Author name: Tim Belzer

volvo-invented-the-three-point-seat-belt-67-years-ago;-now-it-has-improved-it

Volvo invented the three-point seat belt 67 years ago; now it has improved it

A Volvo seat belt

No other automaker has the same commitment to road safety as Volvo.

Credit: Volvo Cars

No other automaker has the same commitment to road safety as Volvo. Credit: Volvo Cars

How it works

Basically, a seat belt is made up of a retractor mechanism, buckle assembly, webbing material, and a pretensioner device. Of these parts, the pretensioner is the one tasked with tightening the seatbelt webbing in a collision. As such, it reduces the forward movement of the passenger before the airbag deploys at speeds of up to 200 mph (321 km/h). All of these parts remain the same for Volvo’s newest seat belt iteration. It’s the tiny brain attached to the assemblage that’s different.

Volvo’s new central computing system, HuginCore (named after a bird in Norse mythology), runs the EX60 with more than 250 trillion operations per second. It has been developed in-house, together with its partners Google, Nvidia, and Qualcomm.

“With the HuginCore system we can collect a lot of data and make decisions in the car instantly and combine that with the belt’s ability to choose different load levels,” says Åsa Haglund, head of the Volvo Cars Safety Center. “A box of possibilities opens up where you can detect what type of crash it is and who is in the car and choose a more optimal belt force.”

Volvo crash test dummies

Every day, dummies like these get smashed to make Volvos safer.

Credit: Volvo Cars

Every day, dummies like these get smashed to make Volvos safer. Credit: Volvo Cars

Load limiters control how much force the safety belt applies to the human body during a crash. Volvo’s new system pushes the load-limiting profiles from three to 11, marking a major increase in adjustability. It’s kind of like an audio system, Ljung Aust muses. A sound system with 10 discrete steps up the volume ladder offers varied profiles along the way, while one with only one or two steps addresses fewer preference levels.

Using data from exterior, interior, and crash sensors, the car reacts to a collision in milliseconds—less than the blink of an eye, Ljung Aust says. In the case of a crash, it’s critical to hold the hips into the car, he explains, but the upper body should fold forward in a frontal crash in a nice, smooth motion to meet the airbag. Otherwise, the body is exposed to the same force as the slowing car.

Volvo invented the three-point seat belt 67 years ago; now it has improved it Read More »

openai-spills-technical-details-about-how-its-ai-coding-agent-works

OpenAI spills technical details about how its AI coding agent works

It’s worth noting that both OpenAI and Anthropic open-source their coding CLI clients on GitHub, allowing developers to examine the implementation directly, whereas they don’t do the same for ChatGPT or the Claude web interface.

An official look inside the loop

Bolin’s post focuses on what he calls “the agent loop,” which is the core logic that orchestrates interactions between the user, the AI model, and the software tools the model invokes to perform coding work.

As we wrote in December, at the center of every AI agent is a repeating cycle. The agent takes input from the user and prepares a textual prompt for the model. The model then generates a response, which either produces a final answer for the user or requests a tool call (such as running a shell command or reading a file). If the model requests a tool call, the agent executes it, appends the output to the original prompt, and queries the model again. This process repeats until the model stops requesting tools and instead produces an assistant message for the user.

That looping process has to start somewhere, and Bolin’s post reveals how Codex constructs the initial prompt sent to OpenAI’s Responses API, which handles model inference. The prompt is built from several components, each with an assigned role that determines its priority: system, developer, user, or assistant.

The instructions field comes from either a user-specified configuration file or base instructions bundled with the CLI. The tools field defines what functions the model can call, including shell commands, planning tools, web search capabilities, and any custom tools provided through Model Context Protocol (MCP) servers. The input field contains a series of items that describe the sandbox permissions, optional developer instructions, environment context like the current working directory, and finally the user’s actual message.

OpenAI spills technical details about how its AI coding agent works Read More »

doctors-face-palm-as-rfk-jr.’s-top-vaccine-advisor-questions-need-for-polio-shot

Doctors face-palm as RFK Jr.’s top vaccine advisor questions need for polio shot

He then pondered out loud what would happen if people stopped getting vaccinated. “If we take away all of the herd immunity, then does that switch, does that teeter-totter switch in a different direction?” he asked.

Backlash

In a statement, AMA Trustee Sandra Adamson Fryhofer blasted the question. “This is not a theoretical debate—it is a dangerous step backward,” she said. “Vaccines have saved millions of lives and virtually eliminated devastating diseases like polio in the United States. There is no cure for polio. When vaccination rates fall, paralysis, lifelong disability, and death return. The science on this is settled.”

Fryhofer also took aim at Milhoan’s repeated argument that the focus of vaccination policy should move from population-level health to individual autonomy. Moving away from routine immunizations, which include discussions between clinicians and patients, “does not increase freedom—it increases suffering,” she said, adding that the weakening of recommendations “will cost lives.”

Overall, Milhoan’s comments only further erode the relevance of ACIP and federal vaccine policy among the medical community and states. According to a KFF policy brief, 27 states and Washington, DC, have already announced they will not follow current CDC vaccine recommendations, which Kennedy dramatically overhauled earlier this month without even consulting the ACIP. Instead, the majority of states are relying on previous recommendations or recommendations made within states or by medical organizations.

On Monday, the American Academy of Pediatrics announced the 2026 update to its childhood and adolescent vaccine schedule, which it has held up as an alternative to the CDC’s schedule and has been widely embraced by pediatricians. In the announcement, AAP noted that 12 other medical organizations have endorsed the schedule, including the AMA, the American Academy of Family Physicians, the American College of Obstetricians and Gynecologists, the Infectious Diseases Society of America, and the Pediatric Infectious Diseases Society.

The AAP’s updated recommendations are largely the same as the schedule from last year, but it is significantly different from the CDC’s recommendations, which “depart from longstanding medical evidence and no longer offer the optimal way to prevent illnesses in children,” the AAP said.

“The AAP will continue to provide recommendations for immunizations that are rooted in science and are in the best interest of the health of infants, children and adolescents of this country,” AAP President Andrew Racine said in the announcement.

Doctors face-palm as RFK Jr.’s top vaccine advisor questions need for polio shot Read More »

why-has-microsoft-been-routing-example.com-traffic-to-a-company-in-japan?

Why has Microsoft been routing example.com traffic to a company in Japan?

From the Department of Bizarre Anomalies: Microsoft has suppressed an unexplained anomaly on its network that was routing traffic destined to example.com—a domain reserved for testing purposes—to a maker of electronics cables located in Japan.

Under the RFC2606—an official standard maintained by the Internet Engineering Task Force—example.com isn’t obtainable by any party. Instead it resolves to IP addresses assigned to Internet Assiged Names Authority. The designation is intended to prevent third parties from being bombarded with traffic when developers, penetration testers, and others need a domain for testing or discussing technical issues. Instead of naming an Internet-routable domain, they are to choose example.com or two others, example.net and example.org.

Misconfig gone, but is it fixed?

Output from the terminal command cURL shows that devices inside Azure and other Microsoft networks have been routing some traffic to subdomains of sei.co.jp, a domain belonging to Sumitomo Electric. Most of the resulting text is exactly what’s expected. The exception is the JSON-based response. Here’s the JSON output from Friday:

"email":"[email protected]","services": [],"protocols": [{"protocol":"imap","hostname":"imapgms.jnet.sei.co.jp","port":993,"encryption":"ssl","username":"[email protected]","validated":false},{"protocol":"smtp","hostname":"smtpgms.jnet.sei.co.jp","port":465,"encryption":"ssl","username":"[email protected]","validated":false}]

Similarly, results when adding a new account for [email protected] in Outlook looked like this:

In both cases, the results show that Microsoft was routing email traffic to two sei.co.jp subdomains: imapgms.jnet.sei.co.jp and smtpgms.jnet.sei.co.jp. The behavior was the result of Microsoft’s autodiscover service.

“I’m admittedly not an expert in Microsoft’s internal workings, but this appears to be a simple misconfiguration,” Michael Taggart, a senior cybersecurity researcher at UCLA Health, said. “The result is that anyone who tries to set up an Outlook account on an example.com domain might accidentally send test credentials to those sei.co.jp subdomains.”

When asked early Friday afternoon why Microsoft was doing this, a representative had no answer and asked for more time. By Monday morning, the improper routing was no longer occurring, but the representative still had no answer.

Why has Microsoft been routing example.com traffic to a company in Japan? Read More »

the-brothers-meet-yoshi-in-super-mario-galaxy-movie-trailer

The brothers meet Yoshi in Super Mario Galaxy Movie trailer

The main voice cast is returning for the sequel: Chris Pratt as Mario, Charlie Day as Luigi, Anya Taylor-Joy as Princess Peach, Jack Black as Bowser, Keegan-Michael Key as the anthropomorphic mushroom Toad, and Kevin Michael Richardson as Bowser’s advisor and informant Kamek. We’re also getting two new cast members: Brie Larson as Princess Rosalina, protector of the cosmos and the Lumas, and Benny Safdie as Bowser, Jr., Bowser’s son and heir to the throne. Directors Aaron Horvath and Michael Jelenic are also back, as is screenwriter Matthew Fogel.

Details on the actual plot are fuzzy, but the first trailer (released last November) focused on Bowser and Bowser Jr., who seemed intent on freeing his dad and (one assumes) taking revenge on the brothers. This latest trailer shows Mario and Luigi at the scene of a “troubled” pipe in the desert of San Kingdom, populated by the sombrero-wearing Tostarenans. When they clear away some rubble covering an opening, who should be lurking inside but Yoshi—not a monster to hit with fire flowers, but a friendly green dinosaur. Yoshi is keen to join the team, although Toad seems less than impressed.

The Super Mario Galaxy Movie hits theaters on April 1, 2026.

The brothers meet Yoshi in Super Mario Galaxy Movie trailer Read More »

data-center-power-outage-took-out-tiktok-first-weekend-under-us-ownership

Data center power outage took out TikTok first weekend under US ownership

As the app comes back online, users have also taken note that TikTok is collecting more of their data under US control. As Wired reported, TikTok asked US users to agree to a new terms of service and privacy policy, which allows TikTok to potentially collect “more detailed information about its users, including precise location data.”

“Before this update, the app did not collect the precise, GPS-derived location data of US users,” Wired reported. “Now, if you give TikTok permission to use your phone’s location services, then the app may collect granular information about your exact whereabouts.”

New policies also pushed users to agree to share all their AI interactions, which allows TikTok to store their metadata and trace AI inputs back to specific accounts.

Already seeming more invasive and less reliable, for TikTok users, questions likely remain how much their favorite app might change under new ownership, as the TikTok USDS Joint Venture prepares to retrain the app’s algorithm.

Trump has said that he wants to see the app become “100 percent MAGA,” prompting fears that “For You” pages might soon be flooded with right-wing content or that leftist content like anti-ICE criticism might be suppressed. And The Information reported in July that transferring millions of users over to the US-trained app is expected to cause more “technical issues.”

Data center power outage took out TikTok first weekend under US ownership Read More »

telly’s-“free”-ad-based-tvs-make-notable-revenue—when-they’re-actually-delivered

Telly’s “free” ad-based TVs make notable revenue—when they’re actually delivered

Telly, a company that accepts advertising data instead of cash for its TVs, has reportedly had a hard time getting its “free” TVs into people’s homes.

Telly debuted in May 2023. Its dual-screen design can show ads, even when people aren’t watching. Although the smaller, secondary screen can be used for more helpful applications, like showing the weather or sports scores, its primary purpose is to serve as a billboard south of the 55-inch primary display. Owners cannot disable tracking or cover up the secondary screen (or they have to pay for the TV, which Telly claims is worth $1,000), and they must fill out a lengthy, detailed survey to get one.

When it debuted its TV, Telly said it expected to ship 500,000 devices that summer. In June 2023, the startup said 250,000 people signed up to get a Telly. In a 2024 press release, Telly said that it planned to ship “millions more in 2024.”

But a report from Lowpass this week, citing a “Q3 update sent to investors in November 2025,” said the startup had 35,000 TVs in people’s homes at that time. In Q2 2025, there were 28,000 Telly TVs in use, the note said, according to Lowpass.

The publication reported that the investor note suggests Telly will order 100,000 TVs from supplier Foxconn and increase deliveries soon.

Telly declined to comment to Lowpass and didn’t respond to Ars Technica’s requests for comment.

Shipping problems

So what gives? Based on early registration numbers, it seems Telly has generated enough interest to ship more than 35,000 TVs.

One issue seems to be poor shipping. Per the investor note that Lowpass reviewed, Telly claimed that FedEx delivered 10 percent of its shipments of Telly TVs broken. Since moving to a different company—seemingly Samsung partner RXO, based on Reddit posts—fewer Tellys are arriving broken, the company reportedly said.

As Lowpass noted, dozens of online complaints claim that the free TVs, which ship directly from Telly, were broken upon arrival. The Verge also reported receiving a broken unit in September.

Telly’s “free” ad-based TVs make notable revenue—when they’re actually delivered Read More »

asking-grok-to-delete-fake-nudes-may-force-victims-to-sue-in-musk’s-chosen-court

Asking Grok to delete fake nudes may force victims to sue in Musk’s chosen court


Millions likely harmed by Grok-edited sex images as X advertisers shrugged.

Journalists and advocates have been trying to grasp how many victims in total were harmed by Grok’s nudifying scandal after xAI delayed restricting outputs and app stores refused to cut off access for days.

The latest estimates show that perhaps millions were harmed in the days immediately after Elon Musk promoted Grok’s undressing feature on his own X feed by posting a pic of himself in a bikini.

Over just 11 days after Musk’s post, Grok sexualized more than 3 million images, of which 23,000 were of children, the Center for Countering Digital Hate (CCDH) estimated in research published Thursday.

That figure may be inflated, since CCDH did not analyze prompts and could not determine if images were already sexual prior to Grok’s editing. However, The New York Times shared the CCDH report alongside its own analysis, conservatively estimating that about 41 percent (1.8 million) of 4.4 million images Grok generated between December 31 and January 8 sexualized men, women, and children.

For xAI and X, the scandal brought scrutiny, but it also helped spike X engagement at a time when Meta’s rival app, Threads, has begun inching ahead of X in daily usage by mobile device users, TechCrunch reported. Without mentioning Grok, X’s head of product, Nikita Bier, celebrated the “highest engagement days on X” in an X post on January 6, just days before X finally started restricting some of Grok’s outputs for free users.

Whether or not xAI intended the Grok scandal to surge X and Grok use, that appears to be the outcome. The Times charted Grok trends and found that in the nine days prior to Musk’s post, combined, Grok was only used about 300,000 times to generate images, but after Musk’s post, “the number of images created by Grok surged to nearly 600,000 per day” on X.

In an article declaring that “Elon Musk cannot get away with this,” writers for The Atlantic suggested that X users “appeared to be imitating and showing off to one another,” believing that using Grok to create revenge porn “can make you famous.”

X has previously warned that X users who generate illegal content risk permanent suspensions, but X has not confirmed if any users have been banned since public outcry over Grok’s outputs began. Ars asked and will update this post if X provides any response.

xAI fights victim who begged Grok to remove images

At first, X only limited Grok’s image editing for some free users, which The Atlantic noted made it seem like X was “essentially marketing nonconsensual sexual images as a paid feature of the platform.”

But then, on January 14, X took its strongest action to restrict Grok’s harmful outputs—blocking outputs prompted by both free and paid X users. That move came after several countries, perhaps most notably the United Kingdom, and at least one state, California, launched probes.

Crucially, X’s updates did not apply to the Grok app or website; however, it can reportedly still be used to generate nonconsensual images.

That’s a problem for victims targeted by X users, according to Carrie Goldberg, a lawyer representing Ashley St. Clair, one of the first Grok victims to sue xAI; St. Clair also happens to be the mother of one of Musk’s children.

Goldberg told Ars that victims like St. Clair want changes on all Grok platforms, not just X. But it’s not easy to “compel that kind of product change in a lawsuit,” Goldberg said. That’s why St. Clair is hoping the court will agree that Grok is a public nuisance, a claim that provides some injunctive relief to prevent broader social harms if she wins.

Currently, St. Clair is seeking a temporary injunction that would block Grok from generating harmful images of her. But before she can get that order, if she wants a fair shot at winning the case, St. Clair must fight an xAI push counter-suing her and trying to move her lawsuit into Musk’s preferred Texas court, a recent court filing suggests.

In that fight, xAI is arguing that St. Clair is bound by xAI’s terms of service, which were updated the day after she notified the company of her intent to sue.

Alarmingly, xAI argued that St. Clair effectively agreed to the TOS when she started prompting Grok to delete her nonconsensual images—which is the only way X users had to get images removed quickly, St. Clair alleged. It seems xAI is hoping to turn moments of desperation, where victims beg Grok to remove images, into a legal shield.

In the filing, Goldberg wrote that St. Clair’s lawsuit has nothing to do with her own use of Grok, noting that the harassing images could have been made even if she never used any of xAI’s products. For that reason alone, xAI should not be able to force a change in venue.

Further, St. Clair’s use of Grok was clearly under duress, Goldberg argued, noting that one of the photos that Grok edited showed St. Clair’s toddler’s backpack.

“REMOVE IT!!!” St. Clair asked Grok, allegedly feeling increasingly vulnerable every second the images remained online.

Goldberg wrote that Barry Murphy, an X Safety employee, provided an affidavit that claimed that this instance and others of St. Clair “begging @Grok to remove illegal content constitutes an assent to xAI’s TOS.”

But “such cannot be the case,” Goldberg argued.

Faced with “the implicit threat that Grok would keep the images of St. Clair online and, possibly, create more of them,” St. Clair had little choice but to interact with Grok, Goldberg argued. And that prompting should not gut protections under New York law that St. Clair seeks to claim in her lawsuit, Goldberg argued, asking the court to void St. Clair’s xAI contract and reject xAI’s motion to switch venues.

Should St. Clair win her fight to keep the lawsuit in New York, the case could help set precedent for perhaps millions of other victims who may be contemplating legal action but fear facing xAI in Musk’s chosen court.

“It would be unjust to expect St. Clair to litigate in a state so far from her residence, and it may be so that trial in Texas will be so difficult and inconvenient that St. Clair effectively will be deprived of her day in court,” Goldberg argued.

Grok may continue harming kids

The estimated volume of sexualized images reported this week is alarming because it suggests that Grok, at the peak of the scandal, may have been generating more child sexual abuse material (CSAM) than X finds on its platform each month.

In 2024, X Safety reported 686,176 instances of CSAM to the National Center for Missing and Exploited Children, which, on average, is about 57,000 CSAM reports each month. If the CCDH’s estimate of 23,000 Grok outputs that sexualize children over an 11-day span is accurate, then an average monthly total may have exceeded 62,000 if Grok was left unchecked.

NCMEC did not immediately respond to Ars’ request to comment on how the estimated volume of Grok’s CSAM compares to X’s average CSAM reporting. But NCMEC previously told Ars that “whether an image is real or computer-generated, the harm is real, and the material is illegal.” That suggests Grok could remain a thorn in NCMEC’s side, as the CCDH has warned that even when X removes harmful Grok posts, “images could still be accessed via separate URLs,” suggesting that Grok’s CSAM and other harmful outputs could continue spreading. The CCDH also found instances of alleged CSAM that X had not removed as of January 15.

This is why child safety experts have advocated for more testing to ensure that AI tools like Grok don’t roll out capabilities like the undressing feature. NCMEC previously told Ars that “technology companies have a responsibility to prevent their tools from being used to sexualize or exploit children.” Amid a rise in AI-generated CSAM, the UK’s Internet Watch Foundation similarly warned that “it is unacceptable that technology is released which allows criminals to create this content.”

xAI advertisers, investors, partners remain silent

Yet, for Musk and xAI, there have been no meaningful consequences for Grok’s controversial outputs.

It’s possible that recently launched probes will result in legal action in California or fines in the UK or elsewhere, but those investigations will likely take months to conclude.

While US lawmakers have done little to intervene, some Democratic senators have attempted to ask Google and Apple CEOs why X and the Grok app were never restricted in their app stores, demanding a response by January 23. One day ahead of that deadline, senators confirmed to Ars that they’ve received no responses.

Unsurprisingly, neither Google nor Apple responded to Ars’ request to confirm whether a response is forthcoming or provide any statements on their decisions to keep the apps accessible. Both companies have been silent for weeks, along with other Big Tech companies that appear to be afraid to speak out against Musk’s chatbot.

Microsoft and Oracle, which “run Grok on their cloud services,” as well as Nvidia and Advanced Micro Devices, “which sell xAI the computer chips needed to train and run Grok,” declined The Atlantic’s request to comment on how the scandal has impacted their decisions to partner with xAI. Additionally, a dozen of xAI’s key investors simply didn’t respond when The Atlantic asked if “they would continue partnering with xAI absent the company changing its products.”

Similarly, dozens of advertisers refused Popular Information’s request to explain why there was no ad boycott over the Grok CSAM reports. That includes companies that once boycotted X over an antisemitic post from Musk, like “Amazon, Microsoft, and Google, all of which have advertised on X in recent days,” Popular Information reported.

It’s possible that advertisers fear Musk’s legal wrath if they boycott his platforms. The CCDH overcame a lawsuit from Musk last year, but that’s pending an appeal. And Musk’s so-called “thermonuclear” lawsuit against advertisers remains ongoing, with a trial date set for this October.

The Atlantic suggested that xAI stakeholders are likely hoping the Grok scandal will blow over and they’ll escape unscathed by staying silent. But so far, backlash has seemed to remain strong, perhaps because, while “deepfakes are not new,” xAI “has made them a dramatically larger problem than ever before,” The Atlantic opined.

“One of the largest forums dedicated to making fake images of real people,” Mr. Deepfakes, shut down in 2024 after public backlash over 43,000 sexual deepfake videos depicting about 3,800 individuals, the NYT reported. If the most recent estimates of Grok’s deepfakes are accurate, xAI shows how much more damage can be done when nudifying becomes a feature of one of the world’s biggest social networks, and nobody who has the power to stop it moves to intervene.

“This is industrial-scale abuse of women and girls,” Imran Ahmed, the CCDH’s chief executive, told NYT. “There have been nudifying tools, but they have never had the distribution, ease of use or the integration into a large platform that Elon Musk did with Grok.”

Photo of Ashley Belanger

Ashley is a senior policy reporter for Ars Technica, dedicated to tracking social impacts of emerging policies and new technologies. She is a Chicago-based journalist with 20 years of experience.

Asking Grok to delete fake nudes may force victims to sue in Musk’s chosen court Read More »

google-adds-your-gmail-and-photos-to-ai-mode-to-enable-“personal-intelligence”

Google adds your Gmail and Photos to AI Mode to enable “Personal Intelligence”

Google believes AI is the future of search, and it’s not shy about saying it. After adding account-level personalization to Gemini earlier this month, it’s now updating AI Mode with so-called “Personal Intelligence.” According to Google, this makes the bot’s answers more useful because they are tailored to your personal context.

Starting today, the feature is rolling out to all users who subscribe to Google AI Pro or AI Ultra. However, it will be a Labs feature that needs to be explicitly enabled (subscribers will be prompted to do this). Google tends to expand access to new AI features to free accounts later on, so free users will most likely get access to Personal Intelligence in the future. Whenever this option does land on your account, it’s entirely optional and can be disabled at any time.

If you decide to integrate your data with AI Mode, the search bot will be able to scan your Gmail and Google Photos. That’s less extensive than the Gemini app version, which supports Gmail, Photos, Search, and YouTube history. Gmail will probably be the biggest contributor to AI Mode—a great many life events involve confirmation emails. Traditional search results when you are logged in are adjusted based on your usage history, but this goes a step further.

If you’re going to use AI Mode to find information, Personal Intelligence could actually be quite helpful. When you connect data from other Google apps, Google’s custom Gemini search model will instantly know about your preferences and background—that’s the kind of information you’d otherwise have to include in your search query to get the best output. With Personal Intelligence, AI Mode can just pull those details from your email or photos.

Google adds your Gmail and Photos to AI Mode to enable “Personal Intelligence” Read More »

finally,-a-new-controller-that-solves-the-switch-2’s-“flat-joy-con”-problem

Finally, a new controller that solves the Switch 2’s “flat Joy-Con” problem

When I reviewed the Switch 2 back in June, I noted that the lack of any sort of extended grip on the extremely thin Joy-Con 2 controllers made them relatively awkward to hold, both when connected to the system and when cradled in separate hands. At the time, I said that “my Switch 2 will probably need something like the Nyxi Hyperion Pro, which I’ve come to rely on to make portable play on the original Switch much more comfortable.”

Over half a year later, Nyxi is once again addressing my Switch controller-related comfort concerns with the Hyperion 3, which was made available for preorder earlier this week ahead of planned March 1 shipments. Unfortunately, it looks like players will have to pay a relatively high price for a potentially more ergonomic Switch 2 experience.

While there are plenty of third-party controllers for the Switch 2, none of the current options mimic the official Joy-Cons’ ability to connect magnetically to the console tablet itself (controllers designed to slide into the grooves on the original Switch tablet also can’t hook to the successor console). The Hyperion 3 is the first Switch 2 controller to offer this magnetic connection, making it uniquely suited for handheld play on the system.

And although I haven’t held the Hyperion 3 in my hands yet, my experience with the similar Hyperion 2 on the original Switch suggests that the ergonomic design here will be a welcome upgrade from the relatively small buttons and cramp-inducing flat back of the official Switch 2 Joy-Cons (“Say Goodbye to Tendonitis,” as Nyxi claims in its marketing materials). The controller can also connect wirelessly via Bluetooth 5.0 for when you want to switch to docked play, unlike some Switch Joy-Con replacements that only work in portable mode.

Finally, a new controller that solves the Switch 2’s “flat Joy-Con” problem Read More »

why-adding-modern-controls-to-1996’s-tomb-raider-simply-doesn’t-work

Why adding modern controls to 1996’s Tomb Raider simply doesn’t work


For our C:ArsGames series, we look at the controls conundrum of early 3D.

The graphical updates to Tomb Raider are modest but effective. Credit: Aspyr

For a lot of the games I’ve written about in the C:ArsGames series, I’ve come to the conclusion that the games hold up pretty well, despite their age—Master of Orion II, Jill of the Jungle, and Wing Commander Privateer, for example. Each of those have flaws that show now more than ever, but I still had a blast revisiting each of them.

This time I’d like to write about one that I think doesn’t hold up quite as well for me: For the first time in almost 30 years, I revisited the original Tomb Raider via 2024’s Tomb Raider I-III Remastered collection.

You might be thinking this is going to be a dunk on the work done on the remaster, but that’s not the case, because the core issue with playing 1996’s Tomb Raider in 2026 is actually unsolvable, no matter how much care is put into a remaster.

The age of tank controls

Tomb Raider was part of the first wave of multiplatform games with fully 3D gameplay, releasing the same year as similarly groundbreaking 3D titles Super Mario 64 and Quake. I think you could make a pretty compelling case that most of the modern AAA games industry can trace its lineage in some way back to those three titles.

Because it was the beginning of mass-market 3D games (yes, I know other, more niche 3D games existed before), there were no established best practices for things like the controls or the camera.

Tomb Raider opted for a modality that was common for a few years before it was replaced by clearly better solutions: what we now call “tank controls,” where forward or back moves the character forward or back, but hitting left or right turns the character on its axis in place without moving.

The way it works is naturally intuitive enough, which is part of why it was so popular early on. But the industry has moved on because it’s frustratingly sluggish and clunky. I loved Tomb Raider‘s level design and atmosphere, and the designers did about as good a job as they could designing around the limitations of the controls for most of the combat sequences. But ultimately, there was enough combat that the sluggishness of this input method significantly detracted from my enjoyment.

In 1996, I had little to compare it to, and the novelty of these vertically stacked 3D levels played from a third-person perspective was powerful enough that I had no complaints. But after 30 years of new ideas and iteration, the industry’s designers have solved all the problems this game has with controls.

That’s why the studio behind the remaster tried including an alternative modern control scheme. Unfortunately, that doesn’t work for Tomb Raider at all.

Prince of Persia and grids

When work started on the original Tomb Raider, its developers are said to have had a specific cocktail of influences in mind: They wanted to combine the truly 3D navigable environments they had seen in the groundbreaking Ultima Underworld and the polygonal characters from Virtua Fighter, with gameplay inspired by the 1989 Jordan Mechner classic Prince of Persia.

If you’ve played Prince of Persia, you know the platforming in that game is both precise and challenging. To make jumps, you had to carefully position yourself before launching—one step forward, one step back, until you reached the perfect starting point.

The same goes for Tomb Raider. In fact, the entire game—all the puzzles, layouts, and platforming challenges—adheres to a strict grid system. Players can predict exactly how far protagonist Lara Croft will jump based on where they are on that grid. They can count steps to position themselves, and it’s basically required if you want to consistently navigate the game’s complex and precise jumping sequences without frustration.

Using the game’s original tank controls, you could step forward or backward in predictable ways, or side step, jump to the side, jump forward, jump backward, and so on, with specific numbers of presses on the arrow keys. The entire game was built around this principle.

As frustrating as tank controls are to a modern player, there was an exquisite elegance to this.

The remaster’s modern controls option works more like Tomb Raider Legends from the 2000s, and it’s that general approach that has become standard in almost all modern third-person 3D games.

They feel so much nicer and more responsive to a modern player who has been trained on that for the past two decades, even if that player is someone like me who did play the original games with tank controls back in the day. That short window of three to five years of muscle memory and comfort based on tank controls has been completely overwritten by more than 20 years with what the modern control scheme offers.

Unfortunately, the flexible modern controls lose almost all connection to that elegant grid system. What used to be a precise process—for example, “X steps forward, X steps to the left, then a backflip from exactly this spot”—is now a guessing game of feeling things out. And the platforming sequences aren’t designed with that in mind. As a result, the combat feels a lot better with modern controls, but just about everything else is much more frustrating than before.

Embracing Tomb Raider

I’m not the first to observe this about the remaster; reviewers and Reddit dwellers debated this at length when this release happened two years ago. But I hadn’t gotten to playing the remasters—or revisiting Tomb Raider at all since the ’90s—until I decided to try it out for C:ArsGames.

Tomb Raider is still worth revisiting, but it is frustrating to leave behind 20 years of muscle memory to return to a previous paradigm that ended up being an evolutionary dead end.

The more time you put into it, the more natural the tank controls feel, but without the wow factor of groundbreaking new 3D gameplay, it’s harder to put up with.

Tellingly, Tomb Raider has already gotten a complete remake (distinct from this remaster) once, and another one is coming. Both radically reinvent the gameplay and seem to turn away from the grid system that made the original what it was. Many modern players won’t put up with the tank controls, but not being willing to embrace those means you simply can’t experience Tomb Raider as it was originally intended.

And again, I’m not knocking the work done on this remaster. Fittingly, it was made by Aspyr, the same studio that ported the original games to the Mac in the ’90s. (For a few years, they absolutely dominated the Mac game market with their Windows-to-Mac ports.) They’re still porting games to Mac, Linux, iOS, and Android today—notably, they did all the Civilization VI ports—as well as remasters of classics for modern platforms.

There’s no version of the modern controls that would truly work from this game, so it’s not an execution issue, and I actually think that Tomb Raider I-III Remastered is possibly Aspyr’s most well-crafted work.

The remaster includes the ability to flip between classic graphics and a more contemporary look that I think does a great job of walking the line between honoring the ’90s original and looking nice to 2020s eyes. They even hired Timur “XProger” Gagiev, a developer known for work on Tomb Raider open source engine OpenLara, to be the remaster’s technical director.

The Tomb Raider franchise is about to enter a new era (controversially) under Embracer Group and Amazon Games; it remains to be seen whether it will be a good one. But if you want to go back to where it all started, I recommend grabbing this remaster (available on GOG and other storefronts, as well as on consoles) instead of playing the original release. Just stick with the tank controls, and I hope you adapt back to them more easily than I did!

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Photo of Samuel Axon

Samuel Axon is the editorial lead for tech and gaming coverage at Ars Technica. He covers AI, software development, gaming, entertainment, and mixed reality. He has been writing about gaming and technology for nearly two decades at Engadget, PC World, Mashable, Vice, Polygon, Wired, and others. He previously ran a marketing and PR agency in the gaming industry, led editorial for the TV network CBS, and worked on social media marketing strategy for Samsung Mobile at the creative agency SPCSHP. He also is an independent software and game developer for iOS, Windows, and other platforms, and he is a graduate of DePaul University, where he studied interactive media and software development.

Why adding modern controls to 1996’s Tomb Raider simply doesn’t work Read More »

spotify-won-court-order-against-anna’s-archive,-taking-down.org-domain

Spotify won court order against Anna’s Archive, taking down .org domain

When shadow library Anna’s Archive lost its .org domain in early January, the controversial site’s operator said the suspension didn’t appear to have anything to do with its recent mass scraping of Spotify.

But it turns out, probably not surprisingly to most people, that the domain suspension resulted from a lawsuit filed by Spotify, along with major record labels Sony, Warner, and Universal Music Group (UMG). The music companies sued Anna’s Archive in late December in US District Court for the Southern District of New York, and the case was initially sealed.

A judge ordered the case unsealed on January 16 “because the purpose for which sealing was ordered has been fulfilled.” Numerous documents were made public on the court docket yesterday, and they explain events around the domain suspension.

On January 2, the music companies asked for a temporary restraining order, and the court granted it the same day. The order imposed requirements on the Public Interest Registry (PIR), a US-based nonprofit that oversees .org domains, and Cloudflare.

“Together, PIR and Cloudflare have the power to shut off access to the three web domains that Anna’s Archive uses to unlawfully distribute copyrighted works,” the music companies told the court. They asked the court to issue “a temporary restraining order requiring that Anna’s Archive immediately cease and desist from all reproduction or distribution of the Record Company Plaintiffs’ copyrighted works,” and to “exercise its power under the All Writs Act to direct PIR and Cloudflare to facilitate enforcement of that order.”

Anna’s Archive notified of case after suspension

The companies further asked that Anna’s Archive receive notice of the case by email only after the “order is issued by the Court and implemented by PIR and Cloudflare, to prevent Anna’s Archive from following through with its plan to release millions of illegally obtained, copyrighted sound recordings to the public.” That is apparently what happened, given that the operator of Anna’s Archive initially said domain suspensions are just something that “unfortunately happens to shadow libraries on a regular basis,” and that “we don’t believe this has to do with our Spotify backup.”

Spotify won court order against Anna’s Archive, taking down .org domain Read More »