graphene

did-edison-accidentally-make-graphene-in-1879?

Did Edison accidentally make graphene in 1879?

Graphene is the thinnest material yet known, composed of a single layer of carbon atoms arranged in a hexagonal lattice. That structure gives it many unusual properties that hold great promise for real-world applications: batteries, super capacitors, antennas, water filters, transistors, solar cells, and touchscreens, just to name a few. The physicists who first synthesized graphene in the lab won the 2010 Nobel Prize in Physics. But 19th century inventor Thomas Edison may have unknowingly created graphene as a byproduct of his original experiments on incandescent bulbs over a century earlier, according to a new paper published in the journal ACS Nano.

“To reproduce what Thomas Edison did, with the tools and knowledge we have now, is very exciting,” said co-author James Tour, a chemist at Rice University. “Finding that he could have produced graphene inspires curiosity about what other information lies buried in historical experiments. What questions would our scientific forefathers ask if they could join us in the lab today? What questions can we answer when we revisit their work through a modern lens?”

Edison didn’t invent the concept of incandescent lamps; there were several versions predating his efforts. However, they generally had a a very short life span and required high electric current, so they weren’t well suited to Edison’s vision of large-scale commercialization. He experimented with different filament materials starting with carbonized cardboard and compressed lampblack. This, too, quickly burnt out, as did filaments made with various grasses and canes, like hemp and palmetto. Eventually Edison discovered that carbonized bamboo made for the best filament, with life spans over 1200 hours using a 110 volt power source.

Lucas Eddy, Tour’s  grad student at Rice, was trying to figure out ways to mass produce graphene using the smallest, easiest equipment he could manage, with materials that were both affordable and readily available. He considered such options as arc welders and natural phenomena like lightning striking trees—both of which he admitted were “complete dead ends.” Edison’s light bulb, Eddy decided, would be ideal, since unlike other early light bulbs, Edison’s version was able to achieve the critical 2000 degree C temperatures required for flash Joule heating—the best method for making so-called turbostratic graphene.

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Graphene-enhanced ceramic tiles make striking art

In recent years, materials scientists experimenting with ceramics have started adding an oxidized form of graphene to the mix to produce ceramics that are tougher, more durable, and more resistant to fracture, among other desirable properties. Researchers at the National University of Singapore (NUS) have developed a new method that uses ultrasound to more evenly distribute graphene oxide (GO) in ceramics, according to a new paper published in the journal ACS Omega. And as a bonus, they collaborated with an artist who used the resulting ceramic tiles to create a unique art exhibit at the NUS Museum—a striking merger of science and art.

As reported previously, graphene is the thinnest material yet known, composed of a single layer of carbon atoms arranged in a hexagonal lattice. That structure gives it many unusual properties that hold great promise for real-world applications: batteries, super capacitors, antennas, water filters, transistors, solar cells, and touchscreens, just to name a few.

In 2021, scientists found that this wonder material might also provide a solution to the fading of colors of many artistic masterpieces. For instance, several of Georgia O’Keeffe’s oil paintings housed in the Georgia O’Keeffe Museum in Santa Fe, New Mexico, have developed tiny pin-sized blisters, almost like acne, for decades. Conservators have found similar deterioration in oil-based masterpieces across all time periods, including works by Rembrandt.

Van Gogh’s Sunflower series has been fading over the last century due to constant exposure to light. A 2011 study found that chromium in the chrome yellow Van Gogh favored reacted strongly with other compounds like barium and sulfur when exposed to sunlight. A 2016 study pointed the finger at the sulfates, which absorb in the UV spectrum, leading to degradation.

Even contemporary art materials are prone to irreversible color changes from exposure to light and oxidizing agents, among other hazards. That’s why there has been recent work on the use of nanomaterials for conservation of artworks. Graphene has a number of properties that make it attractive for art-conservation purposes. The one-atom-thick material is transparent, adheres easily to various substrates, and serves as an excellent barrier against oxygen, gases (corrosive or otherwise), and moisture. It’s also hydrophobic and is an excellent absorber of UV light.

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