Harkonnen, leader of the Sisterhood, with Olivia Williams playing her sister, Tula Harkonnen. Mark Strong plays Emperor Javicco Corrino, described as “a man from a great line of war-time Emperors, who is called upon to govern the Imperium and manage a fragile peace,” while Jodhi May plays Empress Natalya, and Sarah-Sofie Boussnina plays Princess Ynez.
The cast also includes Shalom Brune-Franklin as Mikaela, a Fremen woman who serves the royal family; Travis Fimmel as Desmond Hart, described as “a charismatic soldier with an enigmatic past”; Chris Mason as swordsman Keiran Atreides; Josh Heuston as Constantine Corrino, the illegitimate son of Javicco; Edward Davis as rising politician Harrow Harkonnen; Tabu as Sister Francesca, the Emperor’s former lover; Jihae as Reverend Mother Kasha, the Emperor’s Truthsayer; Faoileann Cunningham as Sister Jen; Chloe Lea as Lila; Jade Anouka as Sister Theodosia; and Aoife Hinds as Sister Emeline, all acolytes at the Sisterhood School.
Power = control
A short teaser was shown in May during the Warner Bros. Discovery Upfront presentation in New York City. It was heavy on the exposition, with a voiceover describing the founding of a sisterhood assigned to the Great Houses “to help them sift truth from lies.” The result was a “network of influence throughout the Imperium… but power comes with a price.” They want to place a Sister on the throne and arrange a marriage to make it possible. Not all the Sisters were on board with the plan, however, with one warning that the Sisterhood was playing god “and we will be judged for it.”
This latest teaser opens with an admonition to acolytes of the Sisterhood: “You wish to serve the Great Houses and shape the flow of power; you must first exert power over yourself.” The emperor seems to be easily wooed by the “sorceresses,” much to his empress’s chagrin, but the more influence the Sisterhood wields, the more enemies it gains. Desmond Hart also has his suspicions about the Sisterhood, probably with good reason. “Our hands are poised on the levers of power but yet our grasp on it is still fragile,” Valya tells her sister Tula, assuring her that “I am trying to protect the Imperium”—and “sacrifices must be made.”
Ryan Reynolds and High Jackman join forces in Deadpool and Wolverine.
If there’s anything the Deadpool franchise is known for, it’s R-rated cheeky irreverence. The forthcoming Deadpool and Wolverine clearly has that in spades, but the final trailer strikes an uncharacteristically somber note, reminding us just what Wade Wilson/Deadpool stands to lose if Wolverine can’t rise to the challenge. Bonus: There’s a surprise cameo from Hugh Jackman’s co-star in Logan.
As previously reported, Ryan Reynolds found the perfect fit with 2016’s Deadpool, starring as Wade Wilson, a former Canadian special forces operative (dishonorably discharged) who develops regenerative healing powers that heal his cancer but leave him permanently disfigured with scars all over his body. Wade decides to become a masked vigilante, turning down an invitation to join the X-Men and abandon his bad-boy ways. The first Deadpool was a big hit, racking up $782 million at the global box office, critical praise, and a couple of Golden Globe nominations for good measure. Deadpool 2 was released in 2018 and was just as successful.
Deadpool and Wolverine reunites Reynolds with many familiar faces from the first two films. Morena Baccarin is back as Wade’s girlfriend Vanessa, along with Leslie Uggams as Blind Al; Karan Soni as Wade’s personal chauffeur, taxi driver Dopinder; Brianna Hildebrand as Negasonic Teenage Warhead; Stefan Kapičić as the voice of Colossus; Shioli Kutsuna as Negasonic’s mutant girlfriend, Yukio; Randal Reeder as Buck; and Lewis Tan as X-Force member Shatterstar.
Along with Sabretooth, the mutants Toad and Dogpool should be on hand to make some trouble. New to the franchise are Matthew MacFadyen as a Time Variance Authority agent named Paradox and Emma Corrin as the lead villain. There have been rumors that Owen Wilson’s Mobius and the animated Miss Minutes from Loki may also appear in the film.
Marvel released a two-minute teaser for the new movie during the Super Bowl in February, featuring the trademark cheeky irreverence that made audiences embrace Reynold’s R-rated superhero in the first place, plus a glimpse of Hugh Jackman’s Wolverine—or rather, his distinctive shadow. And yes, Marvel is retaining that R rating—a big step given that all the prior MCU films have been resoundingly PG-13. Marvel dropped a full trailer in April that was chock-full of off-color witticisms, meta-references, slo-mo action, and a generous sprinkling of F-bombs. And last month, another one-minute trailer dropper with a surprise appearance: Sabretooth, played by the same actor, Tyler Mane, who portrayed the character in 2000’s X-Men.
Someone needs a pep talk
This final trailer takes an entirely different tone, playing like a love letter to the Wolverine of the X-Men franchise. It’s basically Wade/Deadpool having a bona fide heart-to-heart with the Wolverine in this alternate timeline. “I know I turn everything into a joke, but I care,” he says in a voiceover accompanying footage from prior X-Men films, rendered in nostalgic gray tones. “I waited a long time for this team-up. In my world, you’re well-regarded. You were an X-Man. Fuck that, you were THE X-Man. The Wolverine. He was a hero in my world.”
Wolverine’s response: “Yeah well, he ain’t shit in mine.” We learn that this version of Wolverine resisted all attempts to persuade him to officially don the suit and join the X-Men and now he believes it’s just too late to make a difference. As a last-ditch effort, Wade shows him a picture of the nine people he loves who make up his entire world and tells him he has no idea how to save them—but Wolverine does.
And who shows up at the crucial moment but Dafne Keene’s Laura Kinney, the cloned mutant formerly known as X-23, who inherited the Wolverine mantle in the comics. When Wolverine insists they’ve got the wrong guy, she replies, “You were always the wrong guy… until you weren’t.” We’re betting Wolverine’s gonna step up.
Deadpool and Wolverine hits theaters on July 26, 2024.
Director Fede Alvarez brings us Alien: Romulus, coming to theaters next month.
The face huggers and chest bursters return with a vengeance in a few weeks when Alien: Romulus finally hits theaters. It’s the latest installment in the Alien franchise from horror director Fede Alvarez (Don’t Breathe, Evil Dead), and the final action-packed trailer just dropped.
(Spoilers for Alien and Aliens below.)
As previously reported, Alien: Romulus is set between the events of Alien and Aliens (and is not related to FX/Hulu’s Alienprequel series slated to premiere next year). That is, after Ellen Ripley, the sole survivor of the Nostromo, destroyed the killer xenomorph and launched herself into space in the ship’s lifeboat—along with the ginger cat, Jonesy—and before she woke up after 57 years in hypersleep and battled more xenomorphs while protecting the young orphan, Newt (Carrie Henn). Per the short-and-sweet official premise: “While scavenging the deep ends of a derelict space station, a group of young space colonizers come face to face with the most terrifying life form in the universe.”
Cailee Spaeny (Priscilla, Pacific Rim: Uprising) stars as Rain Carradine, Isabela Merced (The Last of Us) plays Kay, and David Jonsson (Murder Is Easy) plays Andy. Archie Renaux (Shadow and Bone) plays Tyler, Spike Fearn (Aftersun) plays Bjorn, and Aileen Wu plays Navarro. But we aren’t likely to see iconic badass Ellen Ripley (immortalized by Sigourney Weaver) in the film. At this point in the timeline, she’s in the middle of her 57-year stasis with Jonesy as her escape shuttle travels through space toward her fateful encounter with a xenomorph queen.
Haunted house in space
We got our first look at Alien: Romulus, the ninth installment in the sci-fi franchise, in March with a brief teaser. That footage showed promise that Alvarez could fulfill his intention to bring this standalone film back to the franchise’s stripped-down space horror roots. There was also some special footage screened at CinemaCon in April featuring the expected face-huggers and chest-bursters. A full trailer dropped in March, and it looked as gory, intense, and delightfully terrifying as the seminal first two films in the franchise, with some spooky haunted house-in-space vibes thrown in for good measure.
Space is beautiful, but horrors lurk.
YouTube/20th Century Studios
The face huggers claim another victim.
YouTube/20th Century Studios
That feeling when something alien is about to burst out of your chest.
YouTube/20th Century Studios
Kay is justifiably horrified.
YouTube/20th Century Studios
XENOMORPH!
YouTube/20th Century Studios
The xenomorph stalks another victim.
YouTube/20th Century Studios
This final trailer has a lot of the same footage but gives us a few more details as to the plot. The young space colonizers are gearing up to steal “highly regulated equipment” from the aforementioned derelict space station, mostly because Tyler thinks it “could be our only ticket out of here.” The team thinks it should be a quick job, in and out in 30 minutes. But we know better, don’t we?
They are welcomed to the Romulus Space Station by MU/TH/UR (the ship’s computer), and Bjorn is the first to say out loud that this space station is super creepy. Poor Bjorn gets the first face hugger, followed by Navarro—she’s the one we’ve seen in prior footage discovering she’s got an alien growing inside her chest. In this trailer, we see the chest burster preparing to emerge, to Kay’s understandable horror. Kay, Rain, Andy, and Tyler break out the weaponry, prepared to face the monsters together. But how well do we like their odds of survival against the ultimate killing machines? Especially given that ominous final countdown to an “impact event”…
