1984

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The Mac calculator’s original design came from letting Steve Jobs play with menus for ten minutes

Rather than continue the endless revision cycle, Espinosa took a different approach. According to Hertzfeld, Espinosa created a program that exposed every visual parameter of the calculator through pull-down menus: line thickness, button sizes, background patterns, and more. When Jobs sat down with it, he spent about ten minutes adjusting settings until he found a combination he liked.

The approach worked. When given direct control over the parameters rather than having to articulate his preferences verbally, Jobs quickly arrived at a design he was satisfied with. Hertzfeld notes that he implemented the calculator’s UI a few months later using Jobs’s parameter choices from that ten-minute session, while Donn Denman, another member of the Macintosh team, handled the mathematical functions.

That ten-minute session produced the calculator design that shipped with the Mac in 1984 and remained virtually unchanged through Mac OS 9, when Apple discontinued that OS in 2001. Apple replaced it in Mac OS X with a new design, ending the calculator’s 17-year run as the primary calculator interface for the Mac.

Why it worked

Espinosa’s Construction Set was an early example of what would later become common in software development: visual and parameterized design tools. In 1982, when most computers displayed monochrome text, the idea of letting someone fine-tune visual parameters through interactive controls without programming was fairly forward-thinking. Later, tools like HyperCard would formalize this kind of idea into a complete visual application framework.

The primitive calculator design tool also revealed something about Jobs’s management process. He knew what he wanted when he saw it, but he perhaps struggled to articulate it at times. By giving him direct manipulation ability, Espinosa did an end-run around that communication problem entirely. Later on, when he returned to Apple in the late 1990s, Jobs would famously insist on judging products by using them directly rather than through canned PowerPoint demos or lists of specifications.

The longevity of Jobs’s ten-minute design session suggests the approach worked. The calculator survived nearly two decades of Mac OS updates, outlasting many more elaborate interface elements. What started as a workaround became one of the Mac’s most simple but enduring designs.

By the way, if you want to try the original Mac OS calculator yourself, you can run various antique versions of the operating system in your browser thanks to the Infinite Mac website.

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George Orwell’s 1984 as a ’90s PC game has to be seen to be believed

Quick, to the training sphere!

The Big Brother announcement promised the ability to “interact with everything” and “disable and destroy intrusive tele-screens and spy cameras watching the player’s every move” across “10 square blocks of Orwell’s retro-futuristic world.” But footage from the demo falls well short of that promise, instead covering some extremely basic Riven-style puzzle gameplay (flips switches to turn on the power; use a screwdriver to open the grate, etc.) played from a first-person view.

Sample gameplay from the newly unearthed Big Brother demo.

It all builds up to a sequence where (according to a walk-through included on the demo disc) you have to put on a “zero-g suit” before planting a bomb inside a “zero gravity training sphere” guarded by robots. Sounds like inhabiting the world of the novel to us!

Aside from the brief mentions of the Thought Police and MiniPac, the short demo does include a few other incidental nods to its licensed source material, including a “WAR IS PEACE” propaganda banner and an animated screen with the titular Big Brother seemingly looking down on you. Still, the entire gameplay scenario is so far removed from anything in the actual 1984 novel to make you wonder why they bothered with the license in the first place. Of course, MediaX answers that question in the game’s announcement, predicting that “while the game stands on its own as an entirely new creation in itself and will attract the typical game audience, the ‘Big Brother’ game will undoubtedly also attract a large literary audience.”

We sadly never got the chance to see how that “large literary audience” would have reacted to a game that seemed poised to pervert both the name and themes of 1984 so radically. In any case, this demo can now sit alongside the release of 1984’s Fahrenheit 451 and 1992’s The Godfather: The Action Game on any list of the most questionable game adaptations of respected works of art.

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