AI image generator Midjourney released its first new model in quite some time today; dubbed V7, it’s a ground-up rework that is available in alpha to users now.
There are two areas of improvement in V7: the first is better images, and the second is new tools and workflows.
Starting with the image improvements, V7 promises much higher coherence and consistency for hands, fingers, body parts, and “objects of all kinds.” It also offers much more detailed and realistic textures and materials, like skin wrinkles or the subtleties of a ceramic pot.
Those details are often among the most obvious telltale signs that an image has been AI-generated. To be clear, Midjourney isn’t claiming to have made advancements that make AI images unrecognizable to a trained eye; it’s just saying that some of the messiness we’re accustomed to has been cleaned up to a significant degree.
V7 can reproduce materials and lighting situations that V6.1 usually couldn’t. Credit: Xeophon
On the features side, the star of the show is the new “Draft Mode.” On its various communication channels with users (a blog, Discord, X, and so on), Midjourney says that “Draft mode is half the cost and renders images at 10 times the speed.”
However, the images are of lower quality than what you get in the other modes, so this is not intended to be the way you produce final images. Rather, it’s meant to be a way to iterate and explore to find the desired result before switching modes to make something ready for public consumption.
V7 comes with two modes: turbo and relax. Turbo generates final images quickly but is twice as expensive in terms of credit use, while relax mode takes its time but is half as expensive. There is currently no standard mode for V7, strangely; Midjourney says that’s coming later, as it needs some more time to be refined.
These diffusion models maintain performance faster than or comparable to similarly sized conventional models. LLaDA’s researchers report their 8 billion parameter model performs similarly to LLaMA3 8B across various benchmarks, with competitive results on tasks like MMLU, ARC, and GSM8K.
However, Mercury claims dramatic speed improvements. Their Mercury Coder Mini scores 88.0 percent on HumanEval and 77.1 percent on MBPP—comparable to GPT-4o Mini—while reportedly operating at 1,109 tokens per second compared to GPT-4o Mini’s 59 tokens per second. This represents roughly a 19x speed advantage over GPT-4o Mini while maintaining similar performance on coding benchmarks.
Mercury’s documentation states its models run “at over 1,000 tokens/sec on Nvidia H100s, a speed previously possible only using custom chips” from specialized hardware providers like Groq, Cerebras, and SambaNova. When compared to other speed-optimized models, the claimed advantage remains significant—Mercury Coder Mini is reportedly about 5.5x faster than Gemini 2.0 Flash-Lite (201 tokens/second) and 18x faster than Claude 3.5 Haiku (61 tokens/second).
Opening a potential new frontier in LLMs
Diffusion models do involve some trade-offs. They typically need multiple forward passes through the network to generate a complete response, unlike traditional models that need just one pass per token. However, because diffusion models process all tokens in parallel, they achieve higher throughput despite this overhead.
Inception thinks the speed advantages could impact code completion tools where instant response may affect developer productivity, conversational AI applications, resource-limited environments like mobile applications, and AI agents that need to respond quickly.
If diffusion-based language models maintain quality while improving speed, they might change how AI text generation develops. So far, AI researchers have been open to new approaches.
Independent AI researcher Simon Willison told Ars Technica, “I love that people are experimenting with alternative architectures to transformers, it’s yet another illustration of how much of the space of LLMs we haven’t even started to explore yet.”
On X, former OpenAI researcher Andrej Karpathy wrote about Inception, “This model has the potential to be different, and possibly showcase new, unique psychology, or new strengths and weaknesses. I encourage people to try it out!”
Questions remain about whether larger diffusion models can match the performance of models like GPT-4o and Claude 3.7 Sonnet, and if the approach can handle increasingly complex simulated reasoning tasks. For now, these models offer an alternative for smaller AI language models that doesn’t seem to sacrifice capability for speed.
A music video by Canadian art collective Vallée Duhamel made with Sora-generated video. “[We] just shoot stuff and then use Sora to combine it with a more interesting, more surreal vision.”
During a livestream on Monday—during Day 3 of OpenAI’s “12 days of OpenAi”—Sora’s developers showcased a new “Explore” interface that allows people to browse through videos generated by others to get prompting ideas. OpenAI says that anyone can enjoy viewing the “Explore” feed for free, but generating videos requires a subscription.
They also showed off a new feature called “Storyboard” that allows users to direct a video with multiple actions in a frame-by-frame manner.
Safety measures and limitations
In addition to the release, OpenAI also publish Sora’s System Card for the first time. It includes technical details about how the model works and safety testing the company undertook prior to this release.
“Whereas LLMs have text tokens, Sora has visual patches,” OpenAI writes, describing the new training chunks as “an effective representation for models of visual data… At a high level, we turn videos into patches by first compressing videos into a lower-dimensional latent space, and subsequently decomposing the representation into spacetime patches.”
Sora also makes use of a “recaptioning technique”—similar to that seen in the company’s DALL-E 3 image generation, to “generate highly descriptive captions for the visual training data.” That, in turn, lets Sora “follow the user’s text instructions in the generated video more faithfully,” OpenAI writes.
Sora-generated video provided by OpenAI, from the prompt: “Loop: a golden retriever puppy wearing a superhero outfit complete with a mask and cape stands perched on the top of the empire state building in winter, overlooking the nyc it protects at night. the back of the pup is visible to the camera; his attention faced to nyc”
OpenAI implemented several safety measures in the release. The platform embeds C2PA metadata in all generated videos for identification and origin verification. Videos display visible watermarks by default, and OpenAI developed an internal search tool to verify Sora-generated content.
The company acknowledged technical limitations in the current release. “This early version of Sora will make mistakes, it’s not perfect,” said one developer during the livestream launch. The model reportedly struggles with physics simulations and complex actions over extended durations.
In the past, we’ve seen that these types of limitations are based on what example videos were used to train AI models. This current generation of AI video-synthesis models has difficulty generating truly new things, since the underlying architecture excels at transforming existing concepts into new presentations, but so far typically fails at true originality. Still, it’s early in AI video generation, and the technology is improving all the time.
The warning extends beyond voice scams. The FBI announcement details how criminals also use AI models to generate convincing profile photos, identification documents, and chatbots embedded in fraudulent websites. These tools automate the creation of deceptive content while reducing previously obvious signs of humans behind the scams, like poor grammar or obviously fake photos.
Much like we warned in 2022 in a piece about life-wrecking deepfakes based on publicly available photos, the FBI also recommends limiting public access to recordings of your voice and images online. The bureau suggests making social media accounts private and restricting followers to known contacts.
Origin of the secret word in AI
To our knowledge, we can trace the first appearance of the secret word in the context of modern AI voice synthesis and deepfakes back to an AI developer named Asara Near, who first announced the idea on Twitter on March 27, 2023.
“(I)t may be useful to establish a ‘proof of humanity’ word, which your trusted contacts can ask you for,” Near wrote. “(I)n case they get a strange and urgent voice or video call from you this can help assure them they are actually speaking with you, and not a deepfaked/deepcloned version of you.”
Since then, the idea has spread widely. In February, Rachel Metz covered the topic for Bloomberg, writing, “The idea is becoming common in the AI research community, one founder told me. It’s also simple and free.”
Of course, passwords have been used since ancient times to verify someone’s identity, and it seems likely some science fiction story has dealt with the issue of passwords and robot clones in the past. It’s interesting that, in this new age of high-tech AI identity fraud, this ancient invention—a special word or phrase known to few—can still prove so useful.
On Friday, TriStar Pictures released Here, a $50 million Robert Zemeckis-directed film that used real time generative AI face transformation techniques to portray actors Tom Hanks and Robin Wright across a 60-year span, marking one of Hollywood’s first full-length features built around AI-powered visual effects.
The film adapts a 2014 graphic novel set primarily in a New Jersey living room across multiple time periods. Rather than cast different actors for various ages, the production used AI to modify Hanks’ and Wright’s appearances throughout.
The de-aging technology comes from Metaphysic, a visual effects company that creates real time face swapping and aging effects. During filming, the crew watched two monitors simultaneously: one showing the actors’ actual appearances and another displaying them at whatever age the scene required.
Here – Official Trailer (HD)
Metaphysic developed the facial modification system by training custom machine-learning models on frames of Hanks’ and Wright’s previous films. This included a large dataset of facial movements, skin textures, and appearances under varied lighting conditions and camera angles. The resulting models can generate instant face transformations without the months of manual post-production work traditional CGI requires.
Unlike previous aging effects that relied on frame-by-frame manipulation, Metaphysic’s approach generates transformations instantly by analyzing facial landmarks and mapping them to trained age variations.
“You couldn’t have made this movie three years ago,” Zemeckis told The New York Times in a detailed feature about the film. Traditional visual effects for this level of face modification would reportedly require hundreds of artists and a substantially larger budget closer to standard Marvel movie costs.
This isn’t the first film that has used AI techniques to de-age actors. ILM’s approach to de-aging Harrison Ford in 2023’s Indiana Jones and the Dial of Destiny used a proprietary system called Flux with infrared cameras to capture facial data during filming, then old images of Ford to de-age him in post-production. By contrast, Metaphysic’s AI models process transformations without additional hardware and show results during filming.
The police operation resulted in the seizure of computers, mobile phones, and about $25,756 in suspected proceeds and luxury watches from the syndicate’s headquarters. Police said that victims originated from multiple countries, including Hong Kong, mainland China, Taiwan, India, and Singapore.
A widening real-time deepfake problem
Realtime deepfakes have become a growing problem over the past year. In August, we covered a free app called Deep-Live-Cam that can do real-time face-swaps for video chat use, and in February, the Hong Kong office of British engineering firm Arup lost $25 million in an AI-powered scam in which the perpetrators used deepfakes of senior management during a video conference call to trick an employee into transferring money.
News of the scam also comes amid recent warnings from the United Nations Office on Drugs and Crime, notes The Record in a report about the recent scam ring. The agency released a report last week highlighting tech advancements among organized crime syndicates in Asia, specifically mentioning the increasing use of deepfake technology in fraud.
The UN agency identified more than 10 deepfake software providers selling their services on Telegram to criminal groups in Southeast Asia, showing the growing accessibility of this technology for illegal purposes.
Some companies are attempting to find automated solutions to the issues presented by AI-powered crime, including Reality Defender, which creates software that attempts to detect deepfakes in real time. Some deepfake detection techniques may work at the moment, but as the fakes improve in realism and sophistication, we may be looking at an escalating arms race between those who seek to fool others and those who want to prevent deception.
“Robotic humanoid animals with vaudeville costumes roam the streets collecting protection money in tokens”
“A basketball player in a haunted passenger train car with a basketball court, and he is playing against a team of ghosts”
“A herd of one million cats running on a hillside, aerial view”
“Video game footage of a dynamic 1990s third-person 3D platform game starring an anthropomorphic shark boy”
“A muscular barbarian breaking a CRT television set with a weapon, cinematic, 8K, studio lighting”
Limitations of video synthesis models
Overall, the Minimax video-01 results seen above feel fairly similar to Gen-3’s outputs, with some differences, like the lack of a celebrity filter on Will Smith (who sadly did not actually eat the spaghetti in our tests), and the more realistic cat hands and licking motion. Some results were far worse, like the one million cats and the Ars Technica reader.
On Tuesday, Stability AI announced that renowned filmmaker James Cameron—of Terminator and Skynet fame—has joined its board of directors. Stability is best known for its pioneering but highly controversial Stable Diffusion series of AI image-synthesis models, first launched in 2022, which can generate images based on text descriptions.
“I’ve spent my career seeking out emerging technologies that push the very boundaries of what’s possible, all in the service of telling incredible stories,” said Cameron in a statement. “I was at the forefront of CGI over three decades ago, and I’ve stayed on the cutting edge since. Now, the intersection of generative AI and CGI image creation is the next wave.”
Cameron is perhaps best known as the director behind blockbusters like Avatar, Titanic, and Aliens, but in AI circles, he may be most relevant for the co-creation of the character Skynet, a fictional AI system that triggers nuclear Armageddon and dominates humanity in the Terminator media franchise. Similar fears of AI taking over the world have since jumped into reality and recently sparked attempts to regulate existential risk from AI systems through measures like SB-1047 in California.
In a 2023 interview with CTV news, Cameron referenced The Terminator‘s release year when asked about AI’s dangers: “I warned you guys in 1984, and you didn’t listen,” he said. “I think the weaponization of AI is the biggest danger. I think that we will get into the equivalent of a nuclear arms race with AI, and if we don’t build it, the other guys are for sure going to build it, and so then it’ll escalate.”
Hollywood goes AI
Of course, Stability AI isn’t building weapons controlled by AI. Instead, Cameron’s interest in cutting-edge filmmaking techniques apparently drew him to the company.
“James Cameron lives in the future and waits for the rest of us to catch up,” said Stability CEO Prem Akkaraju. “Stability AI’s mission is to transform visual media for the next century by giving creators a full stack AI pipeline to bring their ideas to life. We have an unmatched advantage to achieve this goal with a technological and creative visionary like James at the highest levels of our company. This is not only a monumental statement for Stability AI, but the AI industry overall.”
Cameron joins other recent additions to Stability AI’s board, including Sean Parker, former president of Facebook, who serves as executive chairman. Parker called Cameron’s appointment “the start of a new chapter” for the company.
Despite significant protest from actors’ unions last year, elements of Hollywood are seemingly beginning to embrace generative AI over time. Last Wednesday, we covered a deal between Lionsgate and AI video-generation company Runway that will see the creation of a custom AI model for film production use. In March, the Financial Times reported that OpenAI was actively showing off its Sora video synthesis model to studio executives.
Unstable times for Stability AI
Cameron’s appointment to the Stability AI board comes during a tumultuous period for the company. Stability AI has faced a series of challenges this past year, including an ongoing class-action copyright lawsuit, a troubled Stable Diffusion 3 model launch, significant leadership and staff changes, and ongoing financial concerns.
In March, founder and CEO Emad Mostaque resigned, followed by a round of layoffs. This came on the heels of the departure of three key engineers—Robin Rombach, Andreas Blattmann, and Dominik Lorenz, who have since founded Black Forest Labs and released a new open-weights image-synthesis model called Flux, which has begun to take over the r/StableDiffusion community on Reddit.
Despite the issues, Stability AI claims its models are widely used, with Stable Diffusion reportedly surpassing 150 million downloads. The company states that thousands of businesses use its models in their creative workflows.
While Stable Diffusion has indeed spawned a large community of open-weights-AI image enthusiasts online, it has also been a lightning rod for controversy among some artists because Stability originally trained its models on hundreds of millions of images scraped from the Internet without seeking licenses or permission to use them.
Apparently that association is not a concern for Cameron, according to his statement: “The convergence of these two totally different engines of creation [CGI and generative AI] will unlock new ways for artists to tell stories in ways we could have never imagined. Stability AI is poised to lead this transformation.”
Given the flood of photorealistic AI-generated images washing over social media networks like X and Facebook these days, we’re seemingly entering a new age of media skepticism: the era of what I’m calling “deep doubt.” While questioning the authenticity of digital content stretches back decades—and analog media long before that—easy access to tools that generate convincing fake content has led to a new wave of liars using AI-generated scenes to deny real documentary evidence. Along the way, people’s existing skepticism toward online content from strangers may be reaching new heights.
Deep doubt is skepticism of real media that stems from the existence of generative AI. This manifests as broad public skepticism toward the veracity of media artifacts, which in turn leads to a notable consequence: People can now more credibly claim that real events did not happen and suggest that documentary evidence was fabricated using AI tools.
The concept behind “deep doubt” isn’t new, but its real-world impact is becoming increasingly apparent. Since the term “deepfake” first surfaced in 2017, we’ve seen a rapid evolution in AI-generated media capabilities. This has led to recent examples of deep doubt in action, such as conspiracy theorists claiming that President Joe Biden has been replaced by an AI-powered hologram and former President Donald Trump’s baseless accusation in August that Vice President Kamala Harris used AI to fake crowd sizes at her rallies. And on Friday, Trump cried “AI” again at a photo of him with E. Jean Carroll, a writer who successfully sued him for sexual assault, that contradicts his claim of never having met her.
Legal scholars Danielle K. Citron and Robert Chesney foresaw this trend years ago, coining the term “liar’s dividend” in 2019 to describe the consequence of deep doubt: deepfakes being weaponized by liars to discredit authentic evidence. But whereas deep doubt was once a hypothetical academic concept, it is now our reality.
The rise of deepfakes, the persistence of doubt
Doubt has been a political weapon since ancient times. This modern AI-fueled manifestation is just the latest evolution of a tactic where the seeds of uncertainty are sown to manipulate public opinion, undermine opponents, and hide the truth. AI is the newest refuge of liars.
Over the past decade, the rise of deep-learning technology has made it increasingly easy for people to craft false or modified pictures, audio, text, or video that appear to be non-synthesized organic media. Deepfakes were named after a Reddit user going by the name “deepfakes,” who shared AI-faked pornography on the service, swapping out the face of a performer with the face of someone else who wasn’t part of the original recording.
In the 20th century, one could argue that a certain part of our trust in media produced by others was a result of how expensive and time-consuming it was, and the skill it required, to produce documentary images and films. Even texts required a great deal of time and skill. As the deep doubt phenomenon grows, it will erode this 20th-century media sensibility. But it will also affect our political discourse, legal systems, and even our shared understanding of historical events that rely on that media to function—we rely on others to get information about the world. From photorealistic images to pitch-perfect voice clones, our perception of what we consider “truth” in media will need recalibration.
In April, a panel of federal judges highlighted the potential for AI-generated deepfakes to not only introduce fake evidence but also cast doubt on genuine evidence in court trials. The concern emerged during a meeting of the US Judicial Conference’s Advisory Committee on Evidence Rules, where the judges discussed the challenges of authenticating digital evidence in an era of increasingly sophisticated AI technology. Ultimately, the judges decided to postpone making any AI-related rule changes, but their meeting shows that the subject is already being considered by American judges.
Enlarge/ Under C2PA, this stock image would be labeled as a real photograph if the camera used to take it, and the toolchain for retouching it, supported the C2PA. But even as a real photo, does it actually represent reality, and is there a technological solution to that problem?
On Tuesday, Google announced plans to implement content authentication technology across its products to help users distinguish between human-created and AI-generated images. Over several upcoming months, the tech giant will integrate the Coalition for Content Provenance and Authenticity (C2PA) standard, a system designed to track the origin and editing history of digital content, into its search, ads, and potentially YouTube services. However, it’s an open question of whether a technological solution can address the ancient social issue of trust in recorded media produced by strangers.
A group of tech companies created the C2PA system beginning in 2019 in an attempt to combat misleading, realistic synthetic media online. As AI-generated content becomes more prevalent and realistic, experts have worried that it may be difficult for users to determine the authenticity of images they encounter. The C2PA standard creates a digital trail for content, backed by an online signing authority, that includes metadata information about where images originate and how they’ve been modified.
Google will incorporate this C2PA standard into its search results, allowing users to see if an image was created or edited using AI tools. The tech giant’s “About this image” feature in Google Search, Lens, and Circle to Search will display this information when available.
In a blog post, Laurie Richardson, Google’s vice president of trust and safety, acknowledged the complexities of establishing content provenance across platforms. She stated, “Establishing and signaling content provenance remains a complex challenge, with a range of considerations based on the product or service. And while we know there’s no silver bullet solution for all content online, working with others in the industry is critical to create sustainable and interoperable solutions.”
The company plans to use the C2PA’s latest technical standard, version 2.1, which reportedly offers improved security against tampering attacks. Its use will extend beyond search since Google intends to incorporate C2PA metadata into its ad systems as a way to “enforce key policies.” YouTube may also see integration of C2PA information for camera-captured content in the future.
Google says the new initiative aligns with its other efforts toward AI transparency, including the development of SynthID, an embedded watermarking technology created by Google DeepMind.
Widespread C2PA efficacy remains a dream
Despite having a history that reaches back at least five years now, the road to useful content provenance technology like C2PA is steep. The technology is entirely voluntary, and key authenticating metadata can easily be stripped from images once added.
AI image generators would need to support the standard for C2PA information to be included in each generated file, which will likely preclude open source image synthesis models like Flux. So perhaps, in practice, more “authentic,” camera-authored media will be labeled with C2PA than AI-generated images.
Beyond that, maintaining the metadata requires a complete toolchain that supports C2PA every step along the way, including at the source and any software used to edit or retouch the images. Currently, only a handful of camera manufacturers, such as Leica, support the C2PA standard. Nikon and Canon have pledged to adopt it, but The Verge reports that there’s still uncertainty about whether Apple and Google will implement C2PA support in their smartphone devices.
Adobe’s Photoshop and Lightroom can add and maintain C2PA data, but many other popular editing tools do not yet offer the capability. It only takes one non-compliant image editor in the chain to break the full usefulness of C2PA. And the general lack of standardized viewing methods for C2PA data across online platforms presents another obstacle to making the standard useful for everyday users.
Currently, C2PA could arguably be seen as a technological solution for current trust issues around fake images. In that sense, C2PA may become one of many tools used to authenticate content by determining whether the information came from a credible source—if the C2PA metadata is preserved—but it is unlikely to be a complete solution to AI-generated misinformation on its own.
Enlarge/ A screenshot of Taylor Swift’s Kamala Harris Instagram post, captured on September 11, 2024.
On Tuesday night, Taylor Swift endorsed Vice President Kamala Harris for US President on Instagram, citing concerns over AI-generated deepfakes as a key motivator. The artist’s warning aligns with current trends in technology, especially in an era where AI synthesis models can easily create convincing fake images and videos.
“Recently I was made aware that AI of ‘me’ falsely endorsing Donald Trump’s presidential run was posted to his site,” she wrote in her Instagram post. “It really conjured up my fears around AI, and the dangers of spreading misinformation. It brought me to the conclusion that I need to be very transparent about my actual plans for this election as a voter. The simplest way to combat misinformation is with the truth.”
In August 2024, former President Donald Trump posted AI-generated images on Truth Social falsely suggesting Swift endorsed him, including a manipulated photo depicting Swift as Uncle Sam with text promoting Trump. The incident sparked Swift’s fears about the spread of misinformation through AI.
This isn’t the first time Swift and generative AI have appeared together in the news. In February, we reported that a flood of explicit AI-generated images of Swift originated from a 4chan message board where users took part in daily challenges to bypass AI image generator filters.
Enlarge/ An ABC handout promotional image for “AI and the Future of Us: An Oprah Winfrey Special.”
On Thursday, ABC announced an upcoming TV special titled, “AI and the Future of Us: An Oprah Winfrey Special.” The one-hour show, set to air on September 12, aims to explore AI’s impact on daily life and will feature interviews with figures in the tech industry, like OpenAI CEO Sam Altman and Bill Gates. Soon after the announcement, some AI critics began questioning the guest list and the framing of the show in general.
“Sure is nice of Oprah to host this extended sales pitch for the generative AI industry at a moment when its fortunes are flagging and the AI bubble is threatening to burst,” tweeted author Brian Merchant, who frequently criticizes generative AI technology in op-eds, social media, and through his “Blood in the Machine” AI newsletter.
“The way the experts who are not experts are presented as such what a train wreck,” replied artist Karla Ortiz, who is a plaintiff in a lawsuit against several AI companies. “There’s still PLENTY of time to get actual experts and have a better discussion on this because yikes.”
The trailer for Oprah’s upcoming TV special on AI.
On Friday, Ortiz created a lengthy viral thread on X that detailed her potential issues with the program, writing, “This event will be the first time many people will get info on Generative AI. However it is shaping up to be a misinformed marketing event starring vested interests (some who are under a litany of lawsuits) who ignore the harms GenAi inflicts on communities NOW.”
Critics of generative AI like Ortiz question the utility of the technology, its perceived environmental impact, and what they see as blatant copyright infringement. In training AI language models, tech companies like Meta, Anthropic, and OpenAI commonly use copyrighted material gathered without license or owner permission. OpenAI claims that the practice is “fair use.”
Oprah’s guests
According to ABC, the upcoming special will feature “some of the most important and powerful people in AI,” which appears to roughly translate to “famous and publicly visible people related to tech.” Microsoft co-founder Bill Gates, who stepped down as Microsoft CEO 24 years ago, will appear on the show to explore the “AI revolution coming in science, health, and education,” ABC says, and warn of “the once-in-a-century type of impact AI may have on the job market.”
As a guest representing ChatGPT-maker OpenAI, Sam Altman will explain “how AI works in layman’s terms” and discuss “the immense personal responsibility that must be borne by the executives of AI companies.” Karla Ortiz specifically criticized Altman in her thread by saying, “There are far more qualified individuals to speak on what GenAi models are than CEOs. Especially one CEO who recently said AI models will ‘solve all physics.’ That’s an absurd statement and not worthy of your audience.”
In a nod to present-day content creation, YouTube creator Marques Brownlee will appear on the show and reportedly walk Winfrey through “mind-blowing demonstrations of AI’s capabilities.”
Brownlee’s involvement received special attention from some critics online. “Marques Brownlee should be absolutely ashamed of himself,” tweeted PR consultant and frequent AI critic Ed Zitron, who frequently heaps scorn on generative AI in his own newsletter. “What a disgraceful thing to be associated with.”
Other guests include Tristan Harris and Aza Raskin from the Center for Humane Technology, who aim to highlight “emerging risks posed by powerful and superintelligent AI,” an existential risk topic that has its own critics. And FBI Director Christopher Wray will reveal “the terrifying ways criminals and foreign adversaries are using AI,” while author Marilynne Robinson will reflect on “AI’s threat to human values.”
Going only by the publicized guest list, it appears that Oprah does not plan to give voice to prominent non-doomer critics of AI. “This is really disappointing @Oprah and frankly a bit irresponsible to have a one-sided conversation on AI without informed counterarguments from those impacted,” tweeted TV producer Theo Priestley.
Others on the social media network shared similar criticism about a perceived lack of balance in the guest list, including Dr. Margaret Mitchell of Hugging Face. “It could be beneficial to have an AI Oprah follow-up discussion that responds to what happens in [the show] and unpacks generative AI in a more grounded way,” she said.
Oprah’s AI special will air on September 12 on ABC (and a day later on Hulu) in the US, and it will likely elicit further responses from the critics mentioned above. But perhaps that’s exactly how Oprah wants it: “It may fascinate you or scare you,” Winfrey said in a promotional video for the special. “Or, if you’re like me, it may do both. So let’s take a breath and find out more about it.”
what a train wreck,” 
