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The perfect New Year’s Eve comedy turns 30

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There aren’t that many movies specifically set on New Year’s Eve, but one of the best is The Hudsucker Proxy (1994), Joel and Ethan Coen’s visually striking, affectionate homage to classic Hollywood screwball comedies. The film turned 30 this year, so it’s the perfect opportunity for a rewatch.

(WARNING: Spoilers below.)

The Coen brothers started writing the script for The Hudsucker Proxy when Joel was working as an assistant editor on Sam Raimi’s The Evil Dead (1981). Raimi ended up co-writing the script, as well as making a cameo appearance as a brainstorming marketing executive.  The Coen brothers took their inspiration from the films of Preston Sturgess and Frank Capra, among others, but the intent was never to satirize or parody those films. “It’s the case where, having seen those movies, we say ‘They’re really fun—let’s do one!’; as opposed to “They’re really fun—let’s comment upon them,'” Ethan Coen has said.

They finished the script in 1985, but at the time they were small indie film directors. It wasn’t until the critical and commercial success of 1991’s Barton Fink that the Coen brothers had the juice in Hollywood to finally make The Hudsucker Proxy. Warner Bros. greenlit the project and producer Joel Silver gave the brothers complete creative control, particularly over the final cut.

Norville Barnes (Tim Robbins) is an ambitious, idealistic recent graduate of a business college in Muncie, Indiana, who takes a job as a mailroom clerk at Hudsucker Industries in New York, intent on working his way to the top. That ascent happens much sooner than expected. On the same December day in 1958, the company’s founder and president, Waring Hudsucker (Charles Durning), leaps to his death from the boardroom on the 44th floor (not counting the mezzanine).

A meteoric rise

Norville Barnes (Tim Robbins) gets a job at Hudsucker Industries Warner Bros.

To keep the company’s stock from going public as the bylaws dictate, board member Sidney Mussburger (Paul Newman) proposes they elect a patsy as the next president—someone so incompetent it will spook investors and temporarily depress the stock so the board can buy up controlling shares on the cheap. Enter Norville, who takes the opportunity of delivering a Blue Letter to Mussburger to pitch a new product, represented by a simple circle drawn on a piece of paper: “You know… for kids!” Thinking he’s found his imbecilic patsy, Mussburger names Norville the new president.

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Werner Herzog muses on mysteries of the brain in Theater of Thought

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That mind is partly revealed through Herzog’s running narration, such as when he muses about collective behavior and whether fish have souls—a digression sparked by his interview with Siri co-inventor Tom Gruber. “In the background, I saw his TV screen still on, we didn’t switch it off, and I saw some very, very strange school of fish,” said Herzog. “I asked him about the school of fish, which he had filmed himself. And all of a sudden, I’m only interested in the fish and common behavior. Why do they behave in big schools, in unison? Why do they do that? Do they dream? And if they think, what are they thinking about? I immerse the audience into a very strange form of underwater landscape and behavior of fish.”

Werner Herzog’s inspiration for Theater of Thought arose from conversations with Columbia University neuroscientist Rafael Yuste, who served as science advisor on the film. Argot Pictures

We glimpse the inner workings of Herzog’s mind in the kinds of questions he asks his subjects, such as when he queries IBM’s Dario Gil, who works on quantum computing, about his passion for fishing, eliciting an enthusiastic smile in response. He agrees to interview University of Washington neuroscientist Christof Koch after Koch’s early-morning row on the Puget Sound and includes music from New York University neuroscientist Joseph LeDoux‘s band, the Amygdaloids, in the film’s soundtrack. He asks married scientists Cori Bargmann and Richard Axel about music, their dinner conversations, and the linguistic capabilities of parrots. In so doing, he brings out their innate humanity, not just their scientific expertise.

“That’s what I do. If you don’t have it in you, you shouldn’t be a filmmaker,” said Herzog. “But you see, also, the joy of getting into all of this and the joy of meeting these scientists. We are talking about speaking parrots. What if two parrots learned a language that is already extinct and they would speak to each other? What would we make of it? So I’m asking, spontaneously, because I saw it, I sensed it, there was something I should depart completely from scientific quests. And yet there’s a deep scientific background to it.”

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Keanu Reeves voices archvillain Shadow in Sonic 3 trailer

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In addition to Reeves, new cast members include Krysten Ritter as Director Rockwell; Alyla Browne as Maria, a young girl from Shadow’s past; and Sofia Pernas, Cristo Fernandez, James Wolk, and Jorma Taccone in as-yet-undisclosed roles. Sonic 3 will also introduce the Chao creatures of Chao Gardens.

A tragic backstory

Sonic, Tails, and Knuckles are captured. YouTube/Paramount Pictures

It’s no surprise that Carrey is back once again as “Eggman” Robotnik, and this time, he’s playing a dual role: Robotnik and the character’s grandfather, Professor Gerald Robotnik, a genetic engineer who created Shadow while trying to cure his daughter Maria from a deadly disease. In the games, Shadow suffers from past trauma associated with Maria’s death; the two were close friends.

When she is killed by the Guardian Units of Nations (GUN), Shadow sets out for revenge before remembering his promise to Maria to prevent the destruction of the world. He eventually becomes an anti-hero ally to Sonic. We already knew that the third film would probably feature Shadow, thanks to a mid-credits scene in Sonic 2 informing us about the discovery of a secret research facility for something called “Project Shadow.” (Director Jeff Fowler once worked as a character animator, and Shadow was one of his first jobs.)

It’s clear from the new trailer that Shadow is in his early villain phase here. The trailer opens with Sonic and pals in a kid-friendly eatery, where one child mistakes Tails for Pikachu—before they are rudely attacked. Cut to Robotnik Sr. intoning, “It’s time, Shadow”—time for revenge. The trio is captured by the Robotniks, but they escape and end up in the Wachowskis’ living room, and naturally the couple joins them on a super dangerous top-secret mission. We see a flashback to Shadow’s friendship with Maria as well as Sonic and Shadow getting ready to throw down (“This ends now”). The smart money, as always, is on Team Sonic.

Sonic the Hedgehog 3 opens in theaters on December 20, 2024.

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It’s another bloody power struggle for Rome’s future in Gladiator II trailer

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Those who are about to die…. —

“What is the dream of Rome if our people are not free?”

–

Paul Mescal and Pedro Pascal star in director Ridley Scott’s long-awaited sequel, Gladiator II.

Ridley Scott’s epic 2000 historical drama Gladiator was a blockbuster hit that has become a classic over the ensuing two decades, thanks to powerful performances and spectacular special effects—especially in the gladiator arena. The director has long wanted to make a sequel, and we’re finally getting Gladiator II later this year. Paramount Pictures just dropped the first trailer, and it promises to be just as much of a visual feast, as a new crop of power players (plus a couple of familiar faces) clash over the future of Rome.

(Spoilers for 2000’s Gladiator below.)

For those who inexplicably haven’t seen the original: Russell Crowe starred as Maximus, a Roman general who leads his army to victory against Germanic tribes on behalf of his emperor, Marcus Aurelius (Richard Harris). The aging emperor wishes Maximus to succeed him and restore the Roman Republic, passing over his own son, Commodus (Joaquin Phoenix). Commodus secretly murders his father instead and proclaims himself emperor, executing Maximus’ wife and son because Maximus would not acknowledge his rule. Commodus also harbors squicky incestuous longings for his sister, Lucilla (Connie Nielsen), mother to Lucius (Spencer Treat Clark) and former lover of Maximus.

Maximus escapes his own execution and ends up being sold by slave traders to gladiator trainer Proximus (Oliver Reed), who tells him he can earn his freedom by “winning the crowd” during the gladiator games in Rome. And win the crowd he does. Who could forget the epic scene where the gladiators are forced to re-enact the Battle of Zama, when the Romans defeated the Carthaginians? With Maximus in command, the tables are turned and the “Carthaginians” prevail in the re-enactment. Maximus is ultimately able to exact his revenge by killing Commodus in the arena, dying himself to join his wife and child in the afterlife.

Gladiator II focuses on the grown-up Lucius, originally played by Spencer Treat Clark.” height=”428″ src=”https://cdn.arstechnica.net/wp-content/uploads/2024/07/gladiator9-640×428.jpg” width=”640″>

Enlarge / Gladiator II focuses on the grown-up Lucius, originally played by Spencer Treat Clark.

YouTube/Paramount Pictures

Gladiator received much critical praise, grossing $464 million globally and receiving 12 Oscar nominations. It won five: Best Picture, Best Actor (Crowe), Best Visual Effects, Best Sound, and Best Costume Design. Scott was already planning for either a prequel or a sequel the following year, with the idea for a sequel centered on an older version of Lucius, hinging on the secret of his biological father (strongly hinted to be Maximus in the first film). But when Dreamworks was sold to Paramount in 2006, the Gladiator sequel project was shelved. Paramount finally green-lit the project in November 2018 with a production budget of $165 million. (That ballooned to a rumored $310 million during filming.)

Strength and honor

Gladiator II does indeed center on Lucius Verus (Paul Mescal), son of Lucilla and former heir to the Roman Empire, given that his father (also named Lucius Verus) was once a co-emperor of Rome. Lucius hasn’t been seen in Rome for 15 years. Instead, he’s been living in a small coastal town in Numidia with his wife and child. Like Maximus before him, he is captured by the Roman army and forced to become a gladiator. Pedro Pascal plays Marcus Acacius, a Roman general who trained under Maximus, tasked with conquering North Africa. Although the young Lucius once idolized Maximus, Marcus Acacius apparently will be a symbol of everything Lucius hates.

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Brad Pitt stages a Formula One racing comeback in first teaser for F1

Apple TV Plus, Brad Pitt, culture, Entertainment, F1, film, film trailers, Formula 1, Warner Bros. / /

Vroom, vroom —

Pitt: “You’ve never seen speed, you’ve never seen just the G forces like this.”

–

Brad Pitt and Damson Idris co-star in F1, coming to theaters next summer.

Can a washed-up Formula One driver come out of retirement to mentor a young rookie into a champion? That’s the basic premise for F1, a forthcoming film starring Brad Pitt and directed by Joseph Kosinski (Tron: Legacy, Top Gun: Maverick). Warner Bros. dropped the first teaser for the film yesterday, right before the 2024 British Grand Prix.

Pitt plays Sonny Hayes, a fictional Formula One driver who crashed horribly in the 1990s and retired from the sport. Then his longtime friend Ruben (Javier Bardem), owner of the fictional team APXGP, approaches him about coming out of retirement to mentor his team’s rookie prodigy, Joshua “Noah” Pearce (Damson Idris). “They’re a last place team, they’re 21-22 on the grid, they’ve never scored a point,” Pitt told Sky Sports last year. “But they have a young phenom (Idris) and they bring me in as kind of a Hail Mary and hijinks ensue.”

In addition to Pitt, Bardem, and Idris, the cast includes Kerry Condon as Kate; Tobias Menzies as Banning; Kim Bodnia as Kaspar; Shea Wigham as Chip Hart; Joseph Balderrama as Rica Fazio; Sarah Niles as Noah’s mother, Bernadette; Samson Kayo as Cashman; Callie Cooke as Jodie; and Layne Harper as Press.

  • Brad Pitt plays mentor to Damson Idris’ hotshot rookie driver.

    Warner Bros/Apple TV+

  • This film is really about the cars.

    YouTube/Warner Bros.

  • Racing footage was shot on location during the regular F1 season.

    YouTube/Warner Bros.

  • Ready for its closeup.

    YouTube/Warner Bros

  • In the driver’s seat.

    YouTube/Warner Bros.

Playing themselves in the film: seven-time Formula One champion Lewis Hamilton, Max Verstappen, Carlos Sainz Jr., Sergio Perez, Benoit Treluyer, and the rest of the F1 drivers and team members. Hamilton is a co-producer on the film and was also involved during the script-writing process to keep the film as realistic as possible by drawing on his own experiences. “We want everyone to love it and to really feel that we can encapsulate what the essence of this sport is about,” Hamilton said last year.

We don’t get much dialogue in this first teaser, or much information about the plot. Honestly? The teaser comes off as a bit cheesy from a marketing standpoint. (Since when do people in the racing community scoff so dismissively at safety concerns?) But that’s all real racing footage shot on actual tracks during bona fide F1 Grand Prix weekends. Pitt himself raced an adapted F2 car between practice sessions around the Northamptonshire circuit.

“There are cameras mounted all over the car,” Pitt told Sky Sports during filming at the 2023 British Grand Prix. “You’ve never seen speed; you’ve never seen just the G forces like this.” Based on the teaser, the visual efforts to immerse audiences in the F1 experience paid off. This is a film you’ll probably want to see in IMAX.

F1 arrives in theaters in the summer of 2025 and will stream on Apple TV+ sometime after that. It’s the sixth film from Apple Original Films to snag theater distribution, following in the footsteps of Martin Scorsese’s Oscar-nominated Killers of the Flower Moon and this weekend’s Fly Me to the Moon, among others.

Apple Original Films/Warner Bros.

Listing image by Warner Bros/Apple TV+

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