George R.R. Martin

review:-knight-of-the-seven-kingdoms-brings-back-that-westeros-magic

Review: Knight of the Seven Kingdoms brings back that Westeros magic


Prequel series is just great storytelling, reminding GoT fans why they loved the original so much.

HBO has another critically acclaimed hit with A Knight of the Seven Kingdoms, based on George R.R. Martin’s Tales of Dunk and Egg novellas, and it deserves every bit of the praise heaped upon it. The immensely satisfying first season wrapped with last night’s finale, dealing with the tragedy of the penultimate episode and setting the stage for the further adventures of Dunk and Egg. House of the Dragon is a solid series, but Knight of the Seven Kingdoms has reminded staunch GoT fans of everything they loved about the original series in the first place.

(Spoilers below, but no major reveals until after the second gallery. We’ll give you a heads up when we get there.)

A Knight of the Seven Kingdoms adapts the first novella in the series, The Hedge Knight, and is set more than 50 years after the events of House of the Dragon. Dunk (Peter Claffey) is a lowly hedge knight who has just buried his aged mentor, Ser Arlan of Pennytree (Danny Webb). Ser Arlan was perhaps not the kindest of mentors and often stone drunk, but at least he was hung like the proverbial horse—as viewers discovered in a full-frontal moment that instantly went viral. Lacking any good employment options, Dunk decides to enter a local tournament, since he has inherited Ser Arlan’s sword, shield, and three horses.

En route, he stops at an inn, where a bald-headed child who goes by Egg (Dexter Sol Ansell) asks if he can be Dunk’s squire. Dunk refuses at first, but Egg follows him and Dunk reluctantly agrees. He christens himself Ser Duncan the Tall but finds he cannot enter the tournament without a knight or lord to vouch for him—someone who remembered Ser Arlan. Dunk strikes out again and again, until he meets Prince Baelor “Breakspear” Targaryen (Bertie Carvel), son of King Daeron II and heir to the Iron Throne. Baelor remembers Arlan and vouches for Dunk.

As they await their turn at the tournament, Dunk and Egg are drafted into a friendly game of tug-of-war by Ser Lyonel Baratheon (Daniel Ings), aptly known as the “Laughing Storm.” They attend a puppet show starring the Dornish-borne Tanselle (Tanzyn Crawford); Egg is enthralled by the showmanship, while Dunk is enamored of Tanselle. And the pair bond further on the first day of the tournament, cheering with excitement at the jousting knights.

But this is Westeros, and nobody’s truly happy for long. Prince Aerion “Brightflame” Targaryen (Finn Bennett)—nephew to Baelor, son of Prince Maekar “The Anvil” Targaryen (Sam Spruell)—has also entered the tournament, and he’s the spoiled and vicious black sheep of the family. His lack of honor is firmly established when he deliberately lances his opponent’s horse to dismount him, effectively ending the day’s festivities. It’s only a matter of time before Dunk runs afoul of Aerion.

A humble hedge knight

A squire and his hedge knight: Dexter Sol Ansell plays “Egg” (l) and Peter Claffey plays Dunk (r). YouTube/HBO

A Knight of the Seven Kingdoms is just plain great storytelling, with excellent pacing, unexpected twists, and a much lighter tone than its predecessors, which makes the inevitable tragic moments that much more powerful. The episodes are short, and there are only six of them, so there is no padding whatsoever, yet somehow the main characters are fully drawn and compelling. The Game of Thrones franchise has always excelled at spectacular battle sequences on a grand scale. Here we get the same heart-pounding excitement on the smaller scale of jousting at a country tournament. The clever camerawork makes the viewer feel they’re in the center of the action, often showing the combatants’ viewpoints through the slits in their helmets.

The casting is inspired. Claffey, a former rugby player turned actor, is Dunk incarnate: tall and strong with a heart as big as his frame and a naively earnest belief in the knight’s code of honor. Ings’ Lyonel Baratheon oozes ribald charisma—he’s very fond of bawdy tavern songs—and one can see hints of what Game of Thrones’ King Robert Baratheon (Mark Addy) might have been like as a young and handsome warrior lord (before he got old and fat and fatefully encountered that wild boar). Carvel infuses Baelor with quiet strength and dignity, while Bennett is suitably menacing as Aerion to give us a colorful villain who’s fun to hate.

Yet young Ansell, at just 11 years old, outshines them all as Egg, bringing a perfect blend of intelligence, spunk, vulnerability, and disquieting maturity to his performance. Ansell had minor roles in the British soap Emmerdale and as young Coriolanus Snow in The Hunger Games: Ballad of Songbirds and Snakes, but this is his first starring role. May there be many more. His chemistry with Claffey makes you believe in Dunk and Egg’s friendship and root for them to succeed. It’s a wonderful dynamic. But can their bond withstand the big reveal of Egg’s true identity? (Of course it can, but not before a tearful, heartfelt clearing of the air.)

(WARNING: Major spoilers below. Stop reading now if you haven’t finished watching the series or haven’t read the books.)

A “trial by seven”

Dunk and Egg face Baelor after Dunk struck Prince Aerion (who totally had it coming). HBO

As any fan of the books can tell you, Egg is short for Aegon—Aegon Targaryen, Aerion’s younger brother, who ran away after his other older brother, Prince Daeron (Henry Ashton), refused to enter the tournament. Egg was so looking forward to being his squire and latched onto Dunk instead, but he can’t protect him from Aerion’s wrath. Dunk ends up in a prison cell and must prove his innocence in fine Westeros fashion: trial by combat, specifically a trial by seven, which means he needs six other knights to fight with him. Dunk is one man short until Baelor unexpectedly steps in as the seventh.

And that brings us to the seismic events of the penultimate episode (a GoT tradition). The joust is brutal. Aerion is the more skilled fighter, but Dunk has the size and strength advantage, so each inflicts significant bodily damage on the other. And just when you think Dunk has lost, he rises again and defeats Aerion, forcing him to withdraw his accusation. Dunk’s team suffers a couple of casualties, but everyone is relieved that Baelor has survived.

Dunk kneels and swears his loyalty in gratitude, which is when Ser Raymun (Shaun Thomas) notices the prince’s crushed helmet. Baelor has been mortally wounded by his own brother Maekar’s mace. He collapses and dies as a sobbing Dunk cradles his body, deftly setting up the season finale, in which everyone must deal with the aftermath.

The heir to the Iron Throne is dead—a good man who would have been an excellent king. A humble hedge knight has somehow changed the future of Westeros, and chances are it won’t be for the better. So what does Dunk do now? Ser Lyonel offers him a place at Storm’s End, but Dunk refuses, believing that he will just bring bad luck. Maekar offers him a position at the Targaryen Summerhall castle so that Egg can be his squire; his influence might actually prevent Egg from turning into a jerk like Aerion (whose penance is exile to the Free Cities). Again, Dunk declines, to Egg’s chagrin. But when Dunk leaves town to strike out on his own as an itinerant knight, Egg runs away again and joins him.

There are, of course, tons of Easter eggs for diehard Westeros fans, but one is particularly worth mentioning: a fortune-teller tells Egg that he will be king one day but die horribly in flames. “Why would she say that?” an understandably upset Egg asks. It’s a reference to a bit of Westeros lore only mentioned in passing in Martin’s many books: the tragedy at Summerhall. Egg becomes King Aegon V with Dunk heading up the Kingsguard. They were both killed by wildfire (along with many others), and Summerhall was destroyed in what was most likely Aegon’s attempt to hatch new dragons out of seven surviving dragon eggs. So not even Dunk and Egg get a truly happy ending.

All episodes of A Knight of the Seven Kingdoms are now streaming on HBO. It was renewed for a second season—which will be based on The Sworn Sword—before the first episode even aired, and I eagerly await what comes next for our unlikely heroes.

Photo of Jennifer Ouellette

Jennifer is a senior writer at Ars Technica with a particular focus on where science meets culture, covering everything from physics and related interdisciplinary topics to her favorite films and TV series. Jennifer lives in Baltimore with her spouse, physicist Sean M. Carroll, and their two cats, Ariel and Caliban.

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It’s outright war for the Iron Throne in House of the Dragon S3 teaser

With HBO’s critically acclaimed A Knight of the Seven Kingdoms gearing up for its season finale on Sunday, it’s time to check in on that other Game of Thrones spinoff: the far darker House of the Dragon, which now has a suitably ominous teaser for its upcoming third season.

(Spoilers for the first two seasons below.)

The series is set nearly 200 years before the events of Game of Thrones, when dragons were still a fixture of Westeros, and chronicles the beginning of the end of House Targaryen’s reign. The primary source material is Fire and Blood, a fictional history of the Targaryen kings written by George R.R. Martin. As book readers know, those events culminated in a civil war and the extinction of the dragons—at least until Daenerys Targaryen came along.

The first season spanned many years and featured some pretty significant time jumps, which required replacing the younger actors as their characters aged. For those who might need a refresher: King Viserys (Paddy Considine) died, and his second wife, Alicent (Olivia Cooke), conspired with her father, Otto Hightower (Rhys Ifans), to crown her eldest son, Aegon (Tom Glynn-Carney), as king instead of Viserys’ declared heir apparent, Rhaenyra (Emma D’Arcy).

Even though she was technically the rightful heir, Rhaenyra actually seemed to be considering House Hightower’s conditions for concession—until the arrogant Prince Aemond (Ewan Mitchell), Alicent’s younger son, went after Rhaenyra’s young son, Lucerys (Elliot Grihault). Both dragonriders failed to control their dragons, and Aemon’s much bigger dragon, Vhagar, gobbled up poor Lucerys and his little dragon, Arrax, in mid-air. The season closed with Rhaenyra and her husband/uncle Daemon (Matt Smith) receiving the devastating news, effectively dashing any hope of a peaceful resolution.

House of the Dragon has always taken a leisurely, more focused approach to its characters’ political maneuverings, interspersed with bursts of bloody violence, and S2 was no exception. But it opened with a bang: the infamous “Blood and Cheese” incident (well-known to book readers), in which assassins sent to take out Aemond as vengeance for Lucerys can’t find him and butcher Aegon’s eldest son instead. We lost a couple more dragons and several supporting characters in the ensuing chaos, and Aegon was so severely wounded that Aemond became regent—with no plan to relinquish the Iron Throne any time soon.

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Knight of the Seven Kingdoms trailer brings levity to Westeros

With House of the Dragon entering its third season, HBO is ready to debut a new spinoff series set in Game of Thrones’ Westeros: A Knight of the Seven Kingdoms, based on George R.R. Martin’s Tales of Dunk and Egg novellas. HBO clearly has a lot of confidence in this series; it’s already been renewed for a second season. And judging by the final trailer, that optimism is warranted.

As we’ve previously reported, A Knight of the Seven Kingdoms adapts the first novella in the series, The Hedge Knight, and is set 50 years after the events of House of the Dragon. Per the official premise:

A century before the events of Game of Thrones, two unlikely heroes wandered Westeros: a young, naïve but courageous knight, Ser Duncan the Tall, and his diminutive squire, Egg. Set in an age when the Targaryen line still holds the Iron Throne and the last dragon has not yet passed from living memory, great destinies, powerful foes, and dangerous exploits all await these improbable and incomparable friends.

Peter Claffey co-stars as Ser Duncan the Tall, aka a hedge knight named “Dunk,” along with Dexter Sol Ansell as Prince Aegon Targaryen, aka “Egg,” a child prince and Dunk’s squire. The main cast also includes Finn Bennett as Egg’s older brother, Prince Aerion “Brightflame” Targaryen; Bertie Carvel as Egg’s uncle, Prince Baelor “Breakspear” Targaryen, heir to the Iron Throne; Tanzyn Crawford as a Dornish puppeteer named Tanselle; Daniel Ings as Ser Lyonel “Laughing Storm” Baratheon, heir to House Baratheon; and Sam Spruell as Prince Maekar Targaryen, Egg’s father.

There’s also an extensive supporting cast. Ross Anderson plays Ser Humfrey Hardyng; Edward Ashley plays Ser Steffon Fossoway; Henry Ashton as Egg’s older brother, Prince Daeron “The Drunken” Targaryen; Youssef Kerkour as a blacksmith named Steely Pate; Daniel Monks as Ser Manfred Dondarrion; Shaun Thomas as Raymun Fossoway; Tom Vaughan-Lawlor as Plummer, a steward; Steve Wall as Lord Leo “Longthorn” Tyrell, Lord of Highgarden; and Danny Webb as Dunk’s mentor, Ser Arlan of Pennytree.

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A Knight of the Seven Kingdoms teaser debuts at NYCC

A squire and his hedge knight: Dexter Sol Ansell plays

A squire and his hedge knight: Dexter Sol Ansell plays “Egg” (l) and Peter Claffey plays Dunk (r). Credit: YouTube/HBO

This being a Game of Thrones series, there’s also an extensive supporting cast. Ross Anderson plays Ser Humfrey Hardyng; Edward Ashley plays Ser Steffon Fossoway; Henry Ashton as Egg’s older brother, Prince Daeron “The Drunken” Targaryen; Youssef Kerkour as a blacksmith named Steely Pate; Daniel Monks as Ser Manfred Dondarrion; Shaun Thomas as Raymun Fossoway; Tom Vaughan-Lawlor as Plummer, a steward; Steve Wall as Lord Leo “Longthorn” Tyrell, Lord of Highgarden; and Danny Webb as Dunk’s mentor, Ser Arlan of Pennytree.

It’s a good rule of thumb in the Game of Thrones universe not to get too attached to any of the characters, and that probably holds true here, too. But Knight of the Seven Kingdoms also seems to be aiming for a different, lighter tone than its predecessors, judging by the teaser, which has its share of humor. Martin has said as much on his blog, although he added, “It’s still Westeros, so no one is truly safe.”

Since Dunk is a humble hedge knight, there are lots of scenes with him trudging through mud and rain, and jousting will apparently feature much more prominently. “I always love Medieval tournaments in other pictures,” Martin said during a NYCC panel. “We had several tournaments in Game of Thrones, they were in the background, but not the center. I wanted to do something set during a tournament. I sent (the TV writers) a challenge: Let’s do the best jousting sequences that were ever done on film. My favorite was 1952’s Ivanhoe.

A Knight of the Seven Kingdoms debuts on HBO on January 18, 2026.

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Sci-fi writer and WordStar lover re-releases the cult DOS app for free

I love it, and I need it, I bleed it —

“Compared to it, Microsoft Word is pure madness”—Anne Rice.

WordStar running under emulation

Robert J. Sawyer

WordStar’s most recent claim to fame might be that it’s the word processing application on which George R.R. Martin is still not finishing A Song of Ice and Fire.

But many writers loved and still love WordStar, a word processor notably good for actual writing. As computers moved on from DOS to Windows, and word programs grew to encompass features that strayed far from organizing words on a page, WordStar hung back, whether in DOS emulation or in the hearts of its die-hard fans.

One of those fans is Robert J. Sawyer, an award-winning science fiction author still using the program last updated in 1992. Deciding that the app is now “abandonware,” Sawyer recently put together as complete a version of WordStar 7 as might exist. He bundled together over 1,000 pages of scanned manuals that came with WordStar, related utilities, his own README guidance, ready-to-run versions of DOSBox-X and VDosPlus, and WordStar 7 Rev. D and posted them on his website as the “Complete WordStar 7.0 Archive.”

Why would Sawyer—and Michael Chabon and Anne Rice and Arthur C. Clarke and James Gunn—keep using a DOS program, decades past its last update, with quite a few workarounds needed for modern systems? Because it’s meant to help writers keep on writing. Like Vim or Emacs, it can be used with a system of keyboard commands entirely without a mouse; unlike Vim or Emacs, it is built for words and paragraphs, not code. Sawyer detailed this in an essay on his site, republished on Ars Technica in 2017. WordStar puts powerful commands near your strongest fingers and makes navigating text, bookmarking, and leaving unpublished notes for yourself far easier than WordPerfect, Word, or almost anything since.

As noted by The Register, Sawyer is also taking on the calculated risk of publicly declaring WordStar 7 abandoned. The program’s path from a CP/M app by MicroPro onward is winding, being shoved into a half-baked office suite, acquired by SoftKey, which became the Learning Company, acquired by Mattel, spun off to Houghton Mifflin Riverdeep, and is now the archival property of—well, nobody’s quite sure. The history of WordMaster, WordStar, NewWord, and their offshoots and intermixing is fascinating, with a hospital bedside power-grab, lawsuits, and names like Corel and Xoom you haven’t heard in some time.

The full package

If you download the entire 700-ish MB package, you can see all of this for yourself. Sawyer’s README (included in full on the archive page) details the tweaks he recommends for getting WordStar running in DOSBox-X, like setting the screen to 80 columns and 25 lines of text, picking a good font, and switching CapsLock and Ctrl keys to make use of WordStar’s home-row-oriented shortcuts. There’s even a utility for converting WordStar files to something Word or other modern tools can read, handily named CONVERT.EXE.

I wasn’t able to get WordStar working on Windows, Mac, or Linux; it would boot, but it would complain that it “Can’t find C:WSDSPCH.OVR” and shut down soon after, even when I would cravenly mount and provide DOSBox with full access to my root Windows drive. But I’m a relative newcomer to DOSBox-X, so I’m sure it’s something quite simple—yet profound.

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