Enlarge / Legendary Pictures has confirmed that it plans to make Dune: Part Three with director Denis Villeneuve.
YouTube/Warner Bros.
Dune: Part Two is still raking in the moolah at the box office, and deservedly so. But judging by my various feeds, fans are already swooning over the prospect of director Denis Villeneuve extending his vision into a trilogy by adapting Frank Herbert’s 1969 sequel, Dune Messiah, for the next installment. Will there be a Dune: Part Three? Most signs currently point to yes, with a couple of caveats. Exactly how soon we’ll be seeing a return to Arrakis depends a lot on Villeneuve.
Variety confirmed that Legendary Pictures is working with the director on developing Dune: Part Three, although it remains unclear from the wording of the plethora of news items whether the project has officially been greenlit. (“Development” can mean a lot of things.) Naturally, the studio is eager, as are we: the film is the biggest hit of 2024 thus far, with global earnings of $630 million (although the hotly anticipated Deadpool and Wolverine this summer might give it a run for its money).
That confirmation sent fresh frissons of excitement across the Internet, although Villeneuve had been talking about the prospect as far back as September 2021. Those plans always depended on the success of Part Two, and that hurdle has obviously been cleared. By August 2023, the director was on record saying there were “words on paper” for a third film. And we learned just last month that composer Hans Zimmer was already working on the score for Dune: Part Three.
That said, Villeneuve has yet to commit to an actual release date publicly, emphasizing his desire to take a little break from the Dune franchise to work on something else. (Per Variety, Legendary has already tapped him to adapt Anne Jacobsen’s nonfiction book, Nuclear War: A Scenario, but that project will likely come after Dune: Part Three.) He even hinted at one point that it might be a good idea to let star Timothée Chalamet age a bit, given the 12-year gap in the novels.
And in February, Villeneuve told The Times UK that while he had nearly finished a draft script (“barely an embryo”), he was not inclined to rush things: “I want to make sure that if we go back there a third time that it’ll be worth it, and that it would be make something even better than Part Two.” That’s a tall order, given the critical raves that have accompanied the film’s box office success. But we’re betting Villeneuve can pull it off… in his own good time.
Enlarge/ Billie Eilish attends the 2024 Vanity Fair Oscar Party hosted by Radhika Jones at the Wallis Annenberg Center for the Performing Arts on March 10, 2024, in Beverly Hills, California.
On Tuesday, the Artist Rights Alliance (ARA) announced an open letter critical of AI signed by over 200 musical artists, including Pearl Jam, Nicki Minaj, Billie Eilish, Stevie Wonder, Elvis Costello, and the estate of Frank Sinatra. In the letter, the artists call on AI developers, technology companies, platforms, and digital music services to stop using AI to “infringe upon and devalue the rights of human artists.” A tweet from the ARA added that AI poses an “existential threat” to their art.
Visual artists began protesting the advent of generative AI after the rise of the first mainstream AI image generators in 2022, and considering that generative AI research has since been undertaken for other forms of creative media, we have seen that protest extend to professionals in other creative domains, such as writers, actors, filmmakers—and now musicians.
“When used irresponsibly, AI poses enormous threats to our ability to protect our privacy, our identities, our music and our livelihoods,” the open letter states. It alleges that some of the “biggest and most powerful” companies (unnamed in the letter) are using the work of artists without permission to train AI models, with the aim of replacing human artists with AI-created content.
A list of musical artists that signed the ARA open letter against generative AI.
A list of musical artists that signed the ARA open letter against generative AI.
A list of musical artists that signed the ARA open letter against generative AI.
A list of musical artists that signed the ARA open letter against generative AI.
In January, Billboard reported that AI research taking place at Google DeepMind had trained an unnamed music-generating AI on a large dataset of copyrighted music without seeking artist permission. That report may have been referring to Google’s Lyria, an AI-generation model announced in November that the company positioned as a tool for enhancing human creativity. The tech has since powered musical experiments from YouTube.
We’ve previously covered AI music generators that seemed fairly primitive throughout 2022 and 2023, such as Riffusion, Google’s MusicLM, and Stability AI’s Stable Audio. We’ve also covered open source musical voice-cloning technology that is frequently used to make musical parodies online. While we have yet to see an AI model that can generate perfect, fully composed high-quality music on demand, the quality of outputs from music synthesis models has been steadily improving over time.
In considering AI’s potential impact on music, it’s instructive to remember historical instances where tech innovations initially sparked concern among artists. For instance, the introduction of synthesizers in the 1960s and 1970s and the advent of digital sampling in the 1980s both faced scrutiny and fear from parts of the music community, but the music industry eventually adjusted.
While we’ve seen fear of the unknown related to AI going around quite a bit for the past year, it’s possible that AI tools will be integrated into the music production process like any other music production tool or technique that came before. It’s also possible that even if that kind of integration comes to pass, some artists will still get hurt along the way—and the ARA wants to speak out about it before the technology progresses further.
“Race to the bottom”
The Artists Rights Alliance is a nonprofit advocacy group that describes itself as an “alliance of working musicians, performers, and songwriters fighting for a healthy creative economy and fair treatment for all creators in the digital world.”
The signers of the ARA’s open letter say they acknowledge the potential of AI to advance human creativity when used responsibly, but they also claim that replacing artists with generative AI would “substantially dilute the royalty pool” paid out to artists, which could be “catastrophic” for many working musicians, artists, and songwriters who are trying to make ends meet.
In the letter, the artists say that unchecked AI will set in motion a race to the bottom that will degrade the value of their work and prevent them from being fairly compensated. “This assault on human creativity must be stopped,” they write. “We must protect against the predatory use of AI to steal professional artist’ voices and likenesses, violate creators’ rights, and destroy the music ecosystem.”
The emphasis on the word “human” in the letter is notable (“human artist” was used twice and “human creativity” and “human artistry” are used once, each) because it suggests the clear distinction they are drawing between the work of human artists and the output of AI systems. It implies recognition that we’ve entered a new era where not all creative output is made by people.
The letter concludes with a call to action, urging all AI developers, technology companies, platforms, and digital music services to pledge not to develop or deploy AI music-generation technology, content, or tools that undermine or replace the human artistry of songwriters and artists or deny them fair compensation for their work.
While it’s unclear whether companies will meet those demands, so far, protests from visual artists have not stopped development of ever-more advanced image-synthesis models. On Threads, frequent AI industry commentator Dare Obasanjo wrote, “Unfortunately this will be as effective as writing an open letter to stop the sun from rising tomorrow.”
The Daily Show host Jon Stewart’s interview with FTC Chair Lina Khan. The conversation about Apple begins around 16: 30 in the video.
Before the cancellation of The Problem with Jon Stewart on Apple TV+, Apple forbade the inclusion of Federal Trade Commission Chair Lina Khan as a guest and steered the show away from confronting issues related to artificial intelligence, according to Jon Stewart.
This isn’t the first we’ve heard of this rift between Apple and Stewart. When the Apple TV+ show was canceled last October, reports circulated that he told his staff that creative differences over guests and topics were a factor in the decision.
The New York Times reported that both China and AI were sticking points between Apple and Stewart. Stewart confirmed the broad strokes of that narrative in a CBS Morning Show interview after it was announced that he would return to The Daily Show.
“They decided that they felt that they didn’t want me to say things that might get me into trouble,” he explained.
Stewart’s comments during his interview with Khan yesterday were the first time he’s gotten more specific publicly.
“I’ve got to tell you, I wanted to have you on a podcast, and Apple asked us not to do it—to have you. They literally said, ‘Please don’t talk to her,'” Stewart said while interviewing Khan on the April 1, 2024, episode of The Daily Show.
Khan appeared on the show to explain and evangelize the FTC’s efforts to battle corporate monopolies both in and outside the tech industry in the US and to explain the challenges the organization faces.
She became the FTC chair in 2021 and has since garnered a reputation for an aggressive and critical stance against monopolistic tendencies or practices among Big Tech companies like Amazon and Meta.
Stewart also confirmed previous reports that AI was a sensitive topic for Apple. “They wouldn’t let us do that dumb thing we did in the first act on AI,” he said, referring to the desk monologue segment that preceded the Khan interview in the episode.
The segment on AI in the first act of the episode mocked various tech executives for their utopian framing of AI and interspersed those claims with acknowledgments from many of the same leaders that AI would replace many people’s jobs. (It did not mention Apple or its leadership, though.)
Stewart and The Daily Show‘s staff also included clips of current tech leaders suggesting that workers be retrained to work with or on AI when their current roles are disrupted by it. That was followed by a montage of US political leaders promising to retrain workers after various technological and economic disruptions over the years, with the implication that those retraining efforts were rarely as successful as promised.
The segment effectively lampooned some of the doublespeak about AI, though Stewart stopped short of venturing any solutions or alternatives to the current path, so it mostly just prompted outrage and laughs.
The Daily Show host Jon Stewart’s segment criticizing tech and political leaders on the topic of AI.
Apple currently uses AI-related technologies in its software, services, and devices, but so far it has not launched anything tapping into generative AI, which is the new frontier in AI that has attracted worry, optimism, and criticism from various parties.
However, the company is expected to roll out its first generative AI features as part of iOS 18, a new operating system update for iPhones. iOS 18 will likely be detailed during Apple’s annual developer conference in June and will reach users’ devices sometime in the fall.
Ncuti Gatwa officially begins his tenure as the Fifteenth Doctor in May, when the new Doctor Who season premieres.
Heads up, Whovians! We’ve got a newly regenerated Fifteenth Doctor in Ncuti Gatwa and a new season of the long-running British sci-fi series Doctor Who on the way. Judging by the latest trailer, we’re in for another wild ride of time-traveling hijinks, punctuated by an irresistibly charismatic Gatwa sporting some very colorful outfits with confident aplomb.
(Spoilers for most recent seasons and specials below.)
Look, I loved Jodie Whittaker’s incarnation of the Doctor, but her tenure was hampered by the unavoidable fact that showrunner Chris Chibnall just didn’t give her a lot of great material to work with. Among other issues, there was an unfortunate tendency toward didacticism and preachiness in the writing at the expense of genuine emotional resonance. While there were a number of notable episodes, and Chibnall gamely trotted out all the fan-favorite monsters and tropes, nothing ever fully captured the imagination in quite the same way as the show has always done at its best. Whittaker deserved better.
But then the BBC announced the return of Russell T. Davies—who revived the series in 2005 with Christopher Eccleston as the Ninth Doctor—as showrunner, setting up another reset of this beloved series. When Gatwa’s casting was announced, everyone assumed Whittaker’s Thirteenth Doctor would regenerate accordingly at the end of “The Power of the Doctor.” Instead, the newly regenerated Fourteenth Doctor was played by none other than David Tennant, everyone’s favorite Tenth Doctor—a little older with a few tweaks to his trademark look.
It was great casting for the 60th anniversary specials, in which Tennant’s Fourteenth Doctor reunited with Donna Noble (Catherine Tate)—one of my favorite companions. Donna had her memories of the Doctor wiped by the Tenth Doctor to save her life since she had taken on some Time Lord knowledge that human beings just aren’t designed to carry. Donna now had a teenage daughter named Rose, and of course, a major crisis forced the Doctor to restore the erased knowledge to save London yet again. Donna should have died, but her Time Lord knowledge ended up being safely split between her and Rose instead.
The Doctor and Donna next encountered an abandoned spaceship filled with doppelgängers (Not-Things) in “Wild Blue Yonder.” In “The Giggle,” they faced off against the Toymaker (Neil Patrick Harris), and during the climactic battle, the Fourteenth Doctor was shot. Fans expecting the usual regeneration were in for a surprise. The Fourteenth Doctor “bigenerated” instead, resulting in both a Fourteenth Doctor and Gatwa’s Fifteenth Doctor, a separate physical entity.
Ncuti Gatwa is ready for his first full season as the Fifteenth Doctor.
YouTube/BBC
His new companion is Ruby Sunday (Millie Gibson).
YouTube/BBC
“Space babies!”
YouTube/BC
The Doctor and the dinosaurs.
YouTube/BBC
Going full-on Bridgerton.
YouTube/BBC
“We are going to rock through time…”
YouTube/BBC
Sporting a snazzy tangerine-colored knit.
YouTube/BBC
Looking very Mod Squad, Doctor!
YouTube/BBC
Recreating a famous album cover because why not?
YouTube/BBC
The two Doctors teamed up to defeat the Toymaker and then figured out how to duplicate the TARDIS by drawing on the power of the remnants of the villain’s reality-warping domain. And Gatwa’s Doctor embarked on a fresh adventure with the 2023 Christmas special “The Church on Ruby Road,” which also introduced us to his new companion, Ruby Sunday (Millie Gibson).
All of that brings us to season 14. All we really know about this new season is that it will have eight episodes, beginning with the Davies-penned “Space Babies” and “The Devil’s Chord.” Davies wrote six out of the eight episodes, in fact, closing out with “The Legend of Ruby Sunday” and the finale, “Empire of Death.” The latest trailer doesn’t give us much more than some exciting visual teases of what’s in store, including the aforementioned space babies, dinosaurs, a mysterious spacecraft—and all those outfits.
The Fifteenth Doctor is apparently something of a clothes horse. Each incarnation of the Doctor has always had a trademark “look,” but costume designer Pam Downe decided to broaden the scope for Gatwa, incorporating design elements from previous Doctors all the way back to Jon Pertwee’s Third Doctor, whose style Gatwa particularly admired. That Regency-era burgundy velvet jacket is definitely a nod to the Third Doctor. There’s even a 1960s suit and Afro reminiscent of the Mod Squad or Austin Powers (with a sly allusion to The Beatles’ Abbey Road). Gatwa is clearly having a blast, which bodes well for the upcoming new season.
Season 14 of Doctor Who premieres on BBC and Disney+ on May 10, 2024, in the US and May 11 in the UK.
Enlarge/ The Enterprise-D bridge recreation, seen in London in 2002.
Peter Bischoff/Getty Images
More than a decade has gone by since three Star Trek: The Next Generation fans first decided to restore the bridge from the Enterprise-D. Plans for the restored bridge morphed from opening it up to non-commercial uses like weddings or educational events into a fully fledged museum, and now that museum is almost ready to open. Backers of the project on Kickstarter have been notified that Sci-Fi World Museum will open to them in Santa Monica, California, on May 27, with general admission beginning in June.
It’s not actually the original set from TNG, as that was destroyed while filming Star Trek: Generations, when the saucer section crash-lands on Veridian III. But three replicas were made, overseen by Michael Okuda and Herman Zimmerman, the show’s set designers. Two of those welcomed Trekkies at Star Trek: The Experience, an attraction in Las Vegas until it closed in 2008.
The third spent time in Hollywood, then traveled to Europe and Asia for Star Trek: World Tour before it ended up languishing in a warehouse in Long Beach. It’s this third globe-trotting Enterprise-D bridge that—like the grit that gets an oyster to create a pearl—now finds a science-fiction museum accreted around it. Well, mostly—the chairs used by Riker, Troi, Data, and some other bits were salvaged from the Las Vegas exhibit.
When Ars checked in with the Enterprise-D bridge restoration in 2014, the science-fiction museum plan had taken shape. But that change of plans did not sit well with some of the project’s original supporters, particularly after an imperfect re-creation of the captain’s chair—which remained lost until recently—was sold on eBay.
Things got even uglier in 2018 when Huston Huddleston, who led the project, was arrested and then convicted for possessing child pornography. Although Huddleston still appears listed as the project’s CEO on its Kickstarter page, that appears to be an artifact of its creation, and John Purdy is listed as the CEO of the Sci-Fi World Museum on its About Us page.
The Enterprise-D isn’t the only bridge you’ll be able to find at the museum—there’s also a replica of the bridge from Star Trek: The Original Series, which previously lived in a wax museum in Buena Park, California. Other exhibits include a hall of robots, as well as the “Bubbleship” and a drone from the movie Oblivion.
And earlier this month, it looked like Jean-Luc Picard’s long-lost chair might be sold at auction. However, the day saw an agreement between CBS Studios and the auctioneer Propstore, which will return the chair to CBS’s Star Trek Archive, which plans to restore and display it in the coming year.
This short teaser for S2 of HBO’s House of the Dragon lets you choose between two full trailers.
It’s been a long wait for the second season of HBO’s House of the Dragon, in which House Targaryen descends into civil war over the heir to the Iron Throne. It’s set to premiere in June, and HBO is ramping up its marketing with a rather clever twist: not one official trailer, but two, each presenting the perspective of one side in the bloody conflict. And we get to choose which trailer we’d like to view—although if you’re like us, you’ll elect to watch both.
(Spoilers for the first season below.)
As I’ve written previously, HBO’s House of the Dragon debuted in 2022 with a solid, promising pilot episode, and the remainder of the season lived up to that initial promise. The series is set nearly 200 years before the events of Game of Thrones and chronicles the beginning of the end of House Targaryen’s reign. The primary source material is Fire and Blood, a fictional history of the Targaryen kings written by George R.R. Martin. As book readers know, those events culminated in a civil war and the extinction of the dragons—at least until Daenerys Targaryen came along.
The first season spanned many years and made some pretty significant time jumps, which in turn required replacing the younger actors as their characters aged. The S1 finale brought Westeros to the brink of civil war. King Viserys (Paddy Considine) died, and his second wife, Alicent (Olivia Cooke), conspired with her father, Otto Hightower (Rhys Ifans), to crown her eldest son, Aegon (Tom Glynn-Carney), as king instead of Viserys’ declared heir apparent, Rhaenyra (Emma D’Arcy).
This kicked off a lot of political maneuvering as both sides tried to shore up support for their chosen heir in preparation for the inevitable fight. Even though she was technically the rightful heir, Rhaenyra actually seemed to be considering House Hightower’s conditions for concession—until the arrogant Prince Aemon (Ewan Mitchell), Alicent’s younger son, went after Rhaenyra’s young son, Lucerys (Elliot Grihault). Both dragonriders failed to control their dragons, and Aemon’s much bigger dragon, Vhagar, gobbled up poor Lucerys and his little dragon, Arrax, in mid-air. The season closed with Rhaenyra and her husband/uncle Daemon (Matt Smith) receiving the devastating news, effectively dashing any hope of a peaceful resolution.
Most of the S1 main cast members are returning for S2 (those whose characters survived). And we have some new faces in the mix: Abubakar Salim as Alyn of Hull; Gayle Rankin as Alys Rivers; Freddie Fox as Ser Gwayne Hightower; Simon Russell Beale as Ser Simon Strong; Clinton Liberty as Addam of Hull; Jamie Kenna as Ser Alfred Broome; Kieran Bew as Hugh; Tom Bennett as Ulf; Tom Taylor as Lord Cregan Stark; and Vincent Regan as Ser Rickard Thorne.
The first teaser for S2 dropped in December during CCXP23 in Sao Paulo, Brazil. We got the expected footage of dragons and dragonriders, a beheading, troops gathering and getting wiped out by dragon fire, and Rhaenyra and Aemon facing off with their dragons. And we also had a brief glimpse of a particularly brutal plot point in the source material that we already know closes out S2 (i.e., the “Blood and Cheese” incident, well-known to book readers).
As for the two new trailers, if your loyalties are with the claimed “rightful heir” Rhaenyra and the Blacks, this is the trailer for you:
Official Black trailer.
But perhaps you’d prefer to side with Greens, i.e., Dowager Queen Alicent Hightower and her odious offspring, Aegon Targaryen, who has laid claim to the Iron Throne as King Aegon II:
Official Green trailer.
The second season of House of the Dragon premiers on HBO on June 16, 2024.
The long-standing science fiction franchise looks to be returning to its horror roots with Alien: Romulus.
We learned way back in 2019 that horror director Fede Alvarez (Don’t Breathe, Evil Dead) would be tackling a new standalone film in the Alien franchise. Personally, I had mixed feelings on the heels of the disappointing Prometheus (2012) and Alien: Covenant (2017). But the involvement of Alvarez was a hint that perhaps the franchise was returning to its stripped-down space horror roots. Now we have the first teaser for Alien: Romulus, and yep—that seems to be the case. And that’s very good news for those of us who adored the original Alien (1979) and its terrifying sequel, Aliens (1986).
(Spoilers for Alien and Aliens below.)
Alien: Romulus is set between the events of Alien and Aliens. That is, after Ellen Ripley, the sole survivor of the Nostromo, destroyed the killer Xenomorph and launched herself into space in the ship’s lifeboat—along with the ginger cat, Jonesy—and before she woke up after 57 years in hypersleep and battled more Xenomorphs while protecting the young orphan, Newt. Per the official premise: “While scavenging the deep ends of a derelict space station, a group of young space colonizers come face to face with the most terrifying life form in the universe.”
Cailee Spaeny (Priscilla, Pacific Rim: Uprising) stars as Rain Carradine, Isabela Merced (The Last of Us) plays Kay, and David Jonsson (Murder Is Easy) plays Andy. Archie Renaux (Shadow and Bone), Spike Fearn (Aftersun), and Aileen Wu also appear in as-yet-undisclosed roles.
That’s about all we know five months out from the film’s release, but the teaser has all the right elements to pique our interest, right down to the minimalist aesthetics of its original forebear. In this case, less is more: We hear panicked calls for help (“get it away from me!”), piercing screams, and a shot of a gore-spattered wall. Then we get a few frenetic shots of panicked crew members fleeing a monster—and it’s a suitably terrifying threat based on the brief glimpses we’re offered.
Alien: Romulus hits theaters on August 16, 2024. It was originally meant to be released on Hulu. Clearly, the studio thought it had a potential hit on its hands and opted for a theatrical release instead.
Check out the latest trailer for Furiosa: A Mad Max Saga, starring Anya Taylor-Joy.
We got the first trailer for the spinoff prequel film Furiosa: A Mad Max Saga in December, starring Anya Taylor-Joy as the younger incarnation of the character immortalized by Charlize Theron in Mad Max: Fury Road. We’re now just a couple months away from the film’s much-anticipated release—i.e., the perfect time to drop a second trailer to keep that anticipation high.
(Spoilers for Fury Road below.)
As previously reported, we met Furiosa early on in Fury Road, working logistics for Immortan Joe (the late Hugh Keays-Byrne), who charged her with ferrying oil from Gas Town to his Citadel with the help of a small crew of War Boys and one of the war rigs—basically tractor trailer trucks souped up with armor and novel weaponry. Furiosa stole the war rig instead, taking Joe’s five wives with her.
She teamed up with Max to fight off Joe’s army as they made their way to the Green Place, where Furiosa grew up. When they finally encountered the Vuvalini of Many Mothers, Furiosa learned that the Green Place was now an uninhabitable swamp. They ultimately returned to the Citadel and overthrew Immortan Joe, and our last image of her was a triumphant Furiosa on a lift rising into the Citadel.
Fury Road received almost universal critical acclaim, in no small part due to Theron’s fiery performance and director George Miller’s stunning apocalyptic vision. The film snagged 10 Oscar nominations and grossed $380 million globally. By 2019, Miller had expressed interest in making both a sequel and a prequel, with the latter focusing on Furiosa.
The Garden of Eden symbolism is strong in this black-and-white shot.
YouTube/Warner Bros.
A young Furiosa (Alyla Browne).
YouTube/Warner Bros.
Dementus (Chris Hemsworth) in his souped-up biker chariot.
YouTube/Warner Bros.
Furiosa’s mother fights to get her daughter back.
YouTube/Warner Bros.
The fight does not seem to be going well.
YouTube/Warner Bros.
Furiosa (Anya Taylor-Joy) is out for vengeance.
YouTube/Warner Bros.
“Remember me?”
YouTube/Warner Bros.
The film is set 45 years after the Collapse. Per the official premise:
As the world fell, young Furiosa is snatched from the Green Place of Many Mothers and falls into the hands of a great Biker Horde led by the Warlord Dementus. Sweeping through the Wasteland, they come across the Citadel presided over by The Immortan Joe. While the two Tyrants war for dominance, Furiosa must survive many trials as she puts together the means to find her way home.
In addition to Taylor-Joy, Chris Hemsworth co-stars as Warlord Dementus, who leads the biker gang that kidnaps a young Furiosa. Nathan Jones and Angus Sampson reprise their roles as Rictus Erectus (son of Immortan Joe) and the Organic Mechanic, respectively. Lachy Hulme plays the younger Immortan Joe, and the cast also includes Daniel Webber as War Boy, David Collins as Smeg, and Alyla Browne as a young Furiosa. Tom Burke, Quaden Bayles, and Charlee Fraser have been cast in as-yet-undisclosed roles.
This latest trailer gives us a glimpse into Furiosa’s Garden of Eden-like early childhood, rendered (initially) in black and white with a young Furiosa reaching for a bright red apple. Symbolism! Dementus and his boys are nearby and snatch the young girl. Once they realize there’s a land of plenty ripe for pillage, conflict with Green Place is inevitable, with Furiosa’s mother leading the charge to get her daughter back and fend off the invaders. It doesn’t end well for Furiosa, who, as an adult, is determined to take her revenge on those who stole her mother and childhood from her.
Furiosa: A Mad Max Saga hits theaters on May 24, 2024. We can’t wait.
Amandla Stenberg stars as a former padawan turned dangerous warrior in Star Wars: The Acolyte.
A long time ago, in a galaxy far, far away, the Galactic Republic and its Jedi masters symbolized the epitome of enlightenment and peace. Then came the inevitable downfall and outbreak of war as the Sith, who embraced the Dark Side of the Force, came to power. Star Wars: The Acolyte is a forthcoming new series on Disney+ that will explore those final days of the Republic as the seeds of its destruction were sown—and the streaming platform just dropped the first trailer.
The eight-episode series was created by Leslye Headland, who co-created Russian Doll with Natasha Lyonne and Amy Poehler. It’s set at the end of the High Republic Era, about a century before the events of The Phantom Menace. Apparently Headland rather cheekily pitched The Acolyte as “Frozen meets Kill Bill,” which is an intriguing combination. She drew on wuxia martial arts films for inspiration, much like George Lucas was originally inspired by Westerns and the samurai films of Akira Kurosawa.
(Some spoilers for the prequel trilogy below.)
Star Wars fans already know that the evil mastermind behind the demise of the Republic was Sheev Palpatine, but The Acolyte focuses on other Sith who came before him during the Republic’s golden age of peace. Headland will be introducing new characters to add to the existing canon but is also cognizant that some fans might not be open to the new series. (For the record, she’s okay with that, given the diverse breadth of Star Wars stories out there.)
She specifically wanted to address a common fan complaint about certain plot elements of the films (especially Episodes I-III), namely how Yoda wouldn’t sense Darth Sidious’ rise to power or how Palpatine managed to infiltrate the Galactic Senate without a single Jedi noticing. In keeping with the visual style of the prequel trilogy, The Acolyte will sport a sleek-looking, advanced civilization look, before the inevitable decay in the wake of the Republic’s collapse and establishment of the Empire.
School is in session for all the young padawans.
YouTube/Disney+
Carrie-Ann Moss plays Indara, a Jedi master.
YouTube/Disney+
An unexpected adversary.
YouTube/Disney+
Amandla Stenberg plays a former padawan turned warrior named Mae.
Lucasfilm
Sol (Lee Jung-jae) is a respected Jedi master.
YouTube/Disney+
Manny Jacinto plays a former smuggler named Qimir.
YouTube/Disney+
Joonas Suotamo plays Kelnacca, a Wookiee Jedi master.
YouTube/Disney+
Mother Aniseya (Jodie Turner-Smith) heads a coven of witches.
YouTube/Disney+
Lightsabers at the ready! Dafne Keen (right) plays a young Jedi named Jecki Lon.
YouTube/Disney+
Per the official premise:
In Star Wars: The Acolyte, an investigation into a shocking crime spree pits a respected Jedi Master (Lee Jung-jae) against a dangerous warrior from his past (Amandla Stenberg). As more clues emerge, they travel down a dark path where sinister forces reveal all is not what it seems…
In addition to Jung-jae (best known from Squid Game) and Stenberg (Rue in The Hunger Games), the cast includes Manny Jacinto (Jason on The Good Place) as a former smuggler named Qimir; Dafne Keen (Logan, His Dark Materials) as a young Jedi named Jecki Lon; Carrie-Ann Moss (Trinity in The Matrix trilogy) as a Jedi master named Indara; Jodie Turner-Smith (After Yang) as Mother Aniseya, who leads a coven of witches; Rebecca Henderson (Russian Doll) as a Jedi knight named Vernestra Rwoh; and Charlie Bennet (Russian Doll) as a Jedi named Yord Fandar.
In addition, Joonas Suotamo plays a Wookiee Jedi master named Kelnacca. Suotamo portrayed Chewbacca in the sequel trilogy of films (Episodes VII-IX) and in Solo: A Star Wars Story. Also appearing in as-yet-undisclosed roles are Abigail Thorn, Dean-Charles Chapman, Amy Tsang, and Margarita Levieva.
The trailer opens on an appropriately ominous note, with Sol instructing his young padawans to close their eyes because “your eyes can deceive you. We must not trust them.” They meditate on life and balance, but one young padawan sees fire. Meanwhile, a mysterious figure in a long purple cloak strides purposefully through city streets—none other than Indara, who soon finds herself battling a mysterious masked figure.
It seems that somebody is out there killing Jedi, and there is a growing sense of darkness. “This isn’t about good or bad,” Mother Aniseya says. “This is about power and who is allowed to use it.” Naturally the trailer ends with a group of Jedis brandishing their lightsabers against a foe wielding one that is glowing red.
Star Wars: The Acolyte debuts on Disney+ on June 4, 2024.
Bill Skarsgård takes on the role of Eric Draven in the Lionsgate reboot of The Crow.
The 1994 cult classic film The Crow turns 30 this spring, so it’s as good a time as any to drop the first trailer for the long-in-development reboot directed by Rupert Sanders (Snow White and the Huntsman, Ghost in the Shell). Bill Skarsgård takes on the starring role made famous by the late Brandon Lee.
(Spoilers for the original 1994 film below.)
Based on a 1989 limited comic series by James O’Barr, The Crow was directed by Alex Proyas. The film starred Brandon Lee as Eric Draven, a rock musician in crime-ridden Detroit. He and his fiancée, Shelly Webster (Sofia Shinas), are brutally murdered on Devil’s Night by a gang of thugs on the orders of a crime boss named Top Dollar (Michael Wincott). A year later, Eric is resurrected, dons black-and-white face paint, and proceeds to take his bloody revenge before returning to his grave. Alas, Lee was accidentally killed by a prop gun during the final days of shooting; the film was completed with the help of Lee’s stunt double (Chad Stahelski, who launched the John Wick franchise) and some clever special effects.
Despite the shadow of Lee’s tragic death, The Crow went on to gross $94 million against its modest $23 million budget and establish itself as a cult classic. Sure, the dialogue was occasionally hokey, and most of the characters were pretty one-dimensional, but there was no denying Lee’s star power and the striking visual energy, augmented by a killer soundtrack. There were three sequels focused on different characters with none of the original cast members, but none of those were as successful as the original.
Plans for a reboot first emerged in late 2008, but the development process proved rocky. O’Barr initially expressed pessimism about any reboot but later warmed to the prospect. As recently as November 2019, Proyas remained adamantly opposed: “It’s not just a movie that can be remade, it’s one man’s [Lee’s] legacy,” he said at the time. “And it should be treated with that level of respect.”
The project cycled through directors, stars, screenwriters, and so forth for more than a decade before Sanders signed on as director in 2022. Along with Skarsgård, the cast includes FKA Twigs as Shelly and Isabella Wei as Zadie. Danny Huston, Laura Birn, Sami Bouajila, and Jordan Bolger will also appear in as-yet-unnamed roles. Per the official premise:
Soulmates Eric Draven (Skarsgård) and Shelly Webster (FKA Twigs) are brutally murdered when the demons of her dark past catch up with them. Given the chance to save his true love by sacrificing himself, Eric sets out to seek merciless revenge on their killers, traversing the worlds of the living and the dead to put the wrong things right.
The fact that Eric apparently has a chance to save Shelly by sacrificing himself is a marked departure from the 1994 film and in keeping with Sanders’ stated desire to let the love story be the primary driver for his reboot. The trailer opens by introducing us to the young lovers, moving quickly from their first meeting to the consummation of their love. They’re basically two broken people who find happiness in each other—until Shelly witnesses a murder that results in the couple being brutally and fatally attacked. Eric comes back as The Crow, bent on revenge, even as he’s “running out of time to save her.”
Eric Draven (Bill Skarsgård) falls in love with Shelly (FKA Twigs).
YouTube/Lionsgate
Shelly saw something she shouldn’t have seen, bringing violence to their door.
YouTube/Lionsgate
Crows are supposed to carry away the souls of the dead.
YouTube/Lionsgate
Sometimes that doesn’t happen until the very bad things are set to right.
YouTube/Lionsgate
“I’m gonna kill them all.”
YouTube/Lionsgate
Danny Huston plays a villain in a very nice suit.
YouTube/Lionsgate
“We have a problem.” When Laura Birn is right, she’s right.
YouTube/Lionsgate
He knows exactly what hell awaits him.
YouTube/Lionsgate
Look, the trailer seems perfectly fine. Skarsgård is a phenomenal acting talent, but while Huston generally makes a great villain, one rather misses the wry humor of Wincott’s Goth sadist Top Dollar. The truth is, this reboot could be a tough sell to longtime fans of the original (like me), although it’s encouraging that the director seems to have won over O’Barr with his decision to hark back to the source material.
Sanders is very much aware of this challenge and is taking pains to emphasize his deep regard for Lee’s legacy. “What Alex Proyas did with The Crow in 1994—and Brandon Lee’s iconic embodiment of that character—will forever impact that generation and others to follow,” he said in a statement accompanying the trailer’s release. “It expressed its time in a very specific, music-driven vision.” Sanders added that his own vision strives to bring The Crow (including the original book) to a new generation of young people, calling the character of Eric Draven/The Crow “the original anti-superhero” who grapples with universal themes of “love, grief, and rage.”
Skarsgård also issued a statement that he has long been a fan of the original film; it was Sanders’ vision that convinced him to star in the reboot. “[Sanders] wanted to completely reimagine the story and the character and tailor it towards a modern audience,” he said. “It’s a character that I know many revere and have a strong connection to—he is unlike any I’ve ever taken on before. I felt a responsibility to Eric’s story and endeavored to stay true to the spirit of the source material.”
The Crow was originally scheduled for release on June 7, 2024. But the trailer tells us it’s coming “this summer,” which is vague. I guess we’ll see.
A Vault Dweller navigates a post-apocalyptic wasteland in Fallout, based on the bestselling gaming franchise.
Amazon Prime Video has dropped the full official trailer for Fallout, the streaming platform’s forthcoming post-apocalyptic sci-fi series. It’s based on the bestselling role-playing gaming franchise set in a satirical, 1950s-style future post-nuclear apocalypse. There’s plenty for gaming fans to be pleased about, judging by the trailer, but casting national treasure Walton Goggins (Justified) as a gunslinging Ghoul was quite simply a stroke of genius.
The first Fallout RPG was released in 1997, followed by several sequels and spinoffs. According to the game’s lore, modern civilization is destroyed in 2077 by a global nuclear war between the US and China. Survivors live in various underground vaults (fallout shelters). Each iteration of the game takes place somewhere across a post-apocalyptic US metro area and features a Vault Dweller—someone born and raised underground—as the protagonist. The first game takes place in 2161 and features a Vault Dweller from Vault 13, deep in the mountains of Southern California. The Vault Dweller must complete various missions to save the residents of Vault 13, which takes said protagonist to in-world places like Junktown; a merchant city called the Hub; and Necropolis, filled with Ghouls, i.e., humans badly mutated by exposure to nuclear radiation.
The series was announced in July 2020, with Westworld writers Jonathan Nolan and Lisa Joy serving as executive producers. In January 2022, it was revealed that Nolan would direct the first three episodes but that two other writers—Geneva Robertson-Dworet and Graham Wagner—would be the showrunners. Todd Howard, who directed several games in the franchise, is also an executive producer and has said the series is not an adaptation of any particular game, but it is set within the same continuity. Per the official premise:
Based on one of the greatest video game series of all time, Fallout is the story of haves and have-nots in a world in which there’s almost nothing left to have. Two hundred years after the apocalypse, the gentle denizens of luxury fallout shelters are forced to return to the irradiated hellscape their ancestors left behind—and are shocked to discover an incredibly complex, gleefully weird and highly violent universe waiting for them.
In addition to Goggins, Ella Purnell stars as a young Vault Dweller named Lucy, who must venture out into the wasteland on a mission to save her community in Vault 33. Aaron Moten plays a squire of the Brotherhood of Steel named Maximus; Kyle MacLachlan plays Lucy’s father, Hank, who is a Vault Overseer; Mike Doyle plays Mr. Spencer; Moises Arias plays Lucy’s brother, Norm; Michael Emerson plays an enigmatic wanderer named Wilzig; Johnny Pemberton plays Thaddeus; Cherien Dabis plays Birdie; Dale Dickey plays Ma June; Matty Cardarople plays Huey; Dave Register plays Chet; Rodrigo Luzzi plays Reg; and Annabel O’Hagan plays Steph. Sarita Choudhury and Leslie Uggams also appear in the series.
Nuclear weapons have devastated Los Angeles.
YouTube/Prime Video
Ella Purnell stars as a young Vault Dweller named Lucy.
YouTube/Prime Video
The Ghoul (Walton Goggins) is a mutated gunslinger and bounty hunter.
YouTube/Prime Video
Aaron Moten plays Maximus, a squire with the Brotherhood of Steel.
YouTube/Prime Video
Hey, it’s Michael Emerson of Lost fame, playing an enigmatic wanderer named Wilzig.
YouTube/Prime Video
Kyle MacLachlan plays Lucy’s father, Hank, a Vault Overseer.
YouTube/Prime Video
Sarita Choudhury looking fierce!
YouTube/Prime Video
A glimpse of the Ghoul when he was still Cooper Howard, trying to save his daughter from a nuclear blast.
YouTube/Prime Video
“I’m simply going to harvest your organs.”
YouTube/Prime Video
Look out for Gulpers!
YouTube/Prime Video
“There you are, you little killer.”
YouTube/Prime Video
A teaser dropped in January, chock-full of details instantly recognizable to longtime fans of the games. The new trailer opens with a pre-apocalypse Goggins in a snazzy suit, pitching “a veritable Camelot of the nuclear age”: underground vaults housing residential communities, “because if the worst should happen tomorrow, the world is gonna need you to build a better day after.” The worst does happen, of course, and we catch glimpses of a devastated Los Angeles in the wake of a nuclear war, including a ruined Santa Monica Pier and Griffith Observatory. Then we see Lucy preparing to leave her Vault, despite warnings that “it isn’t like the Vault out there; it’s big.”
Lucy first encounters a hardened Ma June, who laughs derisively when Lucy naively asks what’s happened in the last 200 years. (Frankly, she thought all the Vault Dwellers were dead.) Lucy also has several run-ins with the Ghoul formerly known as Cooper Howard. Pretty much everyone she meets seems to want her dead, although the robot Mr. Handy helpfully informs her it just wants to harvest her organs. Maximus gets his share of screen time, both in and out of full Brotherhood of Steel armor, and we get a glimpse of the Brotherhood’s airships, as well as a mutant monster called a Gulper. It’s a violent, chaotic wasteland, but apparently, “there’s always somebody behind the wheel.”
All episodes of Fallout will premiere on Prime Video on April 11, 2024.
Netflix’s new sci-fi series 3 Body Problem makes its world premiere tonight at the SXSW Film & Television festival in Austin.
The countdown continues for the hotly anticipated debut of 3 Body Problem, Netflix’s eight-episode sci-fi series adapted from the award-winning novel The Three-Body Problem by Liu Cixin, the first book in his Remembrance of Earth’s Past trilogy. Those attending the SXSW Film & Television Festival in Austin will get to see the series’ world premiere tonight. The rest of us have to wait until later this month, but in the meantime, the streaming platform has released a final trailer.
(Some spoilers for the novel below.)
The 3-Body Problem‘s narrative is told in a nonlinear fashion, jumping between a young astrophysicist, Ye Wenjie, who witnesses her father being beaten to death by Red Guards during the Cultural Revolution, and Ye’s return to Tsinghua University as an established professor many years later. During the earlier timeline, Ye figures out a means of sending an interstellar message to possible extraterrestrial civilizations and receives a response from a planet called Trisolaris. (As its name implies, the planet has three suns, which wreak havoc on Trisolaris via unpredictable “chaotic periods”—hence the novel’s title, which refers to a classic problem in celestial mechanics.) Despite being warned that the aliens intend to invade and conquer Earth, Ye responds to the message and invites them to do so, disillusioned by the state of the world.
The Trisolarians depart on their 450-year journey. Meanwhile, there have been complicated developments on Earth as people learn of the pending arrival of aliens. There is a secret society of scientists, political leaders, and other scholars who share Ye’s sentiment about the state of humanity, which, over time, splits into three competing factions. Some members continue to support the full destruction of humanity; others plan to help the aliens in exchange for the survival of themselves and their descendants; and still others regularly play a VR game called Three-Body and attempt to find a computational solution to the actual three-body problem that plagues Trisolaris. That’s a recipe for tension and conflict, which plays out in various ways throughout the novel.
The Netflix series was created by David Benioff, D.B. Weiss (Game of Thrones), and Alexander Woo (True Blood). Per the official premise:
A young woman’s fateful decision in 1960s China reverberates across space and time into the present day. When the laws of nature inexplicably unravel before their eyes, a close-knit group of brilliant scientists join forces with an unorthodox detective to confront the greatest threat in humanity’s history.
Zine Tseng stars as the young Ye Wenjie, with Rosalind Chao playing the older version. The cast also includes Benedict Wong as Da Shi, an intelligence officer who is investigating the mysterious deaths of scientists; Liam Cunningham as Thomas Wade, the charismatic leader of a global intelligence operation; Saamer Usmani as Raj Varma, a naval officer; and Jonathan Pryce as a wealthy eccentric named Mike Evans who helps set up a secret society. Ben Schnetzer plays the younger version of Mike Evans, while Marlo Kelly plays Tatiana, who was raised in Evans’ organization.
The “Oxford Five” are John Bradley as Jack Rooney; Alex Sharp as Will Downing, a sixth-form physics teacher; Jess Hong as Jin Cheng, a brilliant theoretical physicist whose curiosity is both a strength and a weakness; Jovan Adepo as Saul Durand, another physicist; and Eiza González as Auggie Salazar, a pioneer in nanotechnology (comparable to the character of Wang Miao in the novel). Sea Shimooka plays Sophon, an avatar in the show’s mysterious VR game.
The first teaser was released last June, followed in November by an exclusive clip showing Jack Rooney trying on a mysterious VR headset—only to learn from the avatar Sophon that he wasn’t “invited.” Netflix debuted the official full trailer for 3 Body Problem at CES in Las Vegas in January, and it focused heavily on the central mystery surrounding the deaths of 30 scientists in a single month, as well as people starting to see numbers representing some kind of countdown before their eyes.
This final trailer focuses a bit more on the backstory, namely the detection of the famous WOW! signal in 1977 with a glimpse of Ye Wenjie’s personal tragedy during China’s Cultural Revolution. The older Ye Wenjie tells us that “they are coming,” as others wonder who “they” might be. Of course, it’s aliens, bringing the threat of impending war as Dinah Washington croons “This Bitter Earth” in the background, lending an almost elegiac mood to the trailer. At one point, Ye Wenjie asks Jin how she will be remembered, and Jin replies, “As someone who fought back.”
All eight episodes of 3 Body Problem will hit Netflix on March 21, 2024.
