AI and jobs

ai-could-create-78-million-more-jobs-than-it-eliminates-by-2030—report

AI could create 78 million more jobs than it eliminates by 2030—report

On Wednesday, the World Economic Forum (WEF) released its Future of Jobs Report 2025, with CNN immediately highlighting the finding that 40 percent of companies plan workforce reductions due to AI automation. But the report’s broader analysis paints a far more nuanced picture than CNN’s headline suggests: It finds that AI could create 170 million new jobs globally while eliminating 92 million positions, resulting in a net increase of 78 million jobs by 2030.

“Half of employers plan to re-orient their business in response to AI,” writes the WEF in the report. “Two-thirds plan to hire talent with specific AI skills, while 40% anticipate reducing their workforce where AI can automate tasks.”

The survey collected data from 1,000 companies that employ 14 million workers globally. The WEF conducts its employment analysis every two years to help policymakers, business leaders, and workers make decisions about hiring trends.

The new report points to specific skills that will dominate hiring by 2030. Companies ranked AI and big data expertise, networks and cybersecurity, and technological literacy as the three most in-demand skill sets.

The WEF identified AI as the biggest potential job creator among new technologies, with 86 percent of companies expecting AI to transform their operations by 2030.

Declining job categories

The WEF report also identifies specific job categories facing decline. Postal service clerks, executive secretaries, and payroll staff top the list of shrinking roles, with changes driven by factors including (but not limited to) AI adoption. And for the first time, graphic designers and legal secretaries appear among the fastest-declining positions, which the WEF tentatively links to generative AI’s expanding capabilities in creative and administrative work.

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AI company trolls San Francisco with billboards saying “stop hiring humans”

Artisan CEO Jaspar Carmichael-Jack defended the campaign’s messaging in an interview with SFGate. “They are somewhat dystopian, but so is AI,” he told the outlet in a text message. “The way the world works is changing.” In another message he wrote, “We wanted something that would draw eyes—you don’t draw eyes with boring messaging.”

So what does Artisan actually do? Its main product is an AI “sales agent” called Ava that supposedly automates the work of finding and messaging potential customers. The company claims it works with “no human input” and costs 96% less than hiring a human for the same role. Although, given the current state of AI technology, it’s prudent to be skeptical of these claims.

Artisan also has plans to expand its AI tools beyond sales into areas like marketing, recruitment, finance, and design. Its sales agent appears to be its only existing product so far.

Meanwhile, the billboards remain visible throughout San Francisco, quietly fueling existential dread in a city that has already seen a great deal of tension since the pandemic. Some of the billboards feature additional messages, like “Hire Artisans, not humans,” and one that plays on angst over remote work: “Artisan’s Zoom cameras will never ‘not be working’ today.”

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Tyler Perry puts $800 million studio expansion on hold because of OpenAI’s Sora

The Synthetic Screen —

Perry: Mind-blowing AI video-generation tools “will touch every corner of our industry.”

Tyler Perry in 2022.

Enlarge / Tyler Perry in 2022.

In an interview with The Hollywood Reporter published Thursday, filmmaker Tyler Perry spoke about his concerns related to the impact of AI video synthesis on entertainment industry jobs. In particular, he revealed that he has suspended a planned $800 million expansion of his production studio after seeing what OpenAI’s recently announced AI video generator Sora can do.

“I have been watching AI very closely,” Perry said in the interview. “I was in the middle of, and have been planning for the last four years… an $800 million expansion at the studio, which would’ve increased the backlot a tremendous size—we were adding 12 more soundstages. All of that is currently and indefinitely on hold because of Sora and what I’m seeing. I had gotten word over the last year or so that this was coming, but I had no idea until I saw recently the demonstrations of what it’s able to do. It’s shocking to me.”

OpenAI, the company behind ChatGPT, revealed a preview of Sora’s capabilities last week. Sora is a text-to-video synthesis model, and it uses a neural network—previously trained on video examples—that can take written descriptions of a scene and turn them into high-definition video clips up to 60 seconds long. Sora caused shock in the tech world because it appeared to surpass other AI video generators in capability dramatically. It seems that a similar shock also rippled into adjacent professional fields. “Being told that it can do all of these things is one thing, but actually seeing the capabilities, it was mind-blowing,” Perry said in the interview.

Tyler Perry Studios, which the actor and producer acquired in 2015, is a 330-acre lot located in Atlanta and is one of the largest film production facilities in the United States. Perry, who is perhaps best known for his series of Madea films, says that technology like Sora worries him because it could make the need for building sets or traveling to locations obsolete. He cites examples of virtual shooting in the snow of Colorado or on the Moon just by using a text prompt. “This AI can generate it like nothing.” The technology may represent a radical reduction in costs necessary to create a film, and that will likely put entertainment industry jobs in jeopardy.

“It makes me worry so much about all of the people in the business,” he told The Hollywood Reporter. “Because as I was looking at it, I immediately started thinking of everyone in the industry who would be affected by this, including actors and grip and electric and transportation and sound and editors, and looking at this, I’m thinking this will touch every corner of our industry.”

You can read the full interview at The Hollywood Reporter, which did an excellent job of covering Perry’s thoughts on a technology that may end up fundamentally disrupting Hollywood. To his mind, AI tech poses an existential risk to the entertainment industry that it can’t ignore: “There’s got to be some sort of regulations in order to protect us. If not, I just don’t see how we survive.”

Perry also looks beyond Hollywood and says that it’s not just filmmaking that needs to be on alert, and he calls for government action to help retain human employment in the age of AI. “If you look at it across the world, how it’s changing so quickly, I’m hoping that there’s a whole government approach to help everyone be able to sustain.”

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