spectroscopy

3d-map-of-exoplanet-atmosphere-shows-wacky-climate

3D map of exoplanet atmosphere shows wacky climate

Last year, astronomers discovered an unusual Earth-size exoplanet they believe has a hemisphere of molten lava, with its other hemisphere tidally locked in perpetual darkness. And at about the same time, a different group discovered a rare small, cold exoplanet with a massive outer companion 100 times the mass of Jupiter.

Meet Tylos

The different layers of the atmosphere on WASP-121b.

This latest research relied on observational data collected by the European South Observatory’s (ESO) Very Large Telescope, specifically, a spectroscopic instrument called ESPRESSO that can process light collected from the four largest VLT telescope units into one signal. The target exoplanet, WASP-121b—aka Tylos—is located in the Puppis constellation about 900 light-years from Earth. One year on Tylos is equivalent to just 30 hours on Earth, thanks to the exoplanet’s close proximity to its host star. Since one side is always facing the star, it is always scorching, while the exoplanet’s other side is significantly colder.

Those extreme temperature contrasts make it challenging to figure out how energy is distributed in the atmospheric system, and mapping out the 3D structure can help, particularly with determining the vertical circulation patterns that are not easily replicated in our current crop of global circulation models, per the authors. For their analysis, they combined archival ESPRESSO data collected on November 30, 2018, with new data collected on September 23, 2023. They focused on three distinct chemical signatures to probe the deep atmosphere (iron), mid-atmosphere (sodium), and shallow atmosphere (hydrogen).

“What we found was surprising: A jet stream rotates material around the planet’s equator, while a separate flow at lower levels of the atmosphere moves gas from the hot side to the cooler side. This kind of climate has never been seen before on any planet,” said Julia Victoria Seidel of the European Southern Observatory (ESO) in Chile, as well as the Observatoire de la Côte d’Azur in France. “This planet’s atmosphere behaves in ways that challenge our understanding of how weather works—not just on Earth, but on all planets. It feels like something out of science fiction.”

Nature, 2025. DOI: 10.1038/s41586-025-08664-1

Astronomy and Astrophysics, 2025. DOI: 10.1051/0004-6361/202452405  (About DOIs).

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that-book-is-poison:-even-more-victorian-covers-found-to-contain-toxic-dyes

That book is poison: Even more Victorian covers found to contain toxic dyes

Arsenic and old books —

Old books with toxic dyes may be in universities, public libraries, private collections.

Composite image showing color variation of emerald green bookcloth on book spines, likely a result of air pollution

Enlarge / Composite image showing color variation of emerald green bookcloth on book spines, likely a result of air pollution

In April, the National Library of France removed four 19th century books, all published in Great Britain, from its shelves because the covers were likely laced with arsenic. The books have been placed in quarantine for further analysis to determine exactly how much arsenic is present. It’s part of an ongoing global effort to test cloth-bound books from the 19th and early 20th centuries because of the common practice of using toxic dyes during that period.

Chemists from Lipscomb University in Nashville, Tennessee, have also been studying Victorian books from that university’s library collection in order to identify and quantify levels of poisonous substances in the covers. They reported their initial findings this week at a meeting of the American Chemical Society in Denver. Using a combination of spectroscopic techniques, they found that several books had lead concentrations more than twice the limit imposed by the US Centers for Disease Control (CDC).

The Lipscomb effort was inspired by the University of Delaware’s Poison Book Project, established in 2019 as an interdisciplinary crowdsourced collaboration between university scientists and the Winterthur Museum, Garden, and Library. The initial objective was to analyze all the Victorian-era books in the Winterthur circulating and rare books collection for the presence of an arsenic compound called cooper acetoarsenite, an emerald green pigment that was very popular at the time to dye wallpaper, clothing, and cloth book covers. Book covers dyed with chrome yellow—favored by Vincent van Gogh— aka lead chromate, were also examined, and the project’s scope has since expanded worldwide.

The Poison Book Project is ongoing, but 50 percent of the 19th century cloth-case bindings tested so far contain lead in the cloth across a range of colors, as well as other highly toxic heavy metals: arsenic, chromium, and mercury. The French National Library’s affected books included the two-volume Ballads of Ireland by Edward Hayes (1855), an anthology of translated Romanian poetry (1856), and the Royal Horticultural Society’s book from 1862–1863.

Levels were especially high in those bindings that contain chrome yellow. However, the project researchers also determined that, for the moment at least, the chromium and lead in chrome yellow dyed book covers are still bound to the cloth. The emerald green pigment, on the other hand, is highly “friable,” meaning that the particles break apart under even small amounts of stress or friction, like rubbing or brushing up against the surface—and that pigment dust is hazardous to human health, particularly if inhaled.

Lipscomb University undergraduate Leila Ais cuts a sample from a book cover to test for toxic dyes.

Enlarge / Lipscomb University undergraduate Leila Ais cuts a sample from a book cover to test for toxic dyes.

Kristy Jones

The project lists several recommendations for the safe handling and storage of such books, such as wearing nitrile gloves—prolonged direct contact with arsenical green pigment, for instance, can lead to skin lesions and skin cancer—and not eating, drinking, biting one’s fingernails or touching one’s face during handling, as well as washing hands thoroughly and wiping down surfaces. Arsenical green books should be isolated for storage and removed from circulating collections, if possible. And professional conservators should work under a chemical fume hood to limit their exposure to arsenical pigment dust.

X-ray diffraction marks the spot

In 2022, Libscomb librarians heard about the Poison Book Project and approached the chemistry department about conducting a similar analytical survey of the 19th century books in the Beaman Library. “These old books with toxic dyes may be in universities, public libraries, and private collections,” said Abigail Hoermann, an undergraduate studying chemistry at Lipscomb University who is among those involved in the effort, led by chemistry professor Joseph Weinstein-Webb. “So, we want to find a way to make it easy for everyone to be able to find what their exposure is to these books, and how to safely store them.”

The team relied upon X-ray fluorescence spectroscopy to conduct a broad survey of the collection to determine the presence of arsenic or other heavy metals in the covers, followed by plasma optical emission spectroscopy to measure the concentrations in snipped samples from book covers where such poisons were found. They also took their analysis one step further by using X-ray diffraction to identify the specific pigment molecules within the detected toxic metals.

The results so far: Lead and chromium were present in several books in the Lipscomb collection, with high levels of lead and chromium in some of those samples. The highest lead level measured was more than twice the CDC limit, while the highest chromium concentration was six times the limit.

The Lipscomb library decided to seal any colored 19th century books not yet tested in plastic for storage pending analysis. Those books, now known to have covers colored with dangerous dyes, have been removed from public circulation and also sealed in plastic bags, per Poison Book Project recommendations.

The XRD testing showed that lead(II) chromate was present in a few of those heavy metals as well—a compound of the chrome yellow pigment. In fact, they were surprised to find that the book covers contained far more lead than chromium, given that there are equal amounts of both in lead(II) chromate. Further research is needed, but the working hypothesis is that there may be other lead-based pigments—lead(II) oxide, perhaps, or lead(II) sulfide—in the dyes used on those covers.

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