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Tiny dancer: Ana de Armas is a fierce assassin in Ballerina trailer

Vengeance has a new face —

“To stop the assassin, you must become the assassin.”

Ana de Armas stars as dancer/assassin Eve Macarro in From the World of John Wick: Ballerina.

John Wick fans hoping for a fifth film in the hugely popular action franchise will at least be able to return to “Wick-World” next year with the release of a spinoff film, Ballerina, set between the events of 2019’s Chapter 3—Parabellum and Chapter 4 (2023). (The full title is the decidedly unwieldy From the World of John Wick: Ballerina.) Lionsgate just dropped the first trailer, and it has all the tight action choreography and eye-popping visuals we’ve come to expect from the franchise—including a cameo by none other than the Baba Yaga himself (Keanu Reeves).

(Spoilers for John Wick Chapter 3 and Chapter 4 below.)

Parabellum found Wick declared excommunicado from the High Table for killing crime lord Santino D’Antonio on the grounds of the Continental. On the run with a bounty on his head, he makes his way to the headquarters of the Ruska Roma crime syndicate, led by the Director (Anjelica Huston). That’s where we learned Wick was originally named Jardani Jovonovich and trained as an assassin with the syndicate. The Director also trains young girls to be ballerina-assassins, and one young ballerina (played by Unity Phelan) is shown rehearsing in the scene. That dancer is the main character in Ballerina, now played by Ana de Armas.

Screenwriter Shay Hatten sold a spec script featuring the ballerina character to Lionsgate in 2017 and ended up contributing to the Parabellum screenplay and serving as lead writer on Chapter 4. While Chad Stahelski has directed all four John Wick films, for Ballerina the studio brought on Len Wiseman (the Underworld franchise). But Stahelski is still a producer on the film and worked closely with Wiseman on those all-important action sequences.

  • Winston (Ian McShane) recruits a young Eve as a child.

    YouTube/Lionsgate

  • She loves the ballet.

    YouTube/Lionsgate

  • Sharon Duncan-Brewster plays Nogi, who trains Eve and the others to be assassins.

    YouTube/Lionsgate

  • Firearms training.

    YouTube/Lionsgate

  • Lance Reddick makes his last (posthumous) appearance as Charon.

    YouTube/Lionsgate

  • Winston still looking suave.

    YouTube/Lionsgate

  • The young assassin in action.

    YouTube/Lionsgate

  • John Wick (Keanu Reeves) finally makes an appearance.

    YouTube/Lionsgate

Huston returns as the Director, Ian McShane is back as Winston, and Lance Reddick makes one final (posthumous) appearance as the Continental concierge, Charon. New cast members include Gabriel Byrne as main villain the Chancellor, who turns an entire town against the titular ballerina, Eve Macarro (de Armas); Sharon Duncan-Brewster as Nogi; Norman Reedus as Pine; and Catalina Sandino Moreno and David Castaneda in as-yet-undisclosed roles.

Attendees at Cinemacon in April were treated to a teaser trailer; much of that footage seems to be in the trailer. We see Winston recruiting a young orphaned Eve with some scenes of her learning boxing, martial arts, and gun and knife skills. She’s looking for her father’s killer and naturally encounters some opposition, requiring her to fight a lot of nasty people, some armed with flamethrowers. Finally, she comes face to face with Wick, asking how she can start doing what he does. His response: “Looks like you already have.”  De Armas looks fierce as hell and up to the physical challenges of her role. We’re looking forward to this one.

From the World of John Wick: Ballerina hits theaters on June 6, 2025.

Listing image by Lionsgate

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Landmark AI deal sees Hollywood giant Lionsgate provide library for AI training

The silicon screen —

Runway deal will create a Lionsgate AI video generator, but not everyone is happy.

An illustration of a filmstrip with a robot, horse, rocket, and whale.

On Wednesday, AI video synthesis firm Runway and entertainment company Lionsgate announced a partnership to create a new AI model trained on Lionsgate’s vast film and TV library. The deal will feed Runway legally clear training data and will also reportedly provide Lionsgate with tools to enhance content creation while potentially reducing production costs.

Lionsgate, known for franchises like John Wick and The Hunger Games, sees AI as a way to boost efficiency in content production. Michael Burns, Lionsgate’s vice chair, stated in a press release that AI could help develop “cutting edge, capital efficient content creation opportunities.” He added that some filmmakers have shown enthusiasm about potential applications in pre- and post-production processes.

Runway plans to develop a custom AI model using Lionsgate’s proprietary content portfolio. The model will be exclusive to Lionsgate Studios, allowing filmmakers, directors, and creative staff to augment their work. While specifics remain unclear, the partnership marks the first major collaboration between Runway and a Hollywood studio.

“We’re committed to giving artists, creators and studios the best and most powerful tools to augment their workflows and enable new ways of bringing their stories to life,” said Runway co-founder and CEO Cristóbal Valenzuela in a press release. “The history of art is the history of technology and these new models are part of our continuous efforts to build transformative mediums for artistic and creative expression; the best stories are yet to be told.”

The quest for legal training data

Generative AI models are master imitators, and video synthesis models like Runway’s latest Gen-3 Alpha are no exception. The companies that create them must amass a great deal of existing video (and still image) samples to analyze, allowing the resulting AI models to re-synthesize that information into new video generations, guided by text descriptions called prompts. And wherever that training data is lacking, it can result in unusual generations, as we saw in our hands-on evaluation of Gen-3 Alpha in July.

However, in the past, AI companies have gotten into legal trouble for scraping vast quantities of media without permission. In fact, Runway is currently the defendant in a class-action lawsuit that alleges copyright infringement for using video data obtained without permission to train its video synthesis models. While companies like OpenAI have claimed this scraping process is “fair use,” US courts have not yet definitively ruled on the practice. With other potential legal challenges ahead, it makes sense from Runway’s perspective to reach out and sign deals for training data that is completely in the clear.

Even if the training data becomes fully legal and licensed, different elements of the entertainment industry view generative AI on a spectrum that seems to range between fascination and horror. The technology’s ability to rapidly create images and video based on prompts may attract studios looking to streamline production. However, it raises polarizing concerns among unions about job security, actors and musicians about likeness misuse and ethics, and studios about legal implications.

So far, news of the deal has not been received kindly among vocal AI critics found on social media. On X, filmmaker and AI critic Joe Russo wrote, “I don’t think I’ve ever seen a grosser string of words than: ‘to develop cutting-edge, capital-efficient content creation opportunities.'”

Film concept artist Reid Southen shared a similar negative take on X: “I wonder how the directors and actors of their films feel about having their work fed into the AI to make a proprietary model. As an artist on The Hunger Games? I’m pissed. This is the first step in trying to replace artists and filmmakers.”

It’s a fear that we will likely hear more about in the future as AI video synthesis technology grows more capable—and potentially becomes adopted as a standard filmmaking tool. As studios explore AI applications despite legal uncertainties and labor concerns, partnerships like the Lionsgate-Runway deal may shape the future of content creation in Hollywood.

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Bill Skarsgård takes revenge from beyond the grave in The Crow trailer

True love never dies —

“You know that love promises only pain.”

Bill Skarsgård takes on the role of Eric Draven in the Lionsgate reboot of The Crow.

The 1994 cult classic film The Crow turns 30 this spring, so it’s as good a time as any to drop the first trailer for the long-in-development reboot directed by Rupert Sanders (Snow White and the Huntsman, Ghost in the Shell). Bill Skarsgård takes on the starring role made famous by the late Brandon Lee.

(Spoilers for the original 1994 film below.)

Based on a 1989 limited comic series by James O’Barr, The Crow was directed by Alex Proyas. The film starred Brandon Lee as Eric Draven, a rock musician in crime-ridden Detroit. He and his fiancée, Shelly Webster (Sofia Shinas), are brutally murdered on Devil’s Night by a gang of thugs on the orders of a crime boss named Top Dollar (Michael Wincott). A year later, Eric is resurrected, dons black-and-white face paint, and proceeds to take his bloody revenge before returning to his grave. Alas, Lee was accidentally killed by a prop gun during the final days of shooting; the film was completed with the help of Lee’s stunt double (Chad Stahelski, who launched the John Wick franchise) and some clever special effects.

Despite the shadow of Lee’s tragic death, The Crow went on to gross $94 million against its modest $23 million budget and establish itself as a cult classic. Sure, the dialogue was occasionally hokey, and most of the characters were pretty one-dimensional, but there was no denying Lee’s star power and the striking visual energy, augmented by a killer soundtrack. There were three sequels focused on different characters with none of the original cast members, but none of those were as successful as the original.

Plans for a reboot first emerged in late 2008, but the development process proved rocky. O’Barr initially expressed pessimism about any reboot but later warmed to the prospect. As recently as November 2019, Proyas remained adamantly opposed: “It’s not just a movie that can be remade, it’s one man’s [Lee’s] legacy,” he said at the time. “And it should be treated with that level of respect.”

The project cycled through directors, stars, screenwriters, and so forth for more than a decade before Sanders signed on as director in 2022. Along with Skarsgård, the cast includes FKA Twigs as Shelly and Isabella Wei as Zadie. Danny Huston, Laura Birn, Sami Bouajila, and Jordan Bolger will also appear in as-yet-unnamed roles. Per the official premise:

Soulmates Eric Draven (Skarsgård) and Shelly Webster (FKA Twigs) are brutally murdered when the demons of her dark past catch up with them. Given the chance to save his true love by sacrificing himself, Eric sets out to seek merciless revenge on their killers, traversing the worlds of the living and the dead to put the wrong things right.

The fact that Eric apparently has a chance to save Shelly by sacrificing himself is a marked departure from the 1994 film and in keeping with Sanders’ stated desire to let the love story be the primary driver for his reboot. The trailer opens by introducing us to the young lovers, moving quickly from their first meeting to the consummation of their love. They’re basically two broken people who find happiness in each other—until Shelly witnesses a murder that results in the couple being brutally and fatally attacked. Eric comes back as The Crow, bent on revenge, even as he’s “running out of time to save her.”

  • Eric Draven (Bill Skarsgård) falls in love with Shelly (FKA Twigs).

    YouTube/Lionsgate

  • Shelly saw something she shouldn’t have seen, bringing violence to their door.

    YouTube/Lionsgate

  • Crows are supposed to carry away the souls of the dead.

    YouTube/Lionsgate

  • Sometimes that doesn’t happen until the very bad things are set to right.

    YouTube/Lionsgate

  • “I’m gonna kill them all.”

    YouTube/Lionsgate

  • Danny Huston plays a villain in a very nice suit.

    YouTube/Lionsgate

  • “We have a problem.” When Laura Birn is right, she’s right.

    YouTube/Lionsgate

  • He knows exactly what hell awaits him.

    YouTube/Lionsgate

Look, the trailer seems perfectly fine. Skarsgård is a phenomenal acting talent, but while Huston generally makes a great villain, one rather misses the wry humor of Wincott’s Goth sadist Top Dollar. The truth is, this reboot could be a tough sell to longtime fans of the original (like me), although it’s encouraging that the director seems to have won over O’Barr with his decision to hark back to the source material.

Sanders is very much aware of this challenge and is taking pains to emphasize his deep regard for Lee’s legacy. “What Alex Proyas did with The Crow in 1994—and Brandon Lee’s iconic embodiment of that character—will forever impact that generation and others to follow,” he said in a statement accompanying the trailer’s release. “It expressed its time in a very specific, music-driven vision.” Sanders added that his own vision strives to bring The Crow (including the original book) to a new generation of young people, calling the character of Eric Draven/The Crow “the original anti-superhero” who grapples with universal themes of “love, grief, and rage.”

Skarsgård also issued a statement that he has long been a fan of the original film; it was Sanders’ vision that convinced him to star in the reboot. “[Sanders] wanted to completely reimagine the story and the character and tailor it towards a modern audience,” he said. “It’s a character that I know many revere and have a strong connection to—he is unlike any I’ve ever taken on before. I felt a responsibility to Eric’s story and endeavored to stay true to the spirit of the source material.”

The Crow was originally scheduled for release on June 7, 2024. But the trailer tells us it’s coming “this summer,” which is vague. I guess we’ll see.

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